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Rumia

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Touhou Project/Rumia
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Rumia (ルーミア Rūmia) is a youkai capable of manipulating darkness. She makes her first appearance as the Stage 1 boss of Embodiment of Scarlet Devil.

Rumia
Origin
Origin Touhou Koumakyou (Scarlet Devil Land) ~ the Embodiment of Scarlet Devil
Creator ZUN
First Appearance Touhou 06: Embodiment of the Scarlet Devil
Voiced by Fan-made Series: Maria Naganawa, Madoka Asahina, Shiori Izawa, Sumire Morohoshi, Rei Matsuzaki, Hitomi Ōwada, Takako Tanaka, Shio Kisui, Nagi Fujisaki, Seina Kato
Characteristics
Species Youkai
Gender Female
Pronouns She/Her
Sexuality Unknown
Age Unknown
Birthday Unknown
Height Short
Weight Unknown
Ethnicity Unknown
Status Alive
Alignment Neutral Evil
Archetype Monster
Occupation N/A
Time Period Non-linear
Language Japanese
Combat Style Magical Combat
Homeworld Gensokyo
Relationships
Affiliations Aya Shameimaru, Reimu Hakurei, Marisa Kirisame, Three Fairies of Light, Mystia Lorelei, Wriggle Nightbug
Enemies Reimu Hakurei (Formerly), Marisa Kirisame (Formerly), Humans

Background

This dropdown contains the synopsis of Rumia’s story. Read at your own risk as you may be spoiled otherwise!

Embodiment of Scarlet Devil

Rumia's sprite in Embodiment of Scarlet Devil

Eastern Scarlet Devil Land ~ the Embodiment of Scarlet Devil

- 0 -
Every day in Gensokyo was more noisy than expected. Any mysterious visitor would be confused with a ghost of summertime.

All of that equates to just a normal summer. The outskirts were enveloped in scarlet illusion.

- 1 -
In the eastern mountains, far from any human habitation, is where the isolated Hakurei Shrine lies.

This mountain was never occupied by humans, and even now no one ever goes there. Thus the place was called Gensokyo. And even now, as usual, non-human creatures and just a few humans lived freely with pride.

People blindly accepted the advance of culture, and aggressively tried to eliminate any of the darker parts of their lifestyles. In truth, that was a comfortable environment for the creatures living in the dusk. They did not have to get involved with humans.

And one summer day, without a sound, a turbulent, mysterious mist began to envelop Gensokyo. It was almost as if Gensokyo itself was loathing the light of day.

- 2 -
The shrine maiden of the Hakurei Shrine, Reimu Hakurei was living a mostly peaceful life. At this shrine, seldom visited by those come to pray, she was sometimes bored, sometimes not bored, and generally living in a carefree manner.

On that day, Reimu was just a little less bored than usual.

Reimu: "Geez, what is all this? If we're not getting any light, then the weather is not going to clear up at all."

At the rate it was moving, the mist would reach past the shrine and descend to where humans lived. Gensokyo interfering with its peoples' lives would most likely cause Gensokyo to be eliminated by the hands of humans, too.

Reimu: "Well, finding the cause of all this is a shrine maiden's job (isn't it?). For some reason, that lake back there is pretty suspicious, so let's go there!"

With her body surrounded by the mysterious mist, The sharp-witted girl, relying on her senses, set off in the direction of the lake.

- 3 -
As one of the few residents of the forest, the normal girl Marisa Kirisame normally flew through the sky.

When she realized that she couldn't see any of the lake all of a sudden due to the mist, the normal-witted girl thought that there might be something happening on the island floating in the lake.

Marisa: "Well, humans usually create communities close to water, after all."

Monsters wouldn't be able to live without water, either. That was her very human-like way of thinking.

Marisa: "It looks like she'll be doing something pretty soon, so why don't I go take a look?"

The girl set off as if there might just be something valuable to find. Or, rather, she actually went looking for it.

- 4 -
The lake was entirely covered by the mysterious mist. This mysterious energy was so strong that a normal human would only survive for about 30 minutes, but less ordinary humans too would have about thirty minutes.

The center of the mist barely receives any light during the day, and filters out moonlight as well. From within the mist, a full moon looks hazy and several times larger.

If we suppose the mist is the work of a human, one could say that the human must have eaten belladonna flower.

In the very center of it all is an island, rejected by mankind simply because they could not live there. On that island is a mansion; one of few windows.

Inside the mansion that knows neither day nor night, "she" was there.

~ Embodiment of Scarlet Devil Prologue English Translation


東方紅魔郷 ~ the Embodiment of Scarlet Devil.

- 0 -
幻想郷は、予想以上に騒がしい日々をおくっていた。  謎の来訪者に、夏の亡霊も戸惑ってるかの様に見えた。

そんな全てが普通な夏。  辺境は紅色の幻想に包まれた。 - 1 -
ここは東の国の人里離れた山の中。  博麗(はくれい)神社は、そんな辺境にあった。

 この山は、元々は人間は棲んでいない、今も多くは決して足を踏み入  れない場所で、人々には幻想郷と呼ばれていた。  幻想郷は、今も相変わらず人間以外の生き物と、ほんの少しの人間が  自由に闊歩していたのだった。

人々は文明開化に盲信した、人間は生活から闇の部分を積極的に排除  しようとしていた。  実はそれは、宵闇に棲む生き物にとっても、人間との干渉もなくお互  いに気楽な環境だったのだった。

そして、ある夏の日、音も無く、不穏な妖霧が幻想郷を包み始めたの  である。  それは、まるで幻想郷が日の光を嫌っているように見えたのだった。

- 2 -
 博麗神社の巫女、博麗霊夢(はくれいれいむ)はおおよそ平穏な日々  を送っていた。  滅多に参拝客が訪れないこの神社は、退屈だったり退屈じゃなかった  りして、楽しく暮らしているようである。

 そんな夏の日、霊夢は少しばかり退屈以外していた。

  霊夢「もー、なんなのかしら、      日が当たらないと天気が晴れないじゃない」

 このままでは、霧は神社を越え、人里に下りていってしまう。  幻想郷が人々の生活に干渉してしまうことは、幻想郷も人の手によっ  て排除されてしまうだろう。

  霊夢「こうなったら、原因を突き止めるのが巫女の仕事(なのか?)      なんとなく、あっちの裏の湖が怪しいから、出かけてみよう!」

あたりは一面の妖霧。  勘の鋭い少女は、直感を頼りに湖の方向へ出発した。

- 3 -
数少ない森の住人である普通の少女、霧雨 魔理沙(きりさめまりさ)は、  普通に空を飛んでいた。

 いつのまにか、霧で湖の全体が見渡せなくなっていたことに気づくと、  勘の普通な少女は、湖に浮かぶ島に何かがあるのでは?と思ったのだった。

  魔理沙「普通、人間だって水のあるところに集落を造るしな」

 化け物も水がないと生きてけないのだろうと、実に人間らしい考え方である。

  魔理沙「そろそろ、あいつが動き出しそうだから、ちょっと見に行くか」

 少女は、何かめぼしい物が無いか探しに行くかのように出発した。  むしろ探しに行ったのだった。 - 4 -
 湖は、一面妖霧に包まれていた。  普通の人間は30分はもつ程度の妖気だったが、普通じゃない人もやはり  30分程度はもつようだった。

 妖霧の中心地は、昼は常にぼんやり明るく、夜は月明かりでぼんやり明る  かった。  霧の中から見る満月はぼやけて数倍ににも膨れて見えるのだった。

 もしこの霧が人間の仕業だとすると、ベラドンナの花でもかじった人間で  あることは容易に想像できる。

 中心地には島があり、そこには人気を嫌った、とてもじゃないけど人間の  住めないようなところに、窓の少ない洋館が存在した。

 昼も夜も無い館に、「彼女」は、いた。

~ Embodiment of Scarlet Devil Prologue Japanese
Rumia vs. Reimu in the Scarlet Mist Incident

A thick red mist blankets Gensokyo, irritating Reimu and prompting her to investigate its source. On her way, she bumps into Rumia, who is noted even by ZUN to not have any real bearing to the plot. Reimu swiftly defeats her.

Shoot the Bullet


1. Special Story

——Bunkachou. The mysterious notebook where the tengu wrote material for stories.

Marisa "Oh, I found this creepy notebook a while ago, I don't know whose it is, though."

Reimu "Oh, did you burn it?" Marisa "Why do I have to burn it? Anyway, it's got photos pasted everywhere in it, and there's explanations scribbled all over, like someone talking to themselves. Creepy, huh?" Reimu "That is creepy. So, did you burn it?" Marisa "Yeah, I burned it. In my mind. The photos of just youkai or danmaku have things like "This picture is no good" or "This picture will be useful" written on them.

Isn't that creepy?"

A crow calls. Soon the sun will set. It's a good thing it's not a cuckoo calling.

Reimu "So, where is this notebook?"

Marisa "It was creepy, so I was all excited about taking it home, but all of a sudden it was gone. Dammit, I wonder if a crow stole it." Reimu "That's the creepiest part of your story.

Maybe I'd better burn you instead of that notebook."

The tengu races across Gensokyo at the highest speed together with the crows. As the newspaper extras fly about, Gensokyo's newspaper girl Aya Shameimaru looked for youkai to serve as story material.

~ Shoot the Bullet Prologue English Translation


■1.おまけのストーリー

 ――文花帖。     それは天狗が記事のネタを書き留めた不思議な手帖。

 魔理沙「そう言えば、この間気味の悪い手帖を拾ったんだ、誰のもんだか

     判らんが」  霊夢 「そう、燃やしたの?」  魔理沙「何でいきなり燃やす必要があるんだよ。で、その手帖には写真が      びっしり貼ってあって、それぞれに独り言みたいな解説が書かれ      ていたんだよ。気味悪いだろう?」  霊夢 「気味悪いわね。それで燃やしたの?」  魔理沙「ああ燃やしたさ。心の中で。      妖怪と弾幕ばっか撮影した変な写真ばかりで『この写真は使えな      い』とか『この写真はネタになる』とか書かれていたんだよ。

     な、気味が悪いだろう?」

  鴉が鳴いている。もうそろそろ日が落ちようとしていた。   鳴いているのは閑古鳥で無くて良かった。

 霊夢 「それで、その手帖はどこにあるの?」

 魔理沙「気味が悪いから持ち帰ろうと思ってウキウキ気分で歩いていたら、      何故か既に手に持ってなかったんだ。      くそ、鴉に持って行かれたかもしれん」  霊夢 「そっちの方が気味が悪い話ねぇ。

     燃やすのは手帖じゃなくて、あんたね」

  鴉と共に天狗は最速で幻想郷を駆け抜ける。   号外が飛び交う中、幻想郷のブン屋 射命丸文(しゃめいまるあや)の  ネタ集めの為に妖怪を探していた。

~ Shoot the Bullet Prologue Japanese

Rumia is the stage 1 target in Shoot the Bullet, which Aya is annoyed by due to her darkness making the photos no good due to how dark they were.
Hopeless Masquerade

Rumia is a background character in Hopeless Masquerade, being seen in the Hall of Dreams' Great Mausolem stage doing her popular crucifix pose.

Bohemian Archive in Japanese Red
During an interview with Aya, Rumia expressed frustration that other youkai had begun entering her darkness, attributing this to Aya's article suggesting they could similarly avoid light and heat by doing so. She also objected when Aya requested sufficient light for note-taking, claiming it would make the darkness too bright. Aya noted her disappointment that recently there seemed to be more youkai lacking motivation to learn or work, counting Rumia among them.

Perfect Memento in Strict Sense
Hieda no Akyuu writes an article on Rumia apart of her Gensokyo Chronicles.

Oriental Sacred Place
Rumia appears in Oriental Sacred Place taking part in a test of guts held at the Hakurei Shrine alongside Sakuya Izayoi, Youmu Konpaku, Yuyuko Saigyouji, Wriggle Nightbug, Mystia Lorelei, and Cirno. She is first seen speaking with Mystia and Wriggle, then later within her sphere of darkness while pursuing Youmu. She reappears later among a similar crowd when the Three Fairies of Light prepare a festival at the Hakurei Shrine.

The Grimoire of Marisa
Marisa documents Rumia's spell card, Night Sign "Night Bird" in her grimoire. Marisa considers imitating it.

Whispered Oracle of Hakurei Shrine
Reimu writes a fortune slip on Rumia to clean up in the aftermath of an incident.

Foul Detective Satori
Rumia makes a cameo appearance when they explain humanity's fears of the night, the darkness, and youkai themselves.

Name Meaning

The name "Rumia" (ルーミア) may have been intended for romanization as "Lumia", potentially deriving from the Latin lumen ("light") or related English words such as "luminous" or "luminescent". This possible origin finds support in her first spell card, Moon Sign "Moonlight Ray". If "Lumia" was indeed the intended romanization, her ability to manipulate and create darkness might function through light absorption. ZUN has used "Rumia" in a 2004 diary post—though he also used the noticeably erroneous "Frandre" in the same entry—and has overseen official corrections from "Lumia" to "Rumia". The name "Rumia" also appears on her portrait in Perfect Memento in Strict Sense.

Appearance

General Description: Rumia is a figure with short blonde hair and red eyes. According to ZUN, her height is that of a human in her early teens, between 10 and 14 years old.

Facial Features: She has short blonde hair. A small red ofuda is tied to the left side of her hair, positioned to resemble a ribbon. She cannot touch or remove this amulet. Her eyes are red.

Clothing/Outfit:

  • Primary Outfit (Embodiment of Scarlet Devil official art): A black vest and skirt over a white blouse. A red tie bordered by two large red beads is worn around her neck.

Special Features: The red ofuda in her hair is a permanent fixture that she cannot touch or remove, despite its appearance as a hair ribbon. Her height places her in the early teen range per developer statements.

Personality

  • Unaware of Her Own Weakness: Rumia surrounds herself with darkness during the day but cannot see inside it herself. Akyuu questions whether she is stupid after deducing this.
  • Lazy and Unmotivated: Rumia states that improving her aimless wandering routine or using her darkness to hunt more effectively would be "too much effort." Aya notes that Rumia is one of many youkai who do not feel like working or learning and does not maintain her dignity as a youkai.
  • Dislikes Sunlight and Heat: Rumia complains that sunlight makes her tired, turns her skin red, and dries out her hair. She dislikes summer heat.
  • Theatrical Presentation: Rumia holds her arms stretched straight out horizontally to evoke the image of a crucified saint.

Goals

  • Hunt for humans (Ongoing).

Relationships

Mystia Lorelei, Wriggle Nightbug, & Three Fairies of Light

Rumia takes part with them in scaring Youmu Konpaku as part of a "test of courage".

General Information

Name: Rumia[1]

Titles

Origin: Touhou Koumakyou (Scarlet Devil Land) ~ the Embodiment of Scarlet Devil

Overall Series: Touhou Project

First Appearance: Touhou 06: Embodiment of the Scarlet Devil

Latest Appearance: Touhou 13.5: Hopeless Masquerade (Latest game appearance), Foul Detective Satori Chapter 12 (Latest Print Work appearance)

Company: Team Shanghai Alice

Creator: ZUN

Actor: The following voice acted roles are all from fan-made series not apart of any canonical Touhou works.

Gender: Female

Sexuality: Unknown

Pronouns: She/Her

Handedness: Ambidextrous (Always has her hands in a crucifix shape in order to scare humans[7])

Age: Unknown

Birthday: Unknown

Time Period: The world of Gensokyo itself is in a non-linear time period

Timeline: Main Timeline

Homeworld: Gensokyo

Residence: Unknown Part of Gensokyo (Noted by ZUN himself that Rumia's usual wherabouts and activities are unknown[8]

Story Role: Stage 1 Boss, Level 1 Boss

Legacy: Local Legacy (Known locally as a threat by the human villagers as the darkness youkai[3])

Influence: Local Influence (Enough of a threat to where human villagers know to watch out for her)

Language: Japanese

Ethnicity: Unknown

Religion: N/A (Youkais lack faith, not caring about religious related values[9])

Classification: Weaker Youkai[3]

Species: Youkai

State of Being: Regular

Physiology: Humanoid Physiology

In-Universe Creator: Unknown

Occupation: N/A

Combat Style: Magical Combat

Affiliations: Aya Shameimaru, Reimu Hakurei, Marisa Kirisame, Three Fairies of Light, Mystia Lorelei, Wriggle Nightbug

Enemies: Reimu Hakurei (Formerly), Marisa Kirisame (Formerly), Humans

Height: Short (It's noted by ZUN that he does not have an official height listed for characters, though generally speaking they are about as tall as height of a human in her late teens or older)[10]

Weight: Unknown

Status: Alive

Alignment

Threat Level: Street Threat

Potential

  • Type(s) of Potential: Fixed Potential
  • Level of Potential: Fixed
  • Description: Hasn't had any real statements to showcase anything beyond the standard potential.
  • Limitations: Standard limitations.

Archetype: Monster

Codex Statistics

Grade: A

Tier: At least 9-C, Far Higher with Spiritual Power

Cardinality: Finite

Dimensionality: 3-D

Power Source: Magic & Fear

Attack Potency: At least Bone level (Noted that Rumia's darkness powers are a supporting ability and she uses pure power to attack humans[3], where it's noted even with her appearance, a human's power can't compare to a youkai's[13]. Youkais can easily kill humans[14], with it being noted that if it came to open conflict between humans and youkai, they would probably wipe out the village in the blink of an eye[15]. Youkai have stronger bodies than humans[11]. Youkai are noted to be physically stronger than humans[16]), Far Higher with Spiritual Power (Noted how even Yumemi Okazaki's scientific magic truly pales in comparison with the real thing[17], which Yumemi noted to not make light of the power of her science as she could blow up the planet at any moment[18]). Can ignore covnentional durability with Magic (Magic exists outside of the Grand Unified Theory[19], a theory with any model that merges electromagnetic, weak, and strong forces into a single force at high energies, unifying gravity with the electronuclear interaction, providing a more comprehensive theory of everything. Yumemi explains that on her world, all power can be explained by the Grand Unified Theory, however she posits an existence of a power not covered by the Theory: the power of magic[20]. Yumemi also explains that in the world of Gensokyo, magic unifies everything[21]. Magic is noted by Yumemi to have close ties with religion[22]. The second layer of reality is spirit and magic, while the first layer is where all things within the laws of physics presides, putting attacks with magic outside of the conventional laws of physics[23])

Durability: At least Bone level, Far Higher with Spiritual Power. Her Youkai Physiology makes her very difficult to kill (It's noted that one cannot defeat spirits or devilish powers without a weapon with an unnatural amount of spiritual power such as the Yin-Yang Orb[24]. Physical attacks such as a whacking a sake bottle over the head are considered violent methods that wouldn't work on youkai[25], with it only being spiritual attacks that cause fatal wounds to youkai[11]. When attempting to exterminate a youkai, one does not use weapons that cause physical damage, instead weapons with an "origin" are more preferable[16]. In the world beyond (Gensokyo), physical form has no meaning for all non-human entities[26])

Striking Strength: At least Bone Class

Lifting Strength: At least Superhuman Class

Travel Speed: At least Superhuman (Can keep up with other characters flight speeds, where they can reach across long distances due to being able to fly[27])

Attack Speed: At least Superhuman. Magic Attacks lack a defined speed (Magic exists outside of the Grand Unified Theory[28], a theory with any model that merges electromagnetic, weak, and strong forces into a single force at high energies, unifying gravity with the electronuclear interaction, providing a more comprehensive theory of everything. Yumemi explains that on her world, all power can be explained by the Grand Unified Theory, however she posits an existence of a power not covered by the Theory: the power of magic[29]. Yumemi also explains that in the world of Gensokyo, magic unifies everything[30]. Magic is noted by Yumemi to have close ties with religion[31])

Reaction Speed: At least Superhuman

Stamina: Superhuman (Youkai have stronger bodies than humans[11]. Youkais within Gensokyo do not have much demand for medicine for physical illnesses as they are comprised mostly of spirit, thus they are always fit and robust[32])

Range: Standard Melee. At least Tens of Meters (Can fire out attacks[33] that travel[34] across the screen[35]), Cross-Dimensional with Battlefield Removal (Ordinary youkai[36], can send themself and their opponent to a different battlefield[37])

Intelligence: Average Intelligence

Knowledge: Novice level (It's noted that Rumia most likely can't see in the darkness she produces[38], with Hieda no Akyuu attributing the likelyhood to being that she's stupid[39])


Powers and Techniques




Equipment

Japanese English Notes / Alternative Translation Appears In Usage / Notes
月符「ムーンライトレイ」 Moon Sign "Moonlight Ray" Embodiment of Scarlet Devil Used in Stage 1 on Hard/Lunatic
夜符「ナイトバード」 Night Sign "Night Bird" Embodiment of Scarlet Devil, Grimoire of Marisa Used in Stage 1 on Easy/Normal/Hard/Lunatic
闇符「ディマーケイション」 Darkness Sign "Demarcation" Embodiment of Scarlet Devil Used in Stage 1 on Easy/Normal/Hard/Lunatic
闇符「ダークサイドオブザムーン」 Darkness Sign "Dark Side of the Moon" Shoot the Bullet Used in Stage 1
夜符「ミッドナイトバード」 Night Sign "Midnight Bird" Shoot the Bullet Used in Stage 1

Notable Techniques

Main Abilitiy

Manipulation of Darkness
Rumia possesses the ability to envelop her surroundings in magical darkness at will. This darkness renders conventional light sources (including torches) completely ineffective within its radius. Humans who wander inside find their vision severely limited, able to see virtually nothing.

The darkness is unaffected by external light sources but has no physical interaction with objects it envelops. Notably, Rumia herself cannot see within her own darkness; she openly admits to bumping into trees while surrounded by it, and multiple eyewitness accounts confirm that humans who entered the darkness sphere escaped unharmed.

Despite this limitation, Rumia demonstrates nuanced control over light permeability. She was able to read Aya's newspaper while surrounded by almost total darkness, letting only enough light pass through to read, while Aya herself could not write notes or read her own notebook in the same conditions.

Although she dislikes heat and sunlight, Rumia has been observed without her darkness in broad daylight on multiple occasions, including during summer.

In Shoot the Bullet, this ability manifests during the spell card Darkness Sign "Dark Side of the Moon". When covered in darkness, Rumia becomes impossible to photograph. Her spell card naming convention consistently references night and darkness themes, including Moon Sign, Night Sign, and Darkness Sign cards.

Spell Cards



Screenshot
Spell Card 01
月符「ムーンライトレイ」 (Tsukifu "Muunraito rei")
Moon Sign "Moonlight Ray"
Owner
Rumia
Stage 1 — Hard/Lunatic
Spell Card Pattern Description
Rumia shoots rings of small bullets, one of them aimed at the opponent, as two thick lasers close in from the sides in a similar way to Sara's final phase in Mystic Square.


Screenshot
Spell Card 02
夜符「ナイトバード」 (Yorufu "Naito baado")
Night Sign "Night Bird" [147]
Owner
Rumia
Stage 1 — Easy/Normal/Hard/Lunatic
Spell Card Pattern Description
She shoots arcs of bullets, one of the bullets in the arc being aimed at the opponent. Rumia's first non-spell attack must be timed out to access it on Easy.


Screenshot
Spell Card 03
闇符「ディマーケイション」 (Yamifu "Dimaakeishon")
Darkness Sign "Demarcation" [148]
Owner
Rumia
Stage 1 — Easy/Normal/Hard/Lunatic
Spell Card Pattern Description
Rumia shoots blue, green and red rings that stop, then the bullets turn in a sharp angle and expand the circles. Odds bullets go right and even bullets go left. Then she shoots clumps of blue bullets aimed at the player.


Screenshot
Spell Card 1 - 2

Owner
Rumia
Level 1 — 2
Comment
暗闇に何か居ました。
何だか判らないのでストロボライトを焚いて撮影
しました……が、誰でしょうねぇ。
Translation
There was something in the darkness.
I didn't know what it was, so I used a strobe light to photograph
it ... but, I wonder who it was?


Screenshot
Spell Card 1 - 4
闇符「ダークサイドオブザムーン」 (Anfu "Daakusaido Obu Muun")
Darkness Sign "Dark Side of the Moon"
Owner
Rumia
Level 1 — 4
Comment
夜は気をつけないといけないです。
何もないと気を抜いて飛んでいたら
突然攻撃されました。これはその時の証拠写真。
Translation
You have to be careful in the darkness.
If you just go flying off without paying attention,
you'll be attacked suddenly. As these pictures prove.


Screenshot
Spell Card 1 - 6
夜符「ミッドナイトバード」 (Yafu "Middonaito Baado")
Night Sign "Midnight Bird"
Owner
Rumia
Level 1 — 6
Comment
妖怪が暗闇に紛れて襲ってくるのは、実は自分の力
に対する自信の無さの現れです。
撮るだけ無駄ですね。写真にも良く写らないし。
Translation
Youkai covering in the darkness before attacking is, in fact,
a manifestation of the lack of self-confidence in one's own power.
It's useless to take pictures as they will not be good.

Night Sign "Night Bird"
夜符「ナイトバード」 Night Sign "Night Bird"
• 使用者 ルーミア • User: Rumia
• 備考 紅霧異変にて確認 • Notes: Confirmed during the Scarlet Mist Incident
• 参考度 参考にしない • Reference Level: I ain't using this
 鳥は暗闇では目が見えないと言われる。 They say that birds can't see in the dark.
 ルーミアは光すら避ける暗い妖怪だから、鳥を見た事がないのかも知れない。その位鳥に見えない。 Rumia is a dark youkai that even light avoids, so she might not have ever seen a bird in her life. That's how un-birdlike this looks.
 ちなみにスペルカードは特筆すべき点は無いほど簡単。つまらん。 Incidentally, this spell card is too simple to have any special points worth mentioning. Boring.


Other

Standard Tactics: Rumia emits the darkness around her to wrap one into it and then attack them with pure power.

Weaknesses

Note

Special Notes

  • Many spell card images and descriptions along with translations are heavily helped by the Touhou Wiki.

Explanations

Canoncity of Touhou Project

The Touhou Project franchise canoncity mainly falls under any media worked on by ZUN are official and canon to the overall lineup.

There are various aspects constantly debated about within the canon:

PC-98

Media like PC-98, has been noted by ZUN to be ignored as one can ignore derivative works[162]. He has also said that anything prior to Embodiment of Scarlet Devil can for the most part be ignored and one can think of Embodiment of Scarlet Devil as the starting from a clean slate and starting a new series[163], he's also referred to Highly Responsive to Prayers as a study product[164]. With this in mind, one would assume that PC-98 is thus non-canon to the Windows continuity of games.

However, ZUN has also directly stated PC-98 games are the same world as the Windows Games, stating that any contradictions that exist from PC-98 can be ignored from the retcon in Windows Era[165]. While one argues ZUN noting the works are derivative works to be ignored and Embodiment of the Scarlet Devil should be seen as the starting point, these statements are moreso telling a fan to not worry about having to play PC-98 games or learn more about their stories.

It's also been noted in Embodiment of Scarlet Devil's おまけ.txt that the game chronologically is not too far from the previous title, which would be Mystic Square, the PC-98 title[166]. ZUN has also directly brought back characters from PC-98 games, noting he wanted to bring back characters from before Embodiment of Scarlet Devil and notes any of the other older characters that don't appear have probably retired by now and are warmly watching over things from various places nowadays[167]. When asked where Mima from PC-98 has gone, ZUN notes that he doesn't bring them back due to making things complicated and having potentially angry fans ask where she has been the entire time, he has also noted that there's not much use for characters like Genji as Reimu can fly now and also notes he is not dead[168]. ZUN has also made mention to Genji probably living in the lake in the back of the shrine[169]. In Touhou Sangetsusei ~ Strange and Bright Nature Deity, Reimu and Marisa were talking about glowing moss with Reimu saying it would be nice to transfer it to the pond in the back of the Hakurei Shrine and Marisa saying that she could make it grow there on the turtles' back, referencing Genji[170].

In Touhou 07 Perfect Cherry Blossom, when Alice meets Reimu, she tells her long time no see, noting that they've met before calling her "old friend"[171]. In Yuuka's mode in Touhou Project - Phantasmagoria of Flower View, Reimu directly references defeating Yuuka back in PC-98[172]. If Yuuka defeats Marisa in the same game, she will note that Marisa has grown up quite a bit, when the last time she's seen her has been in PC-98[173].

Seeing as ZUN himself has directly said both PC-98 and Windows are in the same world and that characters directly acknowledged PC-98 events and reference characters from it, PC-98 is completely canon and any contradictions PC-98 have can be ignored.

Side Games Time Placements

Touhou 7.5 - Immaterial and Missing Power takes place between Perfect Cherry Blossom and Imperishable Night[174].

Multiple Playable Routes

In the series, there are multiple playable character routes, including some where the characters fight Reimu herself and defeat her, calling question into what route is canon. ZUN has elaborated that canonically, anytime Reimu and the gang are defeated, they challenge again however many times they want, but on the youkai side, they do not challenge again after being defeated and are not attached to the results of winning or losing[175].

In terms of how playable routes have went, some examples of canonically noted routes:

With some of these examples, it is normally assumed that in some way Reimu has some part in resolving every incident and other routes are dubiously canon depending on what transpired.

Spell Card Rules

There are many cases of weaker humans beating stronger Yokai or vice versa within the Touhou series, this has been elaborated on in Reimu's profile on Perfect Memento in Strict Sense. Reimu introduced the spell card rules as the youkai had no way to defeat the Hakurei shrine maiden, making many youkai feel that their meaning to exist have dissapeared[132]. The rules incoporate the following:

  • Spell cards are techniques specially-named by the individual, and they must be declared upon use.
  • The number of each party's spell cards must be determined in advance of a duel.
  • The first party to have all of their spell cards beaten must admit defeat.
  • The victor is entitled only to what was agreed upon before the duel. If they're not interested in what their opponent has to offer, they can refuse a duel.
  • Winners should generally allow losers a rematch.
  • Always prepare for the unexpected.

The original draft held these rules[179]:

  • Combatants will give names and meanings to the duel for the benefit of beauty.
  • Combatants will declare the number of named duels before beginning.
  • Combatants may not repeat attacks by relying on stamina.
  • Combatants may not deliver attacks that do not have meaning. The meaning itself becomes the attack's power.
  • In the case that a combatant loses a named duel, that combatant will admit defeat, even if he or she has strength remaining. No combatant may kill a human, even upon victory.
  • Combatants will write the duel's name on paper in the format of a contract. By doing so, the above-mentioned rules become absolute. These papers will be called spell cards.

These rules allows for duels that feel almost like sport rather then a match, and have allowed for weaker fighters to challenge stronger ones, due to this though, it also has become possible for youkai to freely defeat Reimu without worrying about the consequences.

Due to them being written into cards and essentially affecting the ability and power of an attack, the spell cards are likely the thing binding attacks to specific properties.

Parallel Worlds

Parallel Worlds is a topic brought up at some points in the Touhou Project franchise, they are worlds called "Probability Worlds" by Yumemi, stating that those and parallel worlds are one and the same[180]. This essentially means that parallel worlds in Touhou are based on the concept of probability. Yumemi and Chiyuri use a "Probability Space Hypervessel" in order to travel to alternate worlds and time periods[181], further showcasing that probabiliy serves an importance.

Magical vs. Physical Strength

There[182] are[183] multiple[184] occasions[185] of[186]characters[187] commenting[188] on[189] humans like[190] Reimu[191] being strong[192]. Despite this Reimu showcases physical strength that isn't superhuman, such as the fact that she cannot cut a bamboo stick while Fujiwara direclty does in front of her.

This is due to the difference between magical and physical strength.

In works like Symposium of Post-mysticism, Yuugi Hoshiguma's profile has Suika directly state that Yuugi is weaker then her in magical powers, but stronger than her physically[193], lining a clear difference between magical and physical strength.

While one can be physically stronger then another, such as how Onis are physically the strongest, magic users are still able to keep up with them due to using a different form of attack.

An example can be found with Yuugi herself, when Reimu fights against her in Subterranean Animism[194], with her acknolwedging her strength[195], something Yuugi only does to those who are truly strong[193]. This establishes even with spellcard rules, Yuugi considers Reimu a strong fighter. Reimu herself is very clearly not at an oni's physical strength, as she cannot do the things they can, however, her magical strength allows her to keep up with them.

To defend against magical based properties requires Non-Standard Defenses as it is acknowledged as not being something of standard physicality.

The Three Layers of Reality

In Chapter 27 of Curiosities of Lotus Asia, Reimu proceeds to explain how reality works to Rinnosuke and Marisa, where she explains in-depth the three layers of reality.

This conversation started from discussing the mechanism of fortune, where Rinnosuke attempted to posit that the future is predetermined and that Reimu's luck was her being able to calculate in an instant the predetermined future, however Reimu had a different explanation requiring her to lecture on the mechanisms of probability[196], in her explanation, the world is made up of three layers: the physical layer that moves in accuracy with the laws of physics, the second layer that moves with the spirit, and the third layer of memory which is the recollection of events that lies within all things[23]. The memory layer rejects the loop of the physical and mental layers, the two layers the youkai conceive of the world which is why they believe history repeats itself and the future is predetermined. Since it's only possible to add to the memory layer, it's possible to completely recreate the past.

While the physical layer follows the laws of physics, the mental layer interprets the outcomes and the memory layer alters the probability, essentially creating the future, since it's impossible for memories to raech the same state as a point in the past, the future is not predetermined, thus when Reimu is able to predict how the dice will fall, she's not predicting the fall of the dice, the dice members the fact that she predicted how the dice would fall, thus due to this, Reimu entering the memory of the die-face greatly skews the results in Reimu's favor, where the results side with Reimu[197].

Thus the memory layer is essentially the most important layer that rejects the notion of loops from the previous two layers.

Trivia

  • Rumia holds the distinction of being the first official Windows-era boss in the Touhou Project.
  • While Play, Doujin! localizes her name as "Lumia" in their translations, ZUN himself and the broader Touhou doujin community consistently use "Rumia."
  • Rumia's non-spell card attacks and her spell card Moon Sign "Moonlight Ray" share similarities with the attack patterns of Sara, the first stage boss from Mystic Square.
  • During her conversation with Rumia in Embodiment of Scarlet Devil, Marisa references the phrase "人類は十進法を採用しました" ("Mankind adopted the decimal system"). This line originates from MORI Hiroshi's novel 誰もいなくなった ~ Thirty Little Indians (Then There Were None ~ Thirty Little Indians), part of まどろみ消去 ~Missing under the Mistletoe (Slumber Erasing ~ Missing under the Mistletoe).

近づいて、フカシとヨーコが手を振ると、西之園萌絵は、 両手を顔の横で広げてみせた。 人類は十進法を採用しました、というジェスチャではない。

(Coming closer, Fukashi and Yōko waved their hands, then Moe Nishinosono spread her hands next to her face. This wasn't the gesture of mankind adopting the decimal system.)

The author included this line to clarify that she did not spread her arms to form the shape of the character 十, but rather extended all ten fingers as if she had counted to ten.

  • The sigil for Rumia featured in The Grimoire of Marisa depicts a mistletoe.
  • Rumia was among the characters ZUN initially intended to include in Touhou Hisoutensoku. However, she was ultimately cut from the final roster.
  • An unused enemy sprite exists within the files of Embodiment of Scarlet Devil that bears a resemblance to Rumia, though it features a different hat in place of her ribbon and performs a distinct animation. Little is known about this sprite, but it appears to be an early iteration of Rumia's design.

Gallery

Profiles

Touhou Project - Embodiment of Scarlet Devil - おまけ.txt

Profiles
Youkai of the Dusk

Rumia
Ability: Manipulating darkness
Stage 1 boss. A youkai.
She is of no importance to the story, and isn't up to anything in particular in her life. The ribbon tied to her hair is actually a charm; she can't touch it even though there have been times when she wanted to take it off.
There is no evidence of her ability to manipulate darkness in the game, but in truth, places around her are always as dark as night.
Total of three card attacks.

○宵闇の妖怪

  ルーミア
  能力:闇を操る程度の能力
  1面ボスです。妖怪です。
  ストーリー上重要な位置に居ません。何の為に生きてるのか不明です。   実は髪の毛に巻いているリボンは御札で、リボンは取りたくてもルー   ミア本人では触れることすら出来ないのです。
  実際、闇を操ってる場面を見れないですが、本当はルーミアの周りは   いつも夜になっています。
  カードアタック 全3種。

Touhou Project - Embodiment of Scarlet Devil



ZUN's comment from Dai Touhouten plaque

It's been a long time since the last title, so I wanted to have a character that had an element of surprise, and here she is. She's a girl with a power that controls darkness, but her first line is so casual and cheerful showing up with an "Is that so~." I like her because she's the representation of Touhou's distorted setting, where the strong have become weak.


Although she's not an important figure in the narrative, her ability to be in the dark at any time was set to create an association with vampires who despise sunlight. Her ribbon was designed to have some secrets within, but it hasn't been used so far. (lol)

久しぶりの作品で、最初に意外性を持たせようと思って作りました。闇の能力者が初っぱなに出てきて「そーなのかー」と緩いセリフを吐く所に、東方の捻くれた脱力世界観を感じられて気に入っています。


ストーリー的には重要なキャラではないんですが、いつも暗闇になるという能力が、日光を嫌う吸血鬼を彷彿させるように配置してあります。ルーミアのリボンには秘密があるという設定でしたが、今のところ活かされてないですね(笑)

Dai Touhouten plaque

Misconceptions

Characters Have Flown Through Outerspace

One example of this is believed to be in Touhou 02's Stage 3 Scarlet Dream ~ Scarlet Dream where it displays stars and a space-like effect in the background[198], however this is actually the World of Fantasies, the world that lies between Makai and the human world, with Genji confirming this is definetely not outerspace as Reimu can breathe just fine there[199].

All Characters are Children

This is an argument that spawns from how small the characters look in different works, though this is moreso due to the "moe" artstyle Touhou tries to capture, in many of the manga characters look far older.

Majority of characters in the series are outright shown to drink alcohol on a daily basis[200], where one needs to be at least 20 years old under Japanese law to drink, where Japanese law requires no underaged characters to be shown drinking. This is even acknowledged in the series itself with a note saying alcohol is only for those over 20 years old[201]. Thus if a character is ever seen drinking alcohol in the series, they are an adult.

The only direct non-adults in the series are Sumireko Usami, Chiyuri Kitashirakawa, and Hieda no Akyuu in her first appearance.

Youkai Control the world through both the mental and physical layer

This statement comes from a fan translation that says this in Curiosities of Lotus Asia[202].

While the statement seems clear cut, there is another translation used instead that makes more sense with the sentence.

It instead notes that most youkai concieve of the world through these two layers, which is why they believe the future is pre-determined and history repeats itself[203]. This falls in line with the earlier disucssion of Rinnosuke claiming that he believes the future to be predetermined and Reimu needing to explain to him why that's not the case[196].

Battle Records

0 - 2 - 0

None.

None.

References

  1. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  2. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  3. 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 Perfect Memento in Strict Sense Page 33-34 "Rumia falls into the weaker category of youkai, but she possesses an ability that makes her surroundings dark whether it is night or day.
    The darkness this youkai emits is a magical darkness that renders even torchlight useless, and humans that wander into this darkness have their field of vision reduce to almost nothing.
    It is simple to drag people into the darkness and attack them, but she does not move with a group of other youkai, which is a relief.
    Her appearance is that of a young girl with red eyes and a red ribbon in her blond hair. It is said that she wears dark clothes to blend in with the darkness, but since it is always dark around her this is difficult to confirm.
    Perhaps because she is known as a monster of darkness and is normally feared, people who have directly seen her form and discover her young appearance and are overcome with relief.
    It is possible that she covers herself in darkness to hide her appearance.
    Also, it is said that her ability to manipulate darkness is only a supporting ability, and that she uses pure power to attack humans.
    Since she looks like what she looks like you cannot tell if she is really strong or not, but it isn't possible to fight against her in the darkness.
    Not being able to see a way out is frightening."
  4. Touhou 9.5: Shoot the BUllet Level 1 Scene 2
  5. 5.0 5.1 5.2 Bohemian Archive in Japanese Red Page 46-47 "Demon Lurks in the Dark in Broad Daylight
    Adverse effects on summer plants, says expert
    Lately, a small sphere of darkness has been seen in the afternoons this summer. This lump of darkness absorbs all light that attempts to penetrate it as it moves through Gensokyo's fields. While it is affected by the light, it does not have any physical effect on anything it comes in contact with.
    Its true identity is the youkai of darkness, Rumia (youkai). She abolishes the light around her, which presents anyone from seeing her and vice-versa. I questioned Rumia as to why she was doing this.
    "Because the sunlight is all hot in the summer and I don't like it. This way I'm out of the sunlight and I can beat the heat. If I'm surrounded by darkness, it's always a nice summery night, you know?"
    Curious as to what effects being kept in the dark all day could bring, I decided to ask an expert familiar about life out of the sunlight.
    "It can only be bad for any plants that end up in the darkness all day. Even if it's only a single day, the results will be obvious. Oh, the youkai inside? Well, it should have no considerable effect on her. On the contrary, there are more youkai that are weak to sunlight. If they can get by without being exposed to sunlight, then they'd do so. On a bright and clear day like today, it's best to stay Indians and read." (Owner of Kourindou)
    To prevent any negative effects on the plants, I warned the youkai of darkness that it might be best to not stay in one place. Rumia did not appear to have a reason for creating darkness, other than to avoid the heat. For those weak against sunshine, if you see darkness moving across the plains, it may be a good idea to take a break inside."
  6. Whispered Oracle of Hakurei Shrine Page 17 "No. 1
    Misfortune
    Youkai Who Darkens the Surroundings
    Rumia
    Capable of manipulating darkness
    If you hold darkness in your heart, know that it has already crept within you.
    Fortune: Even in brightly lit places, it will be difficult to see what is ahead. Truly, darkness lies one step ahead.
    Health: Limited to sleep.
    Travel: You will be ok wherever, but only at night.
    Studies: Only fortunate with mathematics.
    Missing Items: Just give up.
    Marriage: You'll be alone.
    Disputes: You'll be in peace since you're alone.
    Animals: Felines, which have good night vision, will be surprisingly fond of you. They may try to lick you."
  7. Touhou 06: Embodiment of Scarlet Devil Marisa Story Stage 1
  8. Whispered Oracle of Hakurei Shrine Page 17 "Comment from ZUN
    The first one on the list, a youkai whose usual whereabouts and activities are unknown. If you managed to pull her, a character who is barely related to the story, then you are probably holding some darkness in your heart.
    Her settings would have made her highly compatible with vampires, so it's a shame that she doesn't really have any chance to shine."
  9. Touhou 13.5: Hopless Masquerade Innocent Hat Equipment
  10. ZUN'S Emails "I might officially announce an order of height if there's a demand (since I set up a height comparison chart in the production materials).
    However, backing up a bit...generally speaking, they're about as tall as girls in their early teens ['10代前半' means 10 to 14 years old]. A suitable breakdown would be something like:
    Tall: Sakuya, Meiling, Yukari
    Fairly Tall: Reimu, Yuyuko, Alice, Letty, Ran
    Fairly Short: Marisa, Youmu, Patchouli, Lunasa, Merlin
    Short: Remilia, Lyrica, Chen, Cirno, Rumia, Flandre
    Basically, if we consider the top level as the height of a human in her late teens or older ['10代後半以降' means 15 years old or above] and the bottom level as the height of a human in her early teens ['10代前半' ], that puts them in a fairly short class (though none of that level are human). If their sizes appear to be different on the game screen than given above, it's because of some mystic force like perspective, so pay it no mind. :-)"
  11. 11.0 11.1 11.2 11.3 11.4 11.5 11.6 11.7 11.8 Perfect Memento in Strict Sense Pages 31-32 Youkai "Characteristics
    There are many types of youkai with extremely varied powers. Some races have a great number that are all categorized under a certain name, while others can be as few as a single member.
    These unique youkai are not called by whatever individual species they may be, but simply "youkai."
    Many of the youkai in Gensokyo fall into this "youkai (*1)" section.
    Rarely if ever is there any commonality in their appearance, ability, character, danger level, or times and places of activity.
    Just about the only thing in common between youkai is that they attack and prey upon humans.
    There are definitely exceptions, but many fall towards these trends:
    • Youkai have longer lifespans than humans.
    • Youkai have stronger bodies than humans, so even if they're torn limb from limb, they heal right away.
    • Youkai are more easily affected by belief than humans, and as a result spiritual damage can cause fatal wounds.
    • Youkai generally do not act in groups.
    • Youkai only think of themselves.
      Youkai are the most dangerous enemies to humans.
      However, since they are rather varied, one must be informed of each of their traits before heading out to exterminate them."
  12. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  13. 13.0 13.1 Perfect Memento in Strict Sense Page 33-34 "Since a human's power can't compare to a youkai's in the first place, it would be impossible to put up a fight within darkness that renders even torchlight useless.
    The best way to deal with this would be to not enter the darkness unless you are very confident in your abilities.
    You should also avoid visiting places where the moonlight doesn't shine at night.
    Rumia may be lurking there.
    Rarely, there are cases of people who have run into Rumia while she was not emitting darkness.
    This was on the night of the new moon.
    This seems to be the most common time when Rumia for some reason does not use her powers, and witness reports flood in.
    There aren't many who have exchanged words with her, but it is doubtful you will be able to talk with her.
    It's probably dangerous to attempt a conversation."
  14. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 48
  15. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 48
  16. 16.0 16.1 16.2 16.3 16.4 "Countermeasures
    Unless one thoroughly trains in fighting against them, youkai extermination is difficult.
    Youkai have a history of being physically stronger than humans, and trying to fight them may quickly end up as feeding them.
    However, the reason most youkai attack humans is because they need prey.
    That's why, if one cannot exterminate them, one should offer something else to eat in place of themselves.
    Offering a cow will save you from being attacked for a while.
    There are many that have a strong sense of honor, and will act in a friendly manner towards those who do not act against them.
    But exterminating youkai is a different story.
    Humans regularly perform exterminations, but this is a custom passed down from ancestors.
    In Gensokyo, humans must exterminate youkai (*2).
    There are those that specialize in youkai extermination.
    For example, the Hakurei shrine maiden is the most well-known specialist.
    In extermination, one does not use weapons that cause physical damage. Weapons with an "origin" are more preferable
    Youkai are weak to spiritual attacks such as names or legends."
  17. Touhou 03: Phantasmagoria of Dim.Dream Reimu Ending
  18. Touhou 03: Phantasmagoria of Dim.Dream Kotohime Ending
  19. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Reimu vs Chiyuri
  20. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Marisa vs. Chiyuri
  21. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Rikako vs. Chiyuri
  22. Touhou 03: Phantasmagoria of Dim.Dream Reimu Ending
  23. 23.0 23.1 23.2 Curiosities of Lotus Asia Chapter 27 Mechanism of Fortune "That's how Reimu makes tea for three people () Yes, I handed it to him happily. After saying this, Reimu brewed tea for the three of us and gladly served it.
    It would be fun to hear why Reimu has such good intuition. I forgot to let the tea cool and brought it to my mouth./We looked forward to hearing the reason behind the quality of Reimu's intuition. I brought the tea to my lips, forgetting to cool it.
    "...Huh. Reimu's initial conditions became exactly the same Saiko (Dice) So you're saying that the same eyes don't necessarily appear?" "... Ah. So what you're saying is that even if the initial conditions of the dice are the same, it's possible to get different results?"/"Of course it will. That alone doesn't determine the outcome." "Of course, I am. Those aren't the only things deciding the outcome."
    The story of Reimu was not a difficult one, but it contained a shocking truth./Reimu's tale wasn't a difficult one, but there was a shocking truth contained therein.
    Reimu (Iwa) He says that the world is made up of three layers./According to her, the world is made up of three layers.
    First, there are the physical laws of living things, tools, etc (Not yet) is a layer of moving physics. This layer is where objects fall towards the ground and river water flows./First is the physical layer that moves in accuracy with the laws of physics, including all living things, objects, etc. It is on this layer that an object falls towards the ground, and that the water of the river flows.
    The second is the movement of the mind and the layers of psychology such as magic and sorcery. Meeting assholes and getting offended, or having a party and getting rid of your rut is this demographic. Most monsters see the world solely through this layer of physics and psychology, so history repeats itself and the future is planned 戯れ () (Goto) It is said that he says./The second layer is one that moves with the spirit, which includes things such as magic and sorcery, the mental layer. One's mood turning sour when meeting an unhappy person, and releasing all your stress and cares during a party lie here. Since most youkai conceive of the world just through these physical and mental layers, they Ridiculously say that history repeats itself and the future is predetermined.
    However, according to Reimu, the third layer of the world forms the loop of the world (Koba) Moo-y. The third layer is the layer of memory where all things remember events. The layers of memory increase but do not decrease, so we cannot be in exactly the same state as in the past. If it becomes the same as in the past, then the memory of it becoming the same is contradictory because it leaves you with nowhere to go. The layers of memory are only increasing./But according to Reimu, there is a third layer that rejects loops. The third layer is the layer of memory, which is the recollection of events that lies within all things. Since it's only possible to add to the memory layer, it's possible to completely recreate the past. If something were to happen that already occurred in the past, then there would be a contradiction because that would simply that memory was lost, which is impossible. The memory layer always continues to build up."
  24. Touhou Project - Highly Responsive to Prayers/Eastern Wondrous Tale Game Manual Touhou Reiiden Backstory: " * Yin-Yang Orb ... Hakurei Shrine's Greatest Treasure
    A mysterious orb with an unnatural amount of spiritual power. Perhaps a soul dwells within? It appears as though it could be alive. Normally you cannot defeat spirits or devilish powers without a weapon such as this."
  25. Touhou Sangetsusei (Three Fairies) ~ Oriental Sacred Place Chapter 16
  26. 26.0 26.1 Dr. Latency's Freak Report Story #10 Pure Furies ~ Whereabouts of the Heart "Pure Furies" ""When they see me, the youkai living there will attack."
    "What...? ...Actually, you kind of have a habit of getting attacked by monsters, Merry."
    "Well, I'm used to it by now. I suppose it is only natural that they'd realize I'm a foreign presence. Like I see youkai as fluctuations, perhaps they see me as a phantom-like being."
  27. Touhou 02: Eastern Wonderland
  28. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Reimu vs Chiyuri
  29. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Marisa vs. Chiyuri
  30. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Rikako vs. Chiyuri
  31. Touhou 03: Phantasmagoria of Dim.Dream Reimu Ending
  32. 32.0 32.1 32.2 32.3 Bohemian Archive in Japanese Red Pages 24-25 Eirin "A New Dream Medicine for Modern Gensokyo
    Good news for the stressed contemporary youkai
    Gensokyo's master of medicine, Eirin Yagokoro ([self-proclaimed] human) has developed a new dream medicine for modern troubled people that lets one "enjoy sweet dreams".
    The name of this new drug is Butterfly Dream Pill. It takes its name from the dream it induces, where one becomes a butterfly and enjoys oneself. A few doses of the red pill before bed will prevent nightmares and create an enjoyable dream for a good night's sleep. Yagokoro explains the specifics of what led to the development of this medicine:"See, in Gensokyo, everyone are either youkai or demons or ghosts or such, so they're all fit and robust. There isn't really much of a demand for medicine for physical illnesses. These kind of beings are comprised mostly of spirit. Therefore, if they need any sort of care it would be for their mentality. The origin of the dream medicine was sparked by this realization."
    The Dream World is another self, says Yagokoro. If the dream is too enjoyable, there's a chance that the real world and the Dream World may switch places, so one must be careful of overdosing.
    "The medicine itself has existed since ancient times. In the past, there were many humans who took the medicine and could not return from the Dream World. In this new formula, I've weakened the potency and reduced the side effects."
    However, there are people who say that good things happen in nightmares as well. For those people who enjoy a little thrill in their dreams, the 'Butterfly Dream Pill Nightmare Type' is also available. This one is a black pill, and when taken, causes nightmares to occur."
  33. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  34. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  35. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  36. Touhou 04: Lotus Land Story Stage 1
  37. Touhou 04: Lotus Land Story Stage 1
  38. 38.0 38.1 Perfect Memento in Strict Sense Page 33-34 "Eyewitness Reports
    "I saw a large blob of darkness heading towards the forest. It was scary." (Hikozaemon)
    The large blob of darkness is believed to be this youkai.
    You must not approach it.
    "Then the large clump of darkness bumped into a tree and looked like it stopped moving for a bit, but it came towards me so I ran away." (Hikozaemon)
    She most likely bumped into a tree.
    Perhaps she cannot see outside the darkness either (*1).
    "I was too slow in escaping and got caught in the darkness, but I didn't encounter the youkai and slipped right through." (Anonymous)
    Even if a human enters the darkness, the youkai inside might not notice.
    If that is the case, she most likely cannot see in the darkness she produces (*2)."
  39. "1: Imagining that, the blob of darkness suddenly becomes amusing.
    2: Perhaps she really is stupid.
    3: Even though she looks young, she eats humans."
  40. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 48
  41. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 48
  42. Touhou 08: Imperishable Night Stage 2
  43. Touhou 08: Imperishable Night Stage 3
  44. Touhou Sangetsusei (Three Fairies) ~ Oriental Sacred Place Chapter 15
  45. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Standalone Chapter Gensokyo Short Stories
  46. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 16
  47. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 24
  48. 48.0 48.1 Dr. Latency's Freak Report Story #05 An Instant that Exceeds Planck's Time "Merry said that if we refer to the world we humans observe, which is dominated by photons, as "the world here," then there are also countless "worlds beyond" dominated by other types of particles. And in those "worlds beyond," there are life-forms living there as well.
    "Those life-forms that are invisible, but exist very close to us, and can appear to us via fluctuations are youkai, in my opinion."
    "Youkai... That suddenly makes it sound kind of crazy."
    "Well, you could call them angels or devils or phantoms or cryptids, whatever's fine. But when I think of something that can't be seen, yet definitely exists as a phenomenon, I'd say 'youkai' is the best descriptor."
    The existence of youkai certainly had been supported since long ago. However, as the world was dominated by science and philosophy that demanded falsifiability, the topic of youkai faded away."
  49. 49.0 49.1 Dr. Latency's Freak Report Story #09 The Sea Where One's Home Planet Reflects "Unstained See" "I saw a forest rich with diversity. I saw a proud, holy mountain, shut off to creatures who preferred the lower ground. I saw a deep lake covered in an arcane mist.
    Those sights weren't just beautiful, but natural too. They were all hidden in the invisible gaps of the quantum world.
    By the way, just what would happen if one went to a brane dominated by particles with different properties?
    Merry remembered, and her face contorted in terror."
  50. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 38
  51. Touhou Project - Highly Responsive to Prayers/Eastern Wondrous Tale Game Manual Touhou Reiiden Backstory:"The real truth is that Reimu Hakurei is actually quite the optimist. Acting on her whims as always, she figured she'd go and enter one of the gates. After a while, she realized that only the Hakurei Shrine's greatest treasure, the Yin-Yang Orb, was effective against these non-human creatures.
    Reimu "Well, whatever. Things will turn out just fine as long as I use the yin-yang orb skillfully!"
    What sort of fate awaits this shrine maiden?"
  52. Touhou Project - Highly Responsive to Prayers/Eastern Wondrous Tale Game Manual Touhou Reiiden Backstory: "2. Character Introductions
    * Main Character ... Reimu Hakurei
    The shrine maiden of the Hakurei Shrine. She possesses an innate spiritual power but lacks the discipline to develop it. She wields the powerful Yin-Yang Orb, but without skill, often flailing it about wildly. Despite that, she is still a force to be reckoned with due to her natural power. Reimu has trained herself to attack with ofuda, her spirit power, and martial arts. These all proved useless against her enemies this time, though, so she's a bit worried. Currently, she is the only person at the shrine."
  53. Touhou Project - Highly Responsive to Prayers/Eastern Wondrous Tale Game Manual Touhou Reiiden Backstory: " * Yin-Yang Orb ... Hakurei Shrine's Greatest Treasure
    A mysterious orb with an unnatural amount of spiritual power. Perhaps a soul dwells within? It appears as though it could be alive. Normally you cannot defeat spirits or devilish powers without a weapon such as this."
  54. Touhou Sangetsusei (Three Fairies) ~ Oriental Sacred Place Chapter 16
  55. Touhou 20: Fossilized Wonders Reimu Extra Stage
  56. Touhou 20: Fossilized Wonders Reimu Extra Stage
  57. Touhou 20: Fossilized Wonders Reimu Extra Stage
  58. Touhou Ibarakasen (Rose Poem Hermit) ~ Wild and Horned Hermit Chapter 11
  59. Touhou 14: Double Dealing Character Reimu B Story Stage 1
  60. Touhou 14: Double Dealing Character Reimu B Story Stage 2
  61. Touhou 14: Double Dealing Character Reimu B Story Stage 3
  62. Touhou 14: Double Dealing Character Reimu B Story Stage 4
  63. Touhou 14: Double Dealing Character Reimu B Story Stage 5
  64. Touhou 14: Double Dealing Character Reimu B Story Stage 6
  65. Touhou 14: Double Dealing Character Reimu B Story Stage 6
  66. Touhou 14: Double Dealing Character Reimu B Story Extra Stage
  67. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 48
  68. 68.0 68.1 Imperishable Night Demo Afterword "Drinking with a person that can see illusion
    This time, by changing between human and youkai, the enemies change. This type of system existed from a while back but it was hard to make use of these systems. The STGs that got around often make good use of these systems and that’s where you know that these people are really pros."
  69. 69.0 69.1 Imperishable Night Demo Afterword "The point about Imperishable Night is that there are humans, youkai and familiars (illusions). While the human is distracted by the familiar and can’t attack the enemy, the youkai watches that and says, “Well, you’re only a human.” While the human sees the youkai and thinks that they only see things in a simple manner. Since the Youkai are beings that cover everything in mist just because they hate sunlight, or collect all the spring just because they want to see the cherry blossoms bloom. Of course they won’t look at the illusion that shoots out bullets, but aim for the enemy directly even if they need to dodge a few extra bullets. (Laughs) "
  70. Touhou 14: Double Dealing Character Stage 2
  71. Touhou 03: Phantasmagoria of Dim. Dream Cutscene: Mima vs Chiyuri
  72. 72.0 72.1 Double Spoiler Spell Cards Level 9 "Spell Card 9-4
    記憶「DNAの瑕」 (Kioku "Dii-enu-ei no Kizu") Memory "DNA's Flaw"
    Owner
    Koishi Komeiji
    Level 9 — 4
    Aya's Comment
    人間はなんかうねうねに支配されているのだそうですよ
    里の人間が浮き沈み激しいのはこのうねうねの所為なんで しょうかね。 でも何処に居るのでしょう? うねうね
    Aya's Comment Translation
    Humans are under the control of some kind of swirly things. Maybe the intense ups and downs of the village people were caused by these swirly things? But where are they located? Those swirly things.
    Hatate's Comment
    あれ? 私の楽しい心の中を読んでいないのかなぁ というか、私の話も聞いてないみたいだしー もしかしてボケているのかな。 で、DNAって何?
    Hatate's Comment Translation
    Huh? She's not reading my fun-loving heart. Heck, she doesn't even seem to be listening to me. Is she being an airhead? And what's DNA anyway?"
  73. Touhou 8: Imperishable Night Good Ending #1
  74. Touhou 03: Phantasmagoria of Dim.Dream Mima Ending
  75. Touhou 04: Lotus Land Story Stage 1
  76. Touhou 04: Lotus Land Story Stage 1
  77. Touhou Project - Perfect Cherry Blossom Gensokyo Record "Though innumerable years have passed since its sealing, Gensokyo is still home to many youkai and just a few humans.
    The youkai of Gensokyo have built up their own culture; one that is all that like the culture of the world when Gensokyo was sealed.
    However, it was not a materialistic culture - it was a culture centered upon spiritual awareness far exceeding that of the human world. The wise youkai sought not the bounty of objects, but the bounty of the heart. For the youkais with such a civilization of magic, it is very easy for them to open the Great Barrier sealing Gensokyo. However, the youkai do not attempt to open it. On the contrary, they actually reinforced the barrier with an even stronger power. The barrier that had once locked Gensokyo away was now used in order to prevent invasion by the humans."
  78. Touhou 03: Phantasmagoria of Dim. Dream Cutscene: Reimu vs Chiyuri
  79. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Rikako vs. Chiyuri
  80. Touhou 03: Phantasmagoria of Dim. Dream Reimu Ending
  81. Touhou 14: Double Dealing Character Extra Stage
  82. Touhou 03: Phantasmagoria of Dim. Dream Cutscene: Reimu vs Chiyuri
  83. Touhou 03: Phantasmagoria of Dim. Dream Cutscene: Reimu vs Chiyuri
  84. Touhou 03: Phantasmagoria of Dim. Dream Cutscene: Marisa vs. Chiyuri
  85. Touhou 03: Phantasmagoria of Dim. Dream Cutscene: Kana vs Chiyuri
  86. Touhou 03: Phantasmagoria of Dim.Dream Reimu Ending
  87. Touhou 04: Lotus Land Story Good Ending 1
  88. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 11
  89. Touhou 05: Mystic Square Good Ending 1
  90. Touhou Project - Perfect Cherry Blossom Gensokyo Record "Though innumerable years have passed since its sealing, Gensokyo is still home to many youkai and just a few humans.
    The youkai of Gensokyo have built up their own culture; one that is all that like the culture of the world when Gensokyo was sealed.
    However, it was not a materialistic culture - it was a culture centered upon spiritual awareness far exceeding that of the human world. The wise youkai sought not the bounty of objects, but the bounty of the heart. For the youkais with such a civilization of magic, it is very easy for them to open the Great Barrier sealing Gensokyo. However, the youkai do not attempt to open it. On the contrary, they actually reinforced the barrier with an even stronger power. The barrier that had once locked Gensokyo away was now used in order to prevent invasion by the humans."
  91. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 48
  92. Dr. Latency's Freak Report Story #06 Schrödinger's Bakeneko "Schrodinger's Black Cat" ""So as I was thinking, 'where did the youkai disappear to?', I became able to see it. A world where youkai live even now."
    "Perhaps that could be another brane world..."
    "Another what?"
    "Oh, just one of the worlds only physicists can see."
    Whether for some geographical or geological reason, or even pure coincidence, places where different worlds were easily visible had been called 'holy ground' since long ago. Shrines and the like were definitely holy ground.
    Merry said she saw a cat at a shrine. However, the cat never caught anyone's attention and freely passed through objects. Merry knew what it was at once. It was a youkai cat, she said, lurking within quantum gaps.
    "Huh, a quantumly-unobservable cat... Until it's observed, it's both alive and dead. Just like Schrödinger's Cat."
    "Although since I observed it, that determined it was alive.""
  93. 93.0 93.1 93.2 Touhou Project - Highly Responsive to Prayers/Eastern Wondrous Tale Game Manual Touhou Reiiden Rules of the Game:"*Special Abilities
    Left + Right + Z Key
    or
    X+Z 2 times ... Spirit attack, a.k.a. bomb.
    You can only bomb as many times as indicated by the spirit attack counter in the upper part of the screen. You will gain a bomb when you collect a bomb item or die.
    When you perform this attack Reimu will become invincible and furthermore, enemy bullets will be destroyed. During regular stages, bombing will cause many of the panels to flip over. Bosses will not take damage from bombs but the temporary invincibility allows you to use this as an emergency dodge. When you have 0 lives left, bosses *will* take damage."
  94. Touhou Project - Story of Eastern Wonderland 封魔録.txt Controls "●Xkey   Uses a spiritual attack.
    Commonly known as the bomb. Allows invincibility for a short period."
  95. Touhou Project - Highly Responsive to Prayers/Eastern Wondrous Tale Game Manual Touhou Reiiden Rules of the Game:"Every 5 stages a boss will appear. Only the power of the Yin-Yang Orb can deal damage. (If you have 0 lives remaining your spirit attack can also do damage.)
    Bosses have various types of attacks but you can repel white bullets with your exorcism or somersault or the start of an ofuda burst. Also, if you hit a bullet directly with an ofuda you can destroy it.
    You cannot destroy lasers and missiles. When you're cornered simply accept that you will have to bomb. Otherwise it may be time to give up. Fire, exploding bullets and the like are also not destroyable."
  96. Touhou 02: Story of Eastern Wonderland
  97. Touhou Project - Lotus Land Story Manual Bonuses and extends "*3.Bomb bonus
    Using a bomb will cause all items on screen to be attracted towards the player.
    At this time, collected items will have their value doubled.
    When using a bomb, go to the top of the screen as much as possible for higher scores."
  98. Touhou 05: Mystic Square
  99. Touhou 03: Phantasmagoria of Dim.Dream Final Stage
  100. Touhou 14.5: Urban Legend in Limbo Reimu Story Ending
  101. Touhou 01: Highly Responsive to Prayers
  102. Touhou 02: Story of Eastern Wonderland
  103. Touhou 04: Lotus Land Story
  104. Touhou 01: Highly Responsive to Prayers
  105. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 25
  106. Touhou Hisoutensoku Hong Meiling's Story Ending
  107. Touhou 02: Story of Eastern Wonderland Good Ending
  108. Touhou Project - Perfect Cherry Blossom Gensokyo Record "Though innumerable years have passed since its sealing, Gensokyo is still home to many youkai and just a few humans.
    The youkai of Gensokyo have built up their own culture; one that is all that like the culture of the world when Gensokyo was sealed.
    However, it was not a materialistic culture - it was a culture centered upon spiritual awareness far exceeding that of the human world. The wise youkai sought not the bounty of objects, but the bounty of the heart. For the youkais with such a civilization of magic, it is very easy for them to open the Great Barrier sealing Gensokyo. However, the youkai do not attempt to open it. On the contrary, they actually reinforced the barrier with an even stronger power. The barrier that had once locked Gensokyo away was now used in order to prevent invasion by the humans."
  109. Symposium of Post-mysticism Part 3 The Past and Present of the Tengu Pages 62-72 "[Tengu Then and Now ]/The Past and Present of the Tengu
    Byakuren
    Tengu are said to live in the mountains and cause various strange happenings. At first, it was probably just a human being./Tengu live in mountains and cause various strange occurrences. At first, they were beings that only did harm to humans.
    Miko
    Falling stones, kidnapping babies, threatening them with eerie sounds.../Like dropping rocks on them, stealing their babies, frightening them with eerie noises...
    Byakuren
    When Buddhism was introduced and Shugendo began, Tengu became the object of mountain worship. They are spirit-like beings who help or hinder the Shugendo mountain ascetics who practice holed up in the mountains. Yamabushi (*1), who practiced strict training, were indistinguishable from Tengu from the perspective of ordinary people, and gradually came to be identified with them. For this reason, Tengu today probably dress like mountain ascetics./But once Buddhism spread through the country and Shugendou started, tengu become objects of mountain worship. They were like spirits that both helped and hidered the mountain-dwelling Yamabushi who were training there. From the ordinary person's perspective, the Yamabushi (*1) underlying intense training were no different from the tengu, and gradually they came to be considered one and the same. Because of that, today's tengu still have a Yamabushi-like appearance.
    Marisa
    You're detailed./You sure know a lot about this.
    Byakuren
    I'm a specialist when it comes to Yokai studies. Excellent Shugendo practitioners were sometimes called immortals, so of course there were Tengu who became immortals./Because I specialize in knowledge of youkai. Since the great mountain ascetics were sometimes called hermits, I believe that there were also tengu who have become hermits.
    Marisa
    It's true that even today's Tengu seem to have some who look like hermits./Yeah, there definitely seem to be some hermit-like tengu out there, too.
    Byakuren
    By the way, it seems that it was only during the Edo period that the tall-nosed Tengu that humans often imagine became established. It is thought to come from an image of the mask that Yamabushi wore during training and festivals./Incidentally, the common image of long-nosed tengu seems to have been established around the time of the Edo Period (1603–1868). I believe the image comes from the masks that the monsters would wear while training and performing rituals.
    Miko
    I wonder if high-nosed Tengu are even in Gensokyo?  I see a lot of Karasu Tengu./Does Gensokyo have any long-nosed tengu too? It feels like I only see crow tengu.
    Kanako
    Karasu Tengu is a newspaper reporter and delivery man, so that's all he comes down to the base of the mountain, but there are actually a lot of other Tengu deep in the mountains, right?  It seems that Hanataka Tengu is a clerk and rarely comes out./The crow tengu are the newspaper reporters and deliverers, so they're the only ones who come down to the foothills, but there are actually lots of other tengu deep in the mountains. The long-nosed tengu are clerks, so it seems they don't get out much.
    Miko
    That's a strange story too./That's odd.
    Kanako
    Huh?  What is it?/What's odd?
    Miko
    What is the image of Sarutahiko (*2) that underlies the image of a tall-nosed Tengu?  Sarutahiko is the god of guidance, and for that matter, he is identified with Dosojin (*3), so don't he have to come out and work?/Isn't the image of the long-nosed tengu based on Sarutahiko(*2)? Sarutahiko is a god of guidance, making him the same as a god of travelers(*3), so shouldn't they be working outside?
    Byakuren
    That's true../That certainly is odd...
    Kanako
    Apparently Hanataka Tengu's latest job is mainly making maps, right?  Ideally, you would build a system that can guide you without you having to show up. He said GPS (*4) or something./I've heard that their recent jobs have entailed making maps. They've been talking about their vision of eventually creating a guidance system where they don't even have to go outside. They call it GPS(*4) or something.
    Miko
    It's Sarutahiko, who is sideways (laughs)./What lazy Sarutahiko (laugh).
    Byakuren
    Well, it's not Sarutahiko himself, but simply a Tengu being identified with Sarutahiko and imitating him, so that may be the case./Well, they aren't Sarutahiko themselves, perhaps they are just considered the same since they are imitating him.
    Kanako
    Apologize to the real Sarutahiko./They should apologize to the real Sarutahiko.
    Marisa
    So, does that mean that Tengu has been given so many different images that he has become what he is today?/So the tengu ended up with the appearance they have now because of all those images of them?
    Byakuren
    Yes... well, that was the case until the Edo period. But right now, it may be a little different from a collection of different images./Yes... Wait, no, they were until the Edo Period. However, I would say they are a bit different now.
    Marisa
    Hou./Huh...
    Byakuren
    In the past, Tengu would help train mountain ascetics and sometimes appear as leaders at festivals and other events. This will be forgotten along with the superstition of folk tales due to the expansion of civilization, the decline of Shugendo due to its irreligion, and a human heart that no longer fears darkness. Tengu who were active alongside humans gradually became less visible. This put the existence of the monsters in jeopardy. Not just Tengu, but all monsters.../The tengu of the past used to help out the mountain monks with their training, and would sometimes also take a leadership role during festivals. But then, because of the Westernization of Japan, folklore became superstition, shugendou gave way to secularism, and they were forgotten about along with humanity's fear of the dark. The tengu who were working together with humans starting appearing less and less. For this reason, the existence of these youkai was endangered. And not just tengu, but all youkai...
    Miko
    To save the day, Gensokyo became an isolated world./And in order to deal with that crisis, Gensokyo became an isolated world.
    Byakuren
    Well, since I wasn't there at the time, I don't know how I got there (*5), but... Gensokyo took on its current form and was freed from the curse of the human imagination, and finally the monsters gained true freedom. Originally unable to define their form, they began to evolve in their own way. It is unclear what changes have occurred, but originally Tengu were monsters with strict hierarchical relationships, which is why they have come to build the society we see today./That's right. I wasn't here at the time so I don't know how this came about(*5), but when Gensokyo entered its current state, youkai were liberated from the spell of human imagination and obtained true freedom. Since they originally lost a stable form, they started to develop their own characteristics. I do not fully understand the kind of changes they have made, but because the tengu were youkai that had followed strict hierarchical rules, they were able to build the kind of society they have now.
    Marisa
    It's so good that it will. In other words, when combined, does this mean that yokai of the past were influenced by human imagination and changed their appearance, while yokai of today have changed independently?/I get it. To put it all together, the forms of youkai in the old days had been influenced by human imagination, and youkai nowdays can change on their own. Does that sound right?
    Byakuren
    I think so. That's why there is so much diversity in the monsters today./I believe so. That is why there is so much variety among youkai presentedly."
  110. Touhou 03: Phantasmagoria of Dim. Dream Cutscene: Marisa vs. Chiyuri
  111. Touhou 03: Phantasmagoria of Dim. Dream Cutscene: Kana vs Chiyuri
  112. Touhou 8: Imperishable Night Stage 5
  113. Touhou 8: Imperishable Night Stage 5
  114. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Marisa vs. Chiyuri
  115. Dr. Latency's Freak Report Story #07 The Shining Needle Castle Sinking in the Air "Gravitino World" "Apparently, the "worlds beyond" didn't just have living things, but all manner of strange objects that defied common sense.
    "I saw a castle floating in the sky once, too. Upside-down, at that."
    "If the gravitons have a different structure, the world's properties would be different, too. That might've been the kind of brane you saw."
    "It felt mysterious and nostalgic. And I really liked the wooden tenshu."
    "Wait, tenshu? Since you said castle, I thought you meant like Cinderella's."
    "If I had to say which it resembled, it was more like Matsumoto."
    Merry had been enjoying her talk about the mysterious world, but she shivered when she briefly remembered something else. It seemed that not all of her memories were fun ones."
  116. National Library of Medicine, Genetics, Help Me Understand Genetics, Cells and DNA, What is DNA?
  117. National Library of Medicine, Fact Sheets about Geonomics, Deoxyribonucleic Acid (DNA) Fact Sheet
  118. xkcd's What If? How long would you survive with no DNA?
  119. xkcd's What If? How long would you survive with no DNA?
  120. Touhou 08: Imperishable Night Magic Team Extra Stage
  121. Touhou 08: Imperishable Night Magic Team Extra Stage
  122. Touhou 08: Imperishable Night Magic Team Extra Stage
  123. Touhou 08: Imperishable Night Magic Team Extra Stage
  124. Touhou 08: Imperishable Night Magic Team Extra Stage
  125. Touhou 08: Imperishable Night Magic Team Extra Stage
  126. Touhou 04: Lotus Land Story Stage 1
  127. Dr. Latency's Freak Report Story #04 September Pumpkin "Parallel Communication" "Is it possible to see different things in the same place?
    Merry said that she'd recently started to see multiple worlds at the same time. According to her, all people are seeing slightly different worlds. Particularly interesting was that despite this, they can apparently still communicate with each other.
    Merry started to tell a mysterious story. It was about a strange world that only some humans could see.
    Not only was it extremely small, but our common sense didn't apply there. A bizarre world where elementary particles flew across boundaries of both time and space.
    "...By 'only some humans,' do you mean physicists?"
    "Correct. Good on you, Renko.
    But, did you know that there are actually strange creatures lurking in that senseless world?""
  128. Touhou 13.5 Hopeless Masquerade
  129. Gensou Narratpograph Chapter 1, Page 35 "Reimu: (rolling) — Success. I smack her upside the head with my purification rod. I won't let you do the same thing twice! (laugh)
    GM: Very well. Chen has finally been defeated, and exploded like the
    Stage 2 boss she is.
    Reimu: Exploded. (laugh)
    GM (Chen): "Hnngh! It went so well the first time. I didn't expect the shrine maiden!""
  130. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  131. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  132. 132.0 132.1 Touhou Project - Perfect Memento in Strict Sense Reimu Profile "スペルカードルール Spell Card Rules
    いかなる妖怪でも博麗の巫女を倒す訳にはいかず、妖怪の存在意義が消えようとしていたが、彼女は画期的な手段を持ってその問題を解決する。 Without a way for any youkai to defeat the Hakurei shrine maiden, many youkai felt that their meaning to exist had disappeared, but by taking some ground-breaking measures she solved this problem.
    それはスペルカードルールの導入である。 That is, the introduction of the spell card rules.
    スペルカードルールは、お互い技を見せ合い、その美しさで競う決闘ルールである。 The spell card rules are dueling rules that allow both parties to show off their skills in a beautiful competition.
    大雑把に言うと、 The major points are:
    *スペルカードとは、自分の得意技に名前を付けた物で、使う時は宣言してから使う必要がある。 *Spell cards are techniques specially-named by the individual, and they must be declared upon use.
    *お互いカードの枚数は予め決闘前に提示しなければならない。 *The number of each party's spell cards must be determined in advance of a duel.
    *手持ちのカードが全て破られると負けを認めなければいけない。 *The first party to have all of their spell cards beaten must admit defeat.
    *勝者は決闘前に決めた報酬以外は受け取らない。相手が提示した報酬が気に入らなければ断れる。 *The victor is entitled only to what was agreed upon before the duel. If they're not interested in what their opponent has to offer, they can refuse a duel.
    *勝者は敗者の再戦の希望を、積極的に受ける様にする。 *Winners should generally allow losers a rematch.
    *不慮の事故は覚悟しておく。 *Always prepare for the unexpected.
    といった内容のもので、これによりスポーツ感覚に近い決闘が出来る。 Following these rules allows for duels that feel almost like sport.
    そのルールの導入により、比較的力の弱い人間も妖怪に勝負を挑む事が可能となった。 With the introduction of these rules, it became possible for even relatively weak humans to challenge youkai.
    それと同時に気軽に巫女を倒す事も出来て、反対に妖怪も有る程度無茶出来る様になった。 At the same time, it became possible for youkai to freely defeat the shrine maiden without worrying about the consequences."
  133. Touhou 12.3 Hisoutensoku Mechanics
  134. Touhou 08: Imperishable Night Spell Practice, Last Word, No. 215 "Fantasy Nature"
  135. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  136. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  137. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  138. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  139. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  140. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  141. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  142. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  143. Touhou 06: Embodiment of the Scarlet Devil Stage 1
  144. 144.0 144.1 144.2 Bohemian Archive in Japanese Red Page 46-47 "Rumia
    What's this piece of paper?
    Aya
    An objective article on you.
    Rumia
    You know, there's been a lot of weird youkai coming into my summer resort paradise lately. That's never happened before.
    Aya
    If you keep floating around like that, you might have been considered as something dangerous and consequently attacked, so I wrote an article on it.
    Rumia
    But if more things come into the darkness it gets hotel, right?
    Aya
    Then inviting an ice fairy in might make it cooler.
    Rumia
    That would be too much...
    Aya
    By the way, it's too dark and I can't see very well. Could you make it a bit brighter?
    Rumia
    What're you talking about? I've already let a little light in so I could read this piece of paper.
    Aya
    It's so dark that I can't read my notebook. I can't take notes either.
    Rumia
    Geez, if I let even a little light in it gets really bright.
    Aya
    But I'm surprised that I really can't see anything outside at all. It's a bit difficult to tell where we're flying.
    Rumia
    Of course you can't tell. That's because we can't see.
    Aya
    Huh?
    Rumia
    I bump into trees all the time, but that just goes to show what darkness is all about.
    Aya
    You simply float about without any specific destination in mind?
    Rumia
    Obviously. It's too dark to see, so my view never changes no matter where I go.
    Aya
    But you're the reason why it's too dark to see.
    Rumia
    Oh, is that so?
    Aya
    That is so. By the way, why do you hate sunshine so much?
    Rumia
    You don't hate it?
    Aya
    I enjoy both the day when humans are active, and the night when youkai are active. That is why I have enough material for my articles.
    Rumia
    That's interesting. When I'm out in the sunshine, my skin gets all red and I can't think straight, my hair gets all dry so I get split ends, and on top of all that I get really sleepy.
    Aya
    Sounds to me like you're suffering from a deficiency of some sort.
    Rumia
    But I'm fine in the moonlight. I don't need to make any darkness at night but it's bright enough to see.
    Aya
    You seem to fly around aimlessly in the day, but what do you do at night?
    Rumia
    Nothing much. I just fly around at night, too.
    Aya
    So your lifestyle has no sense of purpose? It feels like there are more youkai who don't feel like learning or working lazily. It's quite depressing.
    Rumia
    Attacking humans is a youkai's job.
    Aya
    But are you exhausting any effect in attacking humans?
    Rumia
    Lately, humans won't let me attack them. This other time, I got beaten up instead.
    Aya
    It's because of that that you don't maintain your dignity as a youkai. At the very least, you should be blending into the darkness at night and waiting along the roads.
    Rumia
    Ugh, that's too much effort."
  145. Touhou 9.5: Shoot the Bullet Level 1 Scene 2
  146. Touhou 08: Imperishable Night Stage 2
  147. According to ZUN, this spell card's name is a reference to the album Night Birds by jazz-funk band Shakatak.
  148. Demarcation: a boundary or limit.
  149. Touhou 01: Highly Responsive to Prayers Mima Boss
  150. Touhou 02: Stage of Eastern Wonderland Stage 04
  151. Touhou 7.5: Immaterial and Missing Power Reimu Good Ending (Ending No. 3)
  152. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 31
  153. Touhou Suzunaan (Bell Hermitage) ~ Forbidden Scrollery Chapter 48
  154. Touhou Ibarakasen (Rose Poem Hermit) ~ Wild and Horned Hermit Chapter 11
  155. Touhou 04: Lotus Land Story Stage 1
  156. Immaterial and Missing Power Tutorial
  157. Touhou 17.5: Sunken Fossil World Reimu Story Tutorial
  158. Touhou 03: Phantasmagoria Dim. Dream Rikako Ending
  159. Touhou 03: Phantasmagoria Dim. Dream Rikako Ending
  160. Gensou Narratograph Chapter 1 Pages 104 - 108 "GM: Ahh, I had a great time! Thank you all for playing!
    All: Thank you!
    ZUN: I had fun. Lots of fun. (laugh)
    GM: Really!? Just hearing that makes me really happy.
    Player A: Yeah, it was great!
    GM: Thank you very much! So, we're about to get into the post-game!
    In reality, we're also supposed to do things like reset or advance your characters and stuff like that, but since the time limit's pressing down on us, I'd just like everyone to take a turn and share their thoughts about today's game, anything like that.
    Player B: Alright. Man, what should we talk about? (laugh)
    GM: (laugh) ...Well, suppose I'll start. First off, I'll say it again, but thank you, everyone.
    All: Thank you for the game!
    GM: In particular, it was really nice of ZUN to agree to play with us, and I loved watching him play Reimu.
    ZUN: No, no, it's nothing. (laugh)
    GM: It really made me feel, "So this is what Reimu's like!" Very strongly so.
    ZUN: Well, you know. Reimu's a character with no mercy towards youkai. Whether they're bad, or even haven't done anything, she'll hit them without a second thought. (laugh)
    GM: Yes, well... It was fun to watch. Player A, who played Cirno, has the longest history with tabletop RPGs here, so you could really call them a veteran, but they turned out to be a big help filling in the details of the story here.
    Player A: Yaaay. I'm glad you think so.
    GM: Aya was very cool in the Showdown Phase. In addition, they did a great job roleplaying and commenting on things in the scenes, and made me chuckle a lot of times.
    Player B: Hahaha. You're right, I did roll pretty well back there.
    GM: Also, speaking as the GM, excitable Sanae was a lot of fun to play!
    ZUN: You could tell from the start she was going to fail (laugh). The way she acted.
    GM: If that's what you thought, then it worked as intended (laugh). — So, moving on. Player A, if you would!
    Player A: Okaaay! Everyone, thank you so much! Everyone was really cute... I noticed I was grinning the whole time. (laugh)
    All: Thank you!
    Player A: I felt a lot of love for the source material in all of Aya's lines. Writing an extra, and the regular edition too, I really felt like "Man, being a reporter is a lot of work."
    Player B: That's great to hear.
    Player A: And Reimu was really awesome too. Really felt like this was "ZUN's Reimu". Saying what she wants, doing what she wants, being really rough on Cirno too, it was great to see. Compared to everyone else here, I don't know the source material nearly as well, so it might not have been a very Cirno-like Cirno, but I still had lots of fun messing around as her for a day. Thank you very much!
    GM: I think it was good you amped up her fairy-ness! — Well, next up, Player B. If you would.
    Player B: Riiight! Good work, everyone! Man... First off, Cirno was really cute. I thought her level of energy and clever use of her ability were really Cirno-like, actually. She was fun to watch.
    Player A: Hehehe. Alright!
    Player B: Also, the mental image of Sanae explaining the ski resort with a smug look on her face really stuck in my head. It was such a good smug face, I don't even know if it would come across in a photo. (laugh)
    ZUN: It was a good smug face. Sanae also has a habit of getting carried away, after all. (laugh)
    GM: I'm glad to hear you say that. (laugh)
    Player B: I feel like Aya really wants to write articles that make people chuckle, so the idea of being able to turn Sanae's smug photo against her was really funny. My main goal as Aya was to write some entertaining articles, so I'm glad I got a lot of chances for that. I think I managed to roleplay an Aya Shameimaru that matches what's in my head.
    ZUN: It was very Aya-like. (laugh)
    Player B: Thank you very much! — And, of course, I felt a really strong "canon Reimu" too, and was really moved. How direct she was with everyone, and her small hitbox, simply felt like her.
    ZUN: Yeah, exactly (laugh). That's what Reimu's like.
    Player B: Maaan, I'm still not over it. — Seriously, thank you!
    GM: Thank you very much. ...So, finally. Can I ask ZUN as well?
    ZUN: Of course. Man, it was fun (laugh). First off, Cirno. Watching "Charismatic" Cirno run around like that, I definitely thought, "Is that what Cirno's like?" ...but despite that, it was great, and I felt like I saw a new Cirno today. I felt like this game's own kind of Touhou-ness, own kind of playstyle and relationships between characters really got to shine. It was really good.
    Player A: Thank you very much!
    ZUN: Aya is a character who's easy to make a bit too righteous, but this one definitely wasn't. Her only looking for the bad sides of people is, if I had to say, more faithful to how I write her. Really Aya-like. It was great.
    Player B: Hehehe. That's just how Aya is, huh. Doesn't really think about anybody else, you could say.
    ZUN: Yeah, exactly. That's how she is (laugh). ...Also, the first thing that really surprised me was with that cat in the Human Village. I just threw "It was Chen, right?" out there as a bit of a joke, but then the GM picked that up and ran with it. I really thought "Wow! These are actually connected like that!?" It made me think that might be what's really good about these kinds of games.
    GM: I was a bit worried about that part, but I'm glad it worked out.
    ZUN: To be honest, I was kind of messing with you when I said that. (laugh)
    GM: Messing with me!?
    ZUN: (laugh) — Well, last, about the Reimu I played. I was kind of embarrassed in parts, and don't really know if you can call what I did roleplay. But in the final danmaku battle, watching the bullets fly past me even without doing anything, I really felt invincible for a moment, and like Reimu's character really ended up shining through somehow. I know the dice rolls are random and stuff, but it's interesting how you can see it like that.
    GM: Yeah, that's true. Of course, the numbers you get when rolling dice are just products of chance, but I think being able to sense meaning in them is one of the great things about tabletop RPGs. And since they're random, they end up going differently every time. (laugh)
    ZUN: True, true. I kinda wanna do this again sometime.
    GM: If you think so, that really makes me feel like it was worth making.
    ...But, well, until we get another chance, I think this is it for now. Good work today, everyone!
    All: Good work today!
    ..."
  161. Touhou Project - Highly Responsive to Prayers/Eastern Wondrous Tale Game Manual Touhou Reiiden Backstory: " * Yin-Yang Orb ... Hakurei Shrine's Greatest Treasure
    A mysterious orb with an unnatural amount of spiritual power. Perhaps a soul dwells within? It appears as though it could be alive. Normally you cannot defeat spirits or devilish powers without a weapon such as this."
  162. ZUN's Email "> • Are Yuki and Mai really dead?
    > I know we're dealing with a PC-98 game, but were Yuki and Mai from Mystic Square really killed?
    > Looking in particular in the conversation when Lady Mima and Yuki are left... (sweat)
    > Or is this also a type of joke, like Lady Remilia's statement that "Sakuya is dead" in EoSD?
    Basically, they're whatever-works types, so they might not be dead. I generally have no comment regarding the PC-98 games. Please ignore them just as one can ignore derivative works. :-)"
  163. ZUN's reply to messages on the former Gensou Bulletin Board "Q.「幻想郷」旧作を知らないのですが、霊夢とアリスの過去になにが・・・?
    A.基本的に、ストーリーに関係するキャラは全て紅魔郷以降になります。
    一応、紅魔郷から全体の設定を一掃したので、新シリーズみたいなもんだと
    思っていただけると(^^;

    Q: I don't know anything about the old games in Gensokyo, but did Reimu and Alice have something going on in the past?
    A: Generally, the story related to the characters will all be from Embodiment of Scarlet Devil and later. For now, you can just think of EoSD starting from a clean slate, and starting a new series. (^^;"
  164. Meiji University talkshow "Dawn of Touhou" "Q: Why was Highly Responsive to Prayers an Arkanoid-clone, not a shmup?
    ZUN: "Because it was a study product.""
  165. ZUN's AWA Q&A Panel Touhou Wiki Translation:
    "Q: Are the PC-98 games considered canon compared to the Windows series?
    ZUN: It's the same world. There are a few contradictions in the story when putting the PC-98 and Windows games side by side, but I would take reference from the latest games to consider what is canon."

    Word of the Nerd ZUN AWA Panel: Recap Translation:"Q: Are the PC-98 games considered canon compared to the Windows series?
    ZUN: There are a few contradictions in the story when putting the PC-98 and Windows games side by side, but I would take reference from the latest games to consider what is canon."

    Rukasarisari Tumblr Translation:"Q: Are the PC-98 games separate canonically from the Windows series?
    A: It’s the same world, and ZUN realizes there are contradictions. He then tells us to refer to the most recent games <for canon>."
  166. Embodiment of the Scarlet Devil おまけ.txt "So without any advice, here are the character backstories.
    ○Eternal Shrine Maiden
    Reimu Hakurei
    Ability: Able to Fly, and to Manipulate Natural Spirits.
    The protagonist.
    Chronologically this title is not too far from the previous title, thus her age stays the same as before.
    Unintentionally, she is a shrine maiden. Or rather, she is a shrine maiden only because the Touhou series has become the "Shrine Maiden Shooting Game" series. It feels like the cart has been placed before the horse to me.
    This time, her outfit is not overly intricate like typical shrine maiden clothing, but has become quite simple and only remotely resembles that of a shrine maiden. Is she really a shrine maiden?
    She's more like "You red & white girl!" in my opinion."
  167. Touhou Project - Strange Creators of Outer World Who's Who of Humans & Youkai in Gensokyo Yuuka Kazami "I basically just wanted to bring back a character from the old works (*from before "Embodiment of Scarlet Devil"). Her current appearance is based on the one from "Seihou Project", made by my juniors. Back then, based on the personal criteria I had for a "strong boss", I figured it would be better if she weren't being too serious the first time you fought her. Then, when she woke up all the way, she would have a "serious mode." I wonder if I could've gotten away with bringing back more older characters at the time, too... although they wouldn't mesh that well with the current setting. I'd say those old characters have probably retired by now, and are warmly watching over things from various places nowadays."
  168. ZUN's Gensou Denshou Lecture Gensou Denshou After Report "Questioner: Where has Ms. Mima gone to?
    ※Mima is a character introduced in Touhou Project's PC-98 games (Story of Eastern Wonderland, Mystic Square, etc).

    ZUN: The past is being brought up too huh? Bringing them back would make things complicated, and people will ask "Where have they been this entire time?!" I'd rather bring out new characters than go back to past characters. But, I also kinda wanna bring them back too. I won't say they'll never be brought back... that's kinda how I feel, see?

    Questioner:Even Genjii?
    ※Genjii is a character introduced in Touhou Project's PC-98 games. He assisted Reimu by allowing her to ride on him since she could not fly at the time.

    ZUN:Well Reimu is able to fly now. Either way, the idea of a turtle hermit... why did I do that? I feel like a Nimbus Cloud would have been a better idea (lol). Normally speaking, since turtles live a very long time, (Genjii) is most likely not dead. That is the impression I get."
  169. Meiji University talkshow "Dawn of Touhou" "Q: Where's Genjii now?
    ZUN: "Probably living in the lake at the back of the shrine... at least he's not consumed.""
  170. Touhou Sangetsusei ~ Strange and Bright Nature Deity Chapter 12
  171. Touhou Project - Perfect Cherry Blossom Stage 03 Reimu "Reimu: It's really cold out tonight...
    And I can't see a thing."

    Alice: Is your level of spring insufficient even to push away this cold?"

    Reimu: Well, that might be true.

    Alice: Long time no see.

    Reimu: We've only just met.

    Alice: No, that's not what I meant.

    Reimu: Long time no visibility?

    Alice: Don't you remember me? Well, either way is fine though.

    Reimu: Setting that aside, what did you mean by "level of spring"?

    Alice: I was referring to the springtime in your head.

    Reimu: I hope mine's not too high. Still, why has this winter been so long?

    Alice: There's someone who's gathering the spring.

    Reimu: And you have nothing to do with it?

    Alice: Of course not.

    Reimu: Bye.

    Alice: Hey!

    Alice: And we've only just met after so long, old friend. Have you only brought me your life as a gift?

    Reimu: And why am I being called "old friend" by this seven-colored magical moron?

    Alice: In the end, shrine maidens are two colors.
    Your power is only twenty-eight-point-five-seven-one-four percent as powerful as mine.
  172. Touhou Project - Phantasmagoria of Flower View Yuuka Story Episode 6 - Wonderful Shrine Maiden of Paradise: Reimu Hakurei "Yuuka: Flowers and ghosts and..., hmm. Speaking of which, this happened once before didn't it? How many decades ago was it? It's been so ordinary since then, I can't remember.

    Reimu: Ah, there you are!

    Reimu: You're the culprit, aren't you?

    Yuuka: Do you think that ignoring the events back then, would bring everything back to normal?

    Reimu: Everything went back to normal when I defeated you back then!"
  173. Touhou Project - Phantasmagoria of Flower View Yuuka vs Marisa Yuuka Victory Quote "Yuuka: Ah, you're still alive?
    You've grown up quite a bit."
  174. Touhou Project - Immaterial and Missing Power Omake Afterword "Greetings, from one's whose ratio of saying "nice to meet you" is decreasing steadily even in real life, ZUN.
    But this time there may be more people to who I am saying "nice to meet you" than for Imperishable Night.
    This time it's Touhou Suimusou (IaMP), Touhou Project Volume Number 7.5.
    Though I get the feeling "What's with 7.5 being released after 8", this isn't the numbering order of release, but rather the order of canon.
    The plot of this game happens between Perfect Cherry Blossom (Winter to Spring) and the time of Imperishable Night (Early Autumn).
    Eventually, the "game of the summer" started to feel more like a game coming in winter, right?"
  175. ZUN's reply to messages on the former Gensou Bulletin Board "Q: "Gensokyo" In "Embodiment of Scarlet Devil," wasn't it a serious affair for the strange mist to go down to the human village?
    A: Ahh, that it is a little misunderstanding.
    The motive of the turmoil, so to speak, is the motive of the youkai side who caused the turmoil.
    Since it can't be helped, even when Reimu and the gang are defeated, they challenge again however many times they want; but on the youkai side, they do not challenge again after being defeated and are not attached to the results of winning or losing..., to say it clearly it is assuredly an inconsequential thing^^;
    Mr.anonymous's post was precise so I shall cite it:
    Sorry for butting in. However, in my thinking, as for what shall happen when the mist given out by Remilia goes to the human village, in the first place, I have not conceived that the mist would go to the human village. So in other words, there was no bad intention. The reason for giving out the mist is also, "that" (haha so Reimu also went towards the extent of giving a warning, "it can't be helped" (although it is violent, eh?"
  176. Touhou Project - Perfect Memento in Strict Sense Reimu Profile
  177. Touhou Project - Perfect Memento in Strict Sense Reimu Profile
  178. Touhou Project - Perfect Memento in Strict Sense Reimu Profile
  179. Touhou Project - Perfect Memento in Strict Sense Unresolved Materials Draft of Spell Card Rules
  180. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Kana vs Chiyuri
  181. Touhou 03: Phantasmagoria of Dim.Dream Cutscene: Reimu vs Chiyuri
  182. Touhou 05: Mystic Square Good Ending #1
  183. Touhou 6: Embodiment of Scarlet Devil Stage 5
  184. Touhou 07: Perfect Cherry Blossom Extra Stage
  185. Touhou 8: Imperishable Night Extra Stage
  186. Meiji University talkshow "Dawn of Touhou" "Q: Who's the strongest in Gensokyo?
    ZUN: "Absolutely, ...isn't it Reimu? Although it seems obvious.""
  187. Touhou 15: Legacy of Lunatic Kingdom Stage 2
  188. Touhou 15: Legacy of Lunatic Kingdom Stage 4
  189. Touhou 16: Hidden Star in Four Seasons Stage 6
  190. Touhou 17: Wily Beast and Weakest Creature Extra Stage
  191. Touhou 18: Unconnected Marketeers Stage 2
  192. Touhou 18: Unconnected Marketeers Stage 3
  193. 193.0 193.1 Symposium of Post-mysticism Yuugi Hoshiguma Profile Pages 120-122 "The Spoken-of Unexplainable Phenomena
    Yuugi Hoshiguma
    Ability: The ability to wield unexplainable phenomena
    Threat level: Very High
    Human friendship level: Unknown
    Main place of activity: Former Hell
    An oni who silences crying children. While it's unknown where all the oni went, it's been confirmed that at least one lives in Former Hell. It's quite likely that there are other oni living in Former Hell as well. While oni have a strong sense of camaraderie, they have an even stronger sense of independence so it seems she doesn't know where the others live.
    It is said that she possesses unbelievably supernatural strength. According to fellow oni Suika Ibuki, "She's weaker than me in magical powers, but might be stronger than me physically."(*1) Although this is just a rumor, it is said that her superhuman strength is of the level where her footsteps alone are enough to make nearby buildings collapse.
    The sake dish she carries is said to be called the Hoshiguma Dish, an oni masterwork that increases the quality of any sake poured into it(*2). Its compatibility with the Ibuki Gourd carried by Suika Ibuki is extremely high.
    Currently, it seems she has cut off all contact with humans. Moreover, she tries to limit contact with the youkai on the surface as much as possible. For these reasons, there is little information on her.
    Regarding her personality, she is firm of character and straightforward. She likes the strong, the brave and the honest, while conversely shows no mercy towards the weak, the cowardly and the sly."
  194. Touhou 11: Subterranean Animism Stage 2
  195. Touhou 11: Subterranean Animism Stage 2
  196. 196.0 196.1 Curiosities of Lotus Asia Chapter 27 Mechanism of Fortune ""It's okay. (Shibara) Once I get there, this ghost story will die down. That's the future we have planned."/"It'll be fine. The phantoms will settle down after a while. The future is predetermined like that."
    Spiritual dreams Mysterious question (Kegen) He looked at me with a strange expression./Reimu gave me a dubious expression.
    "Rinnosuke says the same thing as vampires and monsters."/"The vampires and youkai say the same thing you do."
    It is said that ghosts have appeared on the streets, but this store () () There are few things. Ghosts are noisy to begin with (place) It's easy to get together in. The ghost itself 儚Haka ({{{2}}}) Perhaps it's because they seem to be disappearing at any moment, but it's easy to feel their own presence (Nigi) Gather in a small place. They will likely gather in crowded places, just like humans did when they were alive./Phantoms will appear in public places, but they don't show up at my store often. To begin with, phantoms tend to gather easily wherever there is a lot of commotion. This is because of a phantom's transient nature, where they may vanish at any moment, so they gather at a lively place where it is easier for them to really feel their own existence. It is likely just as when they were human, preferring to be in crowds to people.
    "They say the future is planned, but that doesn't make sense. Some people seem to make their daily lives based solely on luck," Marisa said after having a spiritual dream./"There's no way the future is pre-defined. Some people's lives are supported just by luck, y'know." Marisa said, looking at Reimu.
    "Well, it's just luck (Kan) But even a hunch is a hunch that has some basis."/"Well, rather than 'just by luck' it's 'intuition', and that intuition is an intuition with a proper foundation."
    She looked like she couldn't believe Marisa./Marisa's expression said that she didn't believe her.
    "At the banquet () () () () () () Even when I did it, it wasn't a contest (Sai) You'll catch the eye of. What kind of basis do you have for that."/"Whenever we play Chinchirorin at parties, ya always call the face of the die to the point where there's no longer any competition. How can ya say there's a foundation for that?"
    Chinchirorin? Ah, Saiko (Dice) It's a simple game where you just have to look at the eyes of. Gambling at banquets is like the world of the yakuza./Chinchirorin? Ah, the simple game played with dice. Feasts and gambling, it's like the world of crime.
    "Marisa, I think the reason Reimu is able to ensure the dice are cast is because he is instantly calculating the planned future."/"Marisa, I believe the reason why Reimu can guess the outcome of dice rolls must be because she can calculate in an instant the predetermined future."
    I shared my thoughts on the mechanism by which the eye of the dice is determined. Reimu must probably be able to calculate the result intuitively by looking at Saiko's initial state. That's the kind of luck that exists in the world./I told them my idea, about the mechanism by which the outcome of dice was set. Perhaps after seeing the initial conditions Reimu can calculate the result of the dice by her intuition. Within this world good luck is that sort of thing.
    "Rinnosuke, that's completely different. You can't do that kind of calculation just by looking at the dice. Calculating people only think about probability. And even if you do the math, it won't turn out the way it does."/"That's not it at all, Mr. Rinnosuke. No matter how you slice it you couldn't do that kind of calculation just by looking at the dice. Calculating people only think with probabilities. Besides, even if they did calculate that the result won't go exactly as they thought."
    "Why do you think that? It's true that there's no way to calculate it, but if you could calculate it, you could read the future."/"Why do you think so? While I suppose you couldn't do that, wouldn't it still let you tell the future if you could?"
    Reimu looked shocked./Reimu looked shocked.
    "I seem to understand luck a few levels better, so I'll teach you today. The mechanism of probability. Also, the future is not planned..."/"Since it seems I have a deeper understanding of fortune, today I'll be doing the lecturing on the mechanism of probability. And while I'm at it I'll also show that the future is not predetermined…"
  197. Curiosities of Lotus Asia Chapter 27 Mechanism of Fortune "The layers of physics act on the laws of physics, the layers of psychology act on the interpretation of results, and the layers of memory act on the manipulation of probability, interacting to create the future. Since memories cannot be the same as a single point in the past, there are no plans for the future./The physical layer follows the laws of physics, the mental layer interprets the outcomes and the memory layer alters probability, mutually creating the future. Since it's impossible for memories to reach the same state as a point in the past, the future is not predetermined.
    For example, suppose you roll the dice once and get a 1. Even if you drop the dice again under the exact same conditions, the fact that one came out () () () () () () () () The above are not necessarily the same probability./So take a die rolling a one as an example. If you were to throw it again with the same initial conditions as before, since the die members the previous outcome it won't necessarily be the same probability.
    Just as I was about to hear and understand, I thought, "So how can you say you can read the dice?" Marisa asked./I followed her explanation up to that point, but then Marisa asked "So how are ya able to predict how the dice will fall?"
    I was distracted by Reimu's idea of a new world, but Marisa remained calm. If you can read the dice, not only will you be able to stand it and not lose, but you may also be able to achieve the same level of luck as Reimu./While I was entranced by Reimu's new illustration of the world, Marisa was unfazed. I didn't think she wanted to know just to beat Reimu at Chinchirorin, but to use that idea to become as lucky as Reimu.
    "I'm not really reading the next die. () () () () () () () () () () That's what Saiko remembers."/"I'm not "predicting" the fall of the dice at all. The dice members the fact that 'I predicted how the dice would fall'."
    Just by having a lucky card called Reimu in your memory at the dice, the result will be great and you will be on the Reimu side (Katayo) It is said to be a ru. () () () () () () () () () () () Apparently./According to this, by the lucky card called Reimu entering the memory of the die-face the result greatly skews in Reimu's favorite. Apparently, 'the results side with Reimu'.
    "Well, then such knowledge is of no use to anyone except those with good fortune," Marisa was embarrassed./"What? Howzzat gonna help anyone but those who are already lucky?" Marisa sunk.
    I thought there was something false and shady about luck in the world. A big factor in this is that I thought the future was planned. Good luck (Engi) Even things were perceived as just far-fetched lumps./I doubted the existence of things such as fortune in this world, thinking it seemed like a lie. This was too likely of me thinking that the future was predetermined. I saw good luck charms as nothing more than lumps of sophistry.
    However, hearing Reimu's words reaffirmed the existence of luck in this world. There are certainly lucky and bad people. (Gen) を 担 (and) Some people succeed easily. To the jinx (Tora) I have people who fail. It may certainly be rough to think of all of these as just initial conditions./ Whatever, upon listening to Reimu's words, I have reaffirmed the existence of fortune. The blessed man and the cursed man both exist, certainly. There is a man that succeeds in shouldering his trials. There is a man that is a failure, captive by jinxes, as well. It might certainly be reckless to think of each one as mere because of initial conditions.
    If the determination of probability is due to the power of memory, it may not be surprising that lucky charms have the power to manipulate probability. The origin is complex and strange (Moderate) , memory is Taki (Taki) This also means that the status of lucky charms increases./If we assume that probability is determined by the power of memory, it may be natural that probability can be manipulated by the power of good luck charms. The more complicated and unusual the origins are, the more memories a charm will have, therefore raising its effectiveness.
    Reimu added that 『all matter and psychology in this world are created by probability, and it is the luck of memory that determines this』./Reimu added to this, "In this world, both objects and souls are made up of probability, and are determined by the fortune which memories hold."
    I once heard that word and remembered it. 『 こ () () () () () () () () () () () () () () () () () () For it is already common sense』 I have seen science books from the outside world that say things like this. I remember looking at the book and not being able to figure out 『who would confirm the probability』 and not really understanding it./Hearing those words I remembered something. "It is already common knowledge that everything in the world exists by probabilities." Something along those lines was written in a science textbook from the outside world. I recall having only a huge compromise of its meaning, and I didn't understand, "Who determines the outcome of those probabilities?"
    However, Reimu was thinking of something similar, and he also realized that he had the power to determine probability in his memory. It was amazing./But Reimu had thought the same kind of thing, and even realized that it is memories which hold the right to determine those probabilities. It was surprising.
    "Memory determines probability... in other words What goes around comes around (Ingaohou) You could also say, it's amazing. That may indeed be true. But how did you acquire that knowledge?"/"Memory determinations probability... in other words, you could say it's karma. That's pretty amazing. It may very well be true. By the way, how did you come across this knowledge?"
    Always Inaction (Mui) I almost added that it looks like the wind that lives in, but I stopped to move the story along smoothly./Your lifestyle appears so idle, I was about to add, but to preserve the current subject I changed my mind.
    「 も () () () () () () () () () () I asked him."/"I heard it from a really, really smart human."
  198. Touhou 02: Story of Eastern Wonderland Stage 03
  199. Touhou 02: Story of Eastern Wonderland Stage 03
  200. Touhou Sangetsusei (Three Fairies) ~ Oriental Sacred Place Chapters 1-2
  201. Touhou Sangetsusei (Three Fairies) ~ Strange and Bright Nature Deity Chapter 6
  202. Curiosities of Lotus Asia Chapter 27 Page 198-205 "She says that the world is made up of three layers:
    First is the physical layer that moves in accordance with the laws of physics, including all living things, objects, etcetera. It is on this layer that an object falls toward the ground, and that the water of the river flows.
    The second layer is one that moves with the spirit, which includes things such as magic and sorcery — the mental layer. One's mood turning sour when meeting an unpleasant person, and releasing all your stress and cares during a party lie here. Since most youkai can control the world through both the physical and mental layers, they say that history repeats itself and the future is predetermined as a prank.
    But according to Reimu, there is a third layer that rejects loops: this third layer is the memory layer, which is the recollection of events that lies within all things. Since it is only possible to add to the memory layer, it's impossible to completely recreate the past; if something were to happen that already occurred in the past, then there would be a contradiction because that would imply that that memory was lost, which is impossible. The memory layer always continues to build up."
  203. Curiosities of Lotus Asia Chapter 27 Page 198-205 "The second layer is one that moves with the spirit, which includes things such as magic and sorcery, the mental layer. One's mood turning sour when meeting an unhappy person, and releasing all your stress and cares during a party lie here. Since most youkai conceive of the world just through these physical and mental layers, they Ridiculously say that history repeats itself and the future is predetermined."
  204. Touhou 06: Embodiment of Scarlet Devil
  205. Touhou 06: Embodiment of Scarlet Devil

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