Tryclyde

	"Under Construction!"
	This article or section will be subject to revision in the near future. The current statistics or information does not fully reflect our views.

“	Step right up, if you're ready to get... toasted!	„
	~ Tryclyde

Background

Tryclyde, also known as Triclyde, is a large, three-headed snake capable of breathing balls of fire. He is also an inhabitant of Subcon, the land of dreams. His design is based on the mythical Lernaean Hydra, a giant, multi-headed serpent.

General Information

Name: Tryclyde

Origin: Doki Doki Panic/Super Mario Bros.

Assigned Gender: Male

Age: Unknown

Classification: Lernaean Hydra

Status: Deceased

Alignment: Neutral Evil (Follows order from Wart's plan to take over Subcon)

Codex Statistics

Tier: Varies. 8-B, up to 6-C

Cardinality: Varies

Dimensionality: 3-D

Attack Potency: Varies (Mario and his friends are noted to be akin to a troupe of actors, taking on different roles depending on the game^[1], with his gimmick being attributed to the same as Mickey Mouse, with their strength and skills even being shown to vary with it being shown with Mario being unable to take on Wario in his pixelated form due to the Wario using a different physiology to make him be unable to interact requiring him to turn to a similar physiology to beat him). City Block level, up to Island level (Harmed Mario, Luigi, Toad, and Princess Peach)

Durability: Varies. City Block level, up to Island level

Striking Strength: Varies. City Block Class, up to Island Class

Lifting Strength: Unknown: True Class

Travel Speed: Varies. Supersonic to Faster Than Light (Kept up with Mario and co.)

Attack Speed: Varies. Supersonic to Faster Than Light

Reaction Speed: Varies. Supersonic to Faster Than Light

Stamina: High

Range: Standard Melee to Several Meters

Intelligence: Average Intelligence

Powers and Techniques

Superhuman Physical Characteristics
Fire Manipulation (Shoots fire balls from their mouth)
Self-Sustenance (Respiratory Self-Sustenance; Mario characters can breathe in space and underwater)
Non-Standard Interaction (Mario characters can harm Boos and ghosts)
Paint Manipulation which includes:
- Non-Standard Interaction
  - Abstract Interaction: Paint makes up everything, with characters in Mario can remove paint from anyone with any attack. Paint is all of life, and removal of it can cause a person or object to have no life within, having their concept of life be removed.
  - Metaphysical interaction: Paint makes up the mind, as paint beings can directly speak to your mind by coloring your thoughts. Loss of paint can also remove your mind and memories. Paint makes up souls and ghosts. Removing it is the equivalent of destroying your soul. Paint makes up all emotions. Removing it would mean the removal of emotion.
  - Spatial Interaction (3-D); Paint makes up all of space. Removing it makes space as if it was solid)
- Blood Manipulation (Paint makes up all of blood within someone, removing it is the same as removing their blood)
- Nullification (Power Nullification; Paint makes up the ability to use powers. Removing it would mean the removal of using powers).

Resistance to
- Paint Manipulation

Other

Standard Tactics: Tryclyde will shoot fireballs at its opponent.

Weaknesses: Nothing notable.

Battle Records

None.

↑ "If you're familiar with things like Popeye and some of the old comic characters, you would oftentimes see this cast of characters that takes on different roles depending on the comic or cartoon," Miyamoto said. "They might be businessman in one [cartoon] or a pirate in another. Depending on the story that was being told, they would change roles. So, to a certain degree, I look at our characters in a similar way and feel that they can take on different roles in different games."

[1] "If you're familiar with things like Popeye and some of the old comic characters, you would oftentimes see this cast of characters that takes on different roles depending on the comic or cartoon," Miyamoto said. "They might be businessman in one [cartoon] or a pirate in another. Depending on the story that was being told, they would change roles. So, to a certain degree, I look at our characters in a similar way and feel that they can take on different roles in different games."

[1]