Dracula (Smash Bros.)

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Articles About Dracula
Main Timeline	Count Dracula - Dracula Wraith - Soma Cruz
Alternate Timelines	Legends - Circle of the Moon
Non-Canon	Netflix Castlevania - Lords of Shadow - Smash Bros.

Background

Dracula is one of the bosses of Super Smash Bros. Ultimate. He is found in the World of Light adventure mode, being fought in the Dark Realm as a requirement before the player can fight Galeem and Dharkon. He can also be found at the end of Classic mode for some characters like Simon Belmont.

General Information

Name: Dracula

Origin: Super Smash Bros. (Originally from Castlevania)

First Appearance: Super Smash Bros. Ultimate

Company: Nintendo

Creator: Masahiro Sakurai

Sex: Male

Sexuality: Heterosexual

Pronouns: He/Him

Age: 735 years old (Seems to be based off his Symphony of the Night appearance during the initial boss fight with Richter Belmont which takes place during Rondo of Blood, thus making him this old)

Homeworld: World of Imagination

Residence: Dracula's Castle

Story Role: Boss

Classification: Dark Lord/Demon King, Vampire, Demon, Child of the Night

Species: Vampire

State of Being: Regular

Physiology: Humanoid Physiology, Monster Physiology in his transformed state

In-Universe Creator: Master Hand

Occupation: None

Affiliations: Dharkon (One of the enemies working with Dharkon in world of light)

Enemies: Simon Belmont (An enemy of his as Simon is apart of the Belmont Clan), Richter Belmont (Dracula's direct enemy)

Height: Unknown

Weight: Unknown

Status: Deceased (Killed by many of the Smash cast)

Date of Death: Unknown

Alignment: Chaotic Evil (Much like his canon counterpart)

Threat Level: Global Threat (Much like his canon counterpart)

Codex Statistics

Key: Vampire form | Demon form

Key Information

• Vampire Form: This key covers Draucla in his standard form.
• Demon Form: This key checks Dracula in his transformed state.

Grade: A

Tier: Unknown-E | Unknown-E

Cardinality: Unknown

Dimensionality: 3-D

Attack Potency: Unknown: Lower Reality level (Can trade blows with the fighters, who can fight Master Hand, fought and defeated Tabuu with the rest of the cast who one-shotted Master Hand and whose defeat caused the subspace realm to be destroyed the subspace realm contains worlds from the world of trophies including objects like the subspace gun which can infinitely render space. Fought Galeem and Dharkon the former of who commands hundreds of Master Hands. Master Hand Is the creator of the Smash Bros. universe, his equal Crazy Hand is the personification of destruction in the Smash Bros. universe. Is the link between the real world and the imaginary world of the Smash Bros. Universe. The Smash Bros. universe is the "World of Imagination", being noted to be imaginary in comparison to reality. With the lower reality being this large) | Unknown: Lower Reality level (Far stronger than before)

Durability: Unknown: Lower Reality level | Unknown: Lower Reality level

Striking Strength: Unknown: Lower Reality Class (His blows can harm the fighters) | Unknown: Lower Reality Class (Far stronger than before)

Lifting Strength: Unknown: Lower Reality Class | Unknown: Lower Reality Class

Travel Speed: Superhuman (Comparable to the fighters) | Superhuman

Attack Speed: Faster Than Light (Can tag the fighters, like Kirby, who avoided beams from Galeem's, which can reach alternate space-times and separate time periods) | Faster Than Light

Reaction Speed: Faster Than Light (Can react to the fighters) | Faster Than Light

Stamina: Very High (Can fight with the Smash Fighters for a while)

Range: Standard Melee, Tens of Meters with Projectiles | Extended Melee physically (Via sheer size), Tens of Meters with projectiles

Intelligence: Unknown Intelligence

Knowledge: Unknown level

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Powers and Techniques

Superhuman Physical Characteristics, Weapon Mastery (All smash characters can use guns, swords, hammers, sycthes, bats, and more in combat), Acrobatics & Multiple Jumps (All Smash Characters are capable of doing flips around the battlefield and being agile, this gets further upgraded to the point of being able to gain an extra mid-air jump), Life Absorption (Can drain the life of their opponents with their attacks), Resurrection (Self-Resurrection, Resurrection of the Deceased; All smash characters that have fallen in battle turn back into trophies, allowing them to be resurrected), Non-Standard Interaction (Lower-Dimensional Interaction (2-D); Can interact and harm beings such as Mr. Game & Watch, a being noted to only have two dimensions where his native home is Flat Zone, which makes all characters that enter it two-dimensional. Primordial Interaction; Can harm beings like Mr. Game & Watch who is the embodiment of a primordial substance, can harm Floow), Forcefield Manipulation, Absorption & Attack Reflection (Can create a shield that can absorb and deflect attacks), Rage Power (All smash characters attacks come out stronger the more damage they take due to the rage mechanic).

Resistance to Empathic Manipulation & Madness Manipulation (Doesn't turn mad or go sad from Floow's screams)

Superhuman Physical Characteristics, Fire Manipulation (Can unleash balls of fire or cause pillars of fire to erupt), Invulnerability (Can only be harmed except in his head), Darkness Manipulation and Magic (Can unleash Dark and fireballs as well as magical orbs), Transformation and Immortality (Can transform into Bats, when he dies, he transforms into his demon form), Teleportation (Can teleport)

Large Size (Supersized), Homing Attack (Can release dark spirits which harm the player and follow the Player's location), Energy Projection (Can unleash a huge blast of energy which covers the entire screen), Vibration Manipulation (Can create a shockwave by leaping in the air and landing on the ground), Status Effect Inducement (One of his attacks can poison someone)

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Notable Techniques

Move	Damage	Description
3-Way Bullet		Dracula takes a step back and wraps himself in his cape, then flings it open to launch a spread of three fireballs forward. This first appeared in the original Castlevania, and is referred to as Hellfire in the Castlevania series.
Straight Bullet		Dracula takes a step back, then holds out his arm as he launches a series of large dark fireballs forward. The fireballs alternate between being just above the ground and at about Dracula's height, which is high enough to miss short or crouching characters. This originates from Castlevania: Rondo of Blood, and is referred to as Dark Inferno in the Castlevania series.
Omnidirectional Bullet		Dracula wraps himself in his cape, then flings it open and holds his arm out to his side, launching multiple sets of red and blue magic orbs. These orbs either revolve around him with sets flying in an alternating clockwise and counter-clockwise fashion as they spread outward, or fly straight with sets alternating between all cardinal and diagonal directions. The red orbs are more powerful than the blue ones and can be absorbed. This move resembles one used by Graham Jones in Castlevania: Aria of Sorrow, which used Dark Inferno's fireballs instead of orbs. The move is known as Dark Inferno (Diffusion) in the Castlevania series.
Pillar of Flame		Dracula raises his arm, and harmless flames appear on the ground, either with many appearing at once or in a sequence. After a moment, these flames erupt into tall fire pillars that hit multiple times. At low health, he combines it with one of the above three moves. It resembles a combination of his primary attack in Castlevania III: Dracula's Curse, Dario's fire pillars in Castlevania: Dawn of Sorrow, and one of his attacks in Castlevania: Harmony of Despair. The attack is referred to as Pillar of Fire in the Castlevania series.
Bat Rush		Dracula thrusts his cape upwards, then transforms into a swarm of bats and rushes ahead to deal darkness damage. This originates from Castlevania: Portrait of Ruin, and is known as Bat Moon in the Castlevania series. Some characters, like Squirtle, can underneath this attack to dodge.

Second form

Move	Damage	Description
Tracking Bullet		Dracula spits a series of three spirits, which initially float up in front of him before flying towards the player's current location. These spirits disappear upon reaching their destination, and they may inflict the Poison status upon hitting players. This move originates from Portrait of Ruin, and is known as Curse Chaser in the Castlevania series.
Fire Bullet		Dracula charges up, then spits a widespread of three fireballs aimed at the player, which explode on contact. It originates from his triple fireball attack in Castlevania, and is referred to as Hellfire in the Castlevania series.
Shockwave		Dracula charges up, then spits an electric wave forward, which is nearly as tall as him. This was one of his primary attacks in Rondo of Blood. Despite its appearance, it actually deals Aura damage.
Rip Apart		Dracula swipes in front of him with his claws, potentially doing so up to three times. He may either perform it in place or while taking a step forward. The first attack may inflict the Poison manipulation status.
Strike		Dracula does a wide overhead swing with his claws, which deals darkness damage and can meteor smash. He may either rear back and perform it in place or take a step forward.
Trample		Dracula jumps, then slams his fist into the ground, producing a shockwave that moves to both ends of the stage. The initial jump, falling punch, and shockwave all deal damage.
		Dracula jumps to a different spot on the stage. His landing deals damage.

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Other

Standard Tactics: Dracula's attacks are overall random, however, he starts with orbs and fireballs first. Later on, he will unleash stronger orbs or cause fire pillars to erupt from the ground. Dracula will also either teleport or turn into a bat and move to another part of the stage | The main attacks are at first swipes with its claws. Later on, he may spit out fire or energy blasts. Dracula may also jump around the stage.

Weaknesses: His head is his weak spot. | None notable in this state.

Codex Statistics Questions

Q: Shouldn't the characters be around tier 2 for defeating the Time Reaper who would've destroyed the very fabric of time, attempted to destroy the specific era of time, cause all beings everywhere to disappear, forever and that the age was on the verge of collapse?

A: We actually never get a direct outright method of Time Reaper's plan for doing this, from what Aeon mentions to Golem, if the Time Rift is not erased, all beings everywhere will disappear, forever, implying that it's the Time Rift causing this, this is further backed up by the fact that in Time Reaper's boss fight, there is a vortex in the background consuming everything, meaning this is an overtime feat that scales to no one physically.

Q: Shouldn't they get tier 2 for Dracula's influence destabilizing the flow of time?

A: This is a potent ability but has nothing to do with Attack Potency, there is no quantification for "destabilizing the flow of time", along with this, even if it was taken as physically, then it would be overtime as the effects are not noticeable throughout most of Curse of Darkness.

Q: Shouldn't Dracula and by proxy anyone that scales to him get tier 2 for him being able to sustain his castle?

A: This goes under our Stabilization Feats standards, which treats sustaining feats are non-combat applicable Attack Potency normally, though in Dracula's case the Castle is speficially powered by the existence of a Dark Lord, and doesn't necessarily need their strength to rise. In the Castlevania novel, the castle rose without a Dark Lord as an example. Along with this, no one scales to the collapse of the castle, in Curse of Darkness Hector would've died to the collapse of the castle if Julia didn't come save him, and Isaac died within the castle. In other cases the Castle does not collapse, but instead slowly fades away. At the end of Dawn of Sorrow Soma Cruz and Genya Arikado (aka Alucard must escape the collapsing abyss.

Q: Shouldn't Castlevania characters that scale to Death have Infinite speed due to Death being able to kill distance itself with his attacks?

A: Killing distance to attack is not a speed feat, it's a method of Spatial Manipulation by circumventing and ignoring distance, while one can say the attack spawns on you instantly, this is not really something quantifiable. Along with this, it would only scale to characters comparable to Death during post-Dawn of Sorrow, as Soma notes Death is far faster than he remembered from his fight with him in Dawn of Sorrow.

Battle Records

None.

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