Michael Jackson

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Who's bad?

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Ah, your butt is mine, gon' tell you right, ah Just show your face in broad daylight, ah I'm tellin' you on who I feel, ah Gonna hurt your mind, don't shoot to kill Shamone, ah, shamone Lay it on me, ah, alright Ah, I'm givin' you on count to three, ah Just show your stuff or let it be, ah I'm tellin' you, just watch your mouth, ah I know your game, what you're about Well, they say the sky's the limit And to me that's really true, ah But, my friend, you have seen nothin' Just wait 'til I get through Because I'm bad, I'm bad, shamone (bad, bad, really, really bad) You know I'm bad, I'm bad (bad, bad) You know it (really, really bad) You know I'm bad, I'm bad (bad, bad) Shamone, you know (really, really bad) And the whole world has to answer right now Just to tell you once again Who's bad? The word is out, you're doin' it wrong, ah Gon' lock you up before too long, ah Your lyin' eyes gon' tell you right, ah So listen up, don't make a fight, ah Your talk is cheap, you're not a man, ah You're throwin' stones to hide your hands Well, they say the sky's the limit And to me that's really true, ah But, my friend, you have seen nothin' Just wait 'til I get through Because I'm bad, I'm bad, shamone (bad, bad, really, really bad) You know I'm bad, I'm bad (bad, bad) You know it (really, really bad) You know I'm bad, I'm bad (bad, bad) You know it, you know (really, really bad) And the whole world has to answer right now Just to tell you once again Who's bad? We can change the world tomorrow This could be a better place, ah If you don't like what I'm sayin' Then won't you slap my face? Because I'm bad, I'm bad, shamone (bad, bad, really, really bad) You know I'm bad, I'm bad (bad, bad) You know it (really, really bad) You know I'm bad, I'm bad (bad, bad) You know it, you know (really, really bad) And the whole world has to answer right now (hoo, hoo) Just to tell you once again (hoo) You know I'm bad, I'm bad, shamone (bad, bad, really, really bad) You know I'm bad, I'm bad (bad, bad) You know it, you know it (really, really bad) You know, you know (bad, bad) You know, shamone (really, really bad) And the whole world has to answer right now Just to tell you once again You know I'm smooth, I'm bad, you know it (bad, bad, really, really bad) You know I'm bad, I'm bad (bad, bad, really, really bad) You know, you know, you know it, come on (bad, bad, really, really bad) And the whole world has to answer right now (hoo) Just to tell you once again (hoo) You know I'm bad, I'm bad, you know it (bad, bad, really, really bad) You know I'm bad, you know, woo (bad, bad, really, really bad) You know I'm bad, I'm bad (bad, bad) You know it, you know (really, really bad) And the whole world has to answer right now Just to tell you once again Who's bad?

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When the world is on your shoulder Gotta straighten up your act and boogie down If you can't hang with the feelin' Then there ain't no room for you this part of town 'Cause we're the party people night and day Livin' crazy that's the only way So tonight gotta leave that nine to five upon the shelf And just enjoy yourself Groove, let the madness in the music get to you Life ain't so bad at all If you live it off the wall Life ain't so bad at all (live life off the wall) Live your life off the wall (live it off the wall) You can shout out all you want to 'Cause there ain't no sin in folks all getting loud If you take the chance and do it There there ain't no one who's gonna put you down 'Cause we're the party people night and day Livin' crazy that's the only way So tonight gotta leave that nine to five upon the shelf And just enjoy yourself Groove, let the madness in the music get to you Life ain't so bad at all If you live it off the wall Life ain't so bad at all (live life off the wall) Live your life off the wall (live it off the wall) Do what you want to do There ain't no rules it's up to you (ain't no rules it's all up to you) It's time to come alive And party on right through the night (all right) Gotta hide your inhibitions Gotta let that fool loose deep inside your soul Want to see an exhibition Better do it now before you get too old 'Cause we're the party people night and day Livin' crazy that's the only way So tonight gotta leave that nine to five upon the shelf And just enjoy yourself Groove, let the madness in the music get to you Life ain't so bad at all If you live it off the wall Life ain't so bad at all (live life off the wall) Live your life off the wall (live it off the wall) So tonight gotta leave that nine to five upon the shelf And just enjoy yourself Come on and groove (yeah) and let the madness in the music get to you Life ain't so bad at all If you live it off the wall So tonight gotta leave that nine to five upon the shelf And just enjoy yourself Come on and groove (yeah) and let the madness in the music get to you Life ain't so bad at all If you live it off the wall

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As he came into the window It was the sound of a crescendo He came into her apartment He left the bloodstains on the carpet She ran underneath the table He could see she was unable So she ran into the bedroom She was struck down It was her doom Annie, are you okay? So, Annie, are you okay? Are you okay, Annie? Annie, are you okay? So, Annie, are you okay? Are you okay, Annie? Annie, are you okay? So, Annie, are you okay? Are you okay, Annie? Annie, are you okay? So, Annie, are you okay? Are you okay, Annie? Annie, are you okay? Will you tell us that you're okay? There's a sign in the window That he struck you - a crescendo, Annie He came into your apartment He left the bloodstains on the carpet Then you ran into the bedroom You were struck down It was your doom Annie, are you okay? So, Annie, are you okay? Are you okay, Annie? You've been hit by You've been hit by a smooth criminal Ow! Ow! Aw! Annie, are you okay? (I don't know) Will you tell us that you're okay? (I don't know) There's a sound at the window (I don't know) Then he struck you, a crescendo Annie? (I don't know) He came into your apartment (I don't know) Left bloodstains on the carpet (I don't know why, baby) And then you ran into the bedroom (help me) You were struck down It was your doom Annie (dag gone it) Annie, are you okay? So, Annie, are you okay? Are you okay, Annie? You've been hit by You've been hit by a smooth criminal

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She was more like a beauty queen from a movie scene I said don't mind, but what do you mean, I am the one Who will dance on the floor in the round? She said I am the one, who will dance on the floor in the round She told me her name was Billie Jean, as she caused a scene Then every head turned with eyes that dreamed of being the one Who will dance on the floor in the round People always told me be careful of what you do And don't go around breaking young girls' hearts And mother always told me be careful of who you love And be careful of what you do 'cause the lie becomes the truth Billie Jean is not my lover She's just a girl who claims that I am the one But the kid is not my son She says I am the one, but the kid is not my son For forty days and forty nights The law was on her side But who can stand when she's in demand Her schemes and plans 'Cause we danced on the floor in the round So take my strong advice, just remember to always think twice (Do think twice, do think twice) She told my baby we'd danced 'til three, then she looked at me Then showed a photo my baby cried his eyes were like mine (oh, no) 'Cause we danced on the floor in the round, baby People always told me be careful of what you do And don't go around breaking young girls' hearts She came and stood right by me Just the smell of sweet perfume This happened much too soon She called me to her room Billie Jean is not my lover She's just a girl who claims that I am the one But the kid is not my son Billie Jean is not my lover She's just a girl who claims that I am the one But the kid is not my son She says I am the one, but the kid is not my son She says I am the one, but the kid is not my son Billie Jean is not my lover She's just a girl who claims that I am the one But the kid is not my son She says I am the one, but the kid is not my son She says I am the one You know what you did, (she says he is my son) breaking my heart babe She says I am the one Billie Jean is not my lover Billie Jean is not my lover Billie Jean is not my lover Billie Jean is not my lover (don't Billie Jean) Billie Jean is not my lover Billie Jean is not my lover

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It's close to midnight And something evil's lurking in the dark Under the moonlight You see a sight that almost stops your heart You try to scream But terror takes the sound before you make it You start to freeze As horror looks you right between the eyes You're paralyzed 'Cause this is thriller, thriller night And no one's gonna save you from the beast about to strike You know it's thriller, thriller night You're fighting for your life inside a killer, thriller tonight, yeah Ooh, ooh You hear the door slam And realize there's nowhere left to run You feel the cold hand And wonder if you'll ever see the sun You close your eyes And hope that this is just imagination Girl, but all the while You hear a creature creepin' up behind You're out of time 'Cause this is thriller, thriller night There ain't no second chance against the thing with forty eyes, girl Thriller, thriller night You're fighting for your life inside a killer, thriller tonight Night creatures call And the dead start to walk in their masquerade There's no escaping the jaws of the alien this time (they're open wide) This is the end of your life, ooh They're out to get you There's demons closin' in on every side They will possess you Unless you change that number on your dial Now is the time For you and I to cuddle close together, yeah All through the night I'll save you from the terror on the screen I'll make you see That this is thriller, thriller night 'Cause I can thrill you more than any ghoul would ever dare try Thriller, thriller night So let me hold you tight and share a killer, thriller Chiller, thriller here tonight 'Cause this is thriller, thriller night Girl, I can thrill you more than any ghoul would ever dare try Thriller, thriller night So let me hold you tight and share a killer, thriller, ow I'm gonna thrill you tonight Darkness falls across the land The midnight hour is close at hand Creatures crawl in search of blood To terrorize y'all's neighborhood (I'm gonna thrill you tonight) And whosoever shall be found Without the soul for getting down Must stand and face the hounds of hell And rot inside a corpse's shell I'm gonna thrill you tonight Thriller, ooh baby (thriller) I'm gonna thrill you tonight (thriller night) Thriller, all night, oh baby I'm gonna thrill you tonight Thriller, thriller night (oh baby) I'm gonna thrill you tonight Thriller, all night (oh baby) Thriller night, babe (thriller night, babe), ooh The foulest stench is in the air The funk of forty thousand years And grizzly ghouls from every tomb Are closing in to seal your doom And though you fight to stay alive Your body starts to shiver For no mere mortal can resist The evil of the thriller

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Oh, no Oh, no Oh, no You'll never make me stay So take your weight off of me I know your every move So won't you just let me be I've been here times before But I was too blind to see That you seduce every man This time you won't seduce me She's saying, "That's okay Hey, baby, do what you please I have the stuff that you want I am the thing that you need She looked me deep in the eyes She touchin' me so to start She says there's no turnin' back" She trapped me in her heart Dirty Diana, nah Dirty Diana, nah Dirty Diana, no Dirty Diana Let me be Oh, no Oh, no Oh, no She likes the boys in the bands She knows when they come to town Every musician's fan, after the curtain comes down She waits at backstage doors, for those who have prestige Who promise fortune and fame, a life that's so carefree She's saying, "That's okay Hey, baby, do what you want I'll be your night lovin' thing I'll be the freak you can taunt I don't care what you say I wanna go too far I'll be your everything If you make me a star" Dirty Diana, nah Dirty Diana, nah Dirty Diana, no Dirty Diana Dirty Diana, nah Dirty Diana, nah Dirty Diana, no Dirty Diana Diana Diana Dirty Diana It's Dia-aa-aa... come on She said, "I have to go home 'Cause I'm real tired you see Now I hate sleepin' alone Why don't you come with me?" I said, "My baby's at home She's probably worried tonight I didn't call on the phone To say that I'm alright" Diana walked up to me She said, "I'm all yours tonight" And then I ran to the phone Sayin', "Baby I'm alright" I said, "But unlock the door" 'Cause I forgot the key She said, "He's not coming back Because he's sleeping with me" Dirty Diana, nah Dirty Diana, nah Dirty Diana, nah Dirty Diana, no Dirty Diana, nah Dirty Diana, nah Dirty Diana, nah Dirty Diana Come on! Come on! Come on! Come on! Come on! Come on! Come on! Come on! Come on! Come on! Come on! Come on!

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Hello, listen! This is Michael, listen. I've got a state of emergency here. Space Channel 5 is being attacked by robots! I can't believe it. Everybody back to the head office immediately! Immediately!

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Ulala, no way! He's com-

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Thank you, Ulala!

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Get out of here, Ulala, this is a trap...

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Thank you, Ulala, thank you so much.

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Everyone, follow me!

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Ulala, let's go ahead.

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You have to shoot the opposite direction.

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Tap the under direction key. Now let's shout!

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Let's jam!

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Ulala, let's go, let's shout!

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Nice dance, Ulala! Hoo!

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Come on, Ulala, come on!

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No way, everybody, get out of here! Move, go!

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Be careful!

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Be careful, everybody stick together!

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“	Okay everbody, that's a wrap.	„
	~ Michael at the end of Liberian Girl

Background

Michael Jackson was a pop singer who was one of the most influential artists in music video history. He was referred to as the "King of Pop", or by his initials MJ. He carried this into various music videos telling different stories, all of them having him stay as Michael Jackson.

This dropdown contains the synopsis of Michael Jackson’s music video plots.

A portion of the clip is set to Jackson's song "Speed Demon". After filming "Badder", Little Michael and his bodyguards (also young kids) are leaving the set and walk through a cloud of smoke and come out as their regular adult age. As he exits the set, he is spotted by tourists and they suddenly begin to chase him for an autograph. In an attempt to avoid the overzealous fans and the interviewers (including camera-happy Japanese tourists accompanied by stereotyped "Oriental" music, the press, and even The Noid) plus some gunslingers (after stumbling upon the filming of a Western helmed by a director resembling Steven Spielberg), Jackson soon disguises himself as a rabbit named Spike, using a costume from one of the film sets (imbued with animatronic properties using Claymation, giving a similar combined-media effect as Who Framed Roger Rabbit, but with more obvious bluescreening), but ends up taunting the fans into chasing him once they realize it is him. Michael steals a bicycle which then turns into a motorcycle once he hits the highway in order to flee, with the fans and paparazzi (now also appearing in Claymation form) giving chase in various other, more cartoonish vehicles. During the chase, he morphs into other celebrities, namely Sylvester Stallone, Tina Turner and Pee-wee Herman, with the bike also briefly morphing (into a jackhammer, stop sign, waterski, and jet pack) in repeatedly unsuccessful attempts to throw the fans off. After a long chase, the fans/press are finally thwarted by crashing into a giant (Claymation) cop and are arrested. Jackson finally then manages to escape and rides off to a desert. He takes off his rabbit costume and it then suddenly comes to life and challenges him to an extended dance-off. In the end, a passing traffic cop interrupts Jackson to point out he is in a "No Dancing Zone", and when Michael turns to show him that he was competing with the rabbit, he sees that the rabbit has disappeared. The cop then sarcastically asks for Jackson's autograph (as opposed to "signature") on the ticket. Just as Jackson is preparing to leave, the rabbit's head materializes on a nearby rocky crag, which then nods to him and smiles. The segment begins with three homeless children (Sean, Katie, and Zeke) sneaking through a big city to see their friend Michael going out for the evening. As Michael stands in front of the door, he notices a falling star before he is ambushed by men with machine guns. The film then backtracks to show Michael and the children playing in a meadow in happier times. As they are playing, their dog Skipper runs away, and as Michael and Katie look for him they uncover the lair of Frankie Lideo (the last name was an alternate spelling of the last name of Jackson's then-manager Frank Dileo), a.k.a. Mr. Big, a drug-dealing mobster with an army of henchmen. He wants to get the entire population of Earth addicted to drugs, starting with children. As Mr. Big continues work on his operation, he discovers that Michael and Katie are spying on his operation. The story returns to the ambush in front of Michael's apartment. Unknown to the gangsters, Michael wished on the falling star and escaped the gunfire, leaving only his trench coat. Upon realizing he has escaped again, Mr. Big orders his henchmen to track down Michael with dogs. He is eventually cornered in an alley, where he wishes on another falling star and turns into a Lancia Stratos Zero sports car that mows down several of Mr. Big's henchmen. Michael is pursued through the city streets until he loses the henchmen. Meanwhile, the children scout out Club 30s, where Michael had told them to meet him, and find only an abandoned nightclub. As Jackson arrives, Katie sees a silhouette of him turning back from a car into himself. The door of the club opens with a gust of wind, and Michael walks in to find it filled with men in suits and swing dancers. The children gather outside a window of the club and watch Michael dance to "Smooth Criminal." Mr. Big lays siege to the club and kidnaps Katie. Michael follows them back to Big's lair and ends up surrounded by his henchmen. Mr. Big appears and taunts Michael by threatening to inject Katie with highly addictive narcotics. While Katie manages to wriggle free, Mr. Big decides he has had enough and orders his men to kill Katie first then finish off Jackson, just as a falling star passes by. Michael transforms into a giant robot and kills most of Mr. Big's soldiers, then turns into a spaceship. Mr. Big gets into a large hillside-mounted energy cannon, firing on the spaceship knocking it into a nearby ravine. The children are his next target, but the spaceship returns from the ravine in time to fire a beam in the cannon with Mr. Big inside, destroying it and finishing the villain once and for all. The children watch the ship fly into the night sky with a shower of light. Chief Space Michael is a major character and the overall tritagonist in the Space Channel 5 series who made his first major appearance in Space Channel 5: Part 2. He was a 500 year-old reporter for Channel 5, who later took the position of Chief after Blank. Space Michael liked to dance and sing, and was in close relations with Ulala, a fellow reporter for Channel 5. Before Purge was defeated, Space Michael and Channel 5 headquarters were under attack, and he was hypnotized by Shadow in the process. After she saved him, Space Michael teamed up with Ulala, Pudding and several others to put an end to his obsession with ratings and fame, and ultimately was one of the heroes who saved the Galaxy. With the death of Michael Jackson in 2009, Sega presumably retired the Space Michael character out of respect, and limited his appearance in their media, including the Space Channel 5 series. It is unknown what Space Michael’s current living status is. Report 4: Evil in the Galaxy Revealed! Space Michael appears as a hostage of two Morolians in the fourth report, where Ulala will need to copy the moves from the Morolians keeping him with them. After being saved, he joins the main heroes and later appears at the end of the game, marching to the end of the galaxy. In the Extra Mode version of the Report, Space Michael will only appear if the amount of views Ulala has as she leaves the boardroom is above 89%. Otherwise, Ulala will find three Channel 5 Policebots replacing Space Michael. As stated above, Space Michael was a last minute addition to the game, hence why he didn't have a bigger role. After the fiasco with Chief Blank, Space Michael was the first choice for the new Space Channel 5 Station Chief. Report 3: Meet the Sexy Space Police! Space Michael first appears at the end of the third report. After Ulala defeating the Space Police, she and the rest of the Space Channel 5 crew receive an emergency transmission from Space Michael, who reveals that Robots are attacking the station. He orders for everyone to fall back immediately when transmission suddenly cuts off abruptly. Report 4: The End for Space Channel 5?! At the beginning of the level, he is able to send another message to Ulala which is immediately cut off, saying “Ulala, no way! He’s com-”. He is later found at the Channel 5's control Room under the control of the Rhythm Rogues. He orders Ulala to run away saying it's a trap, but the Shadow and the Rhythm Rogues appear to fight against her in a dance battle. Once Ulala defeats them, Space Michael is freed. He and Ulala dance on the elevator heading into the station’s core. In the Core, Space Michael and Ulala are attacked by Purge on his hovercraft and the Peace Carrier. Space Michael assists Ulala on defeating both. Purge then, fuses his Hovercraft with the Peace Carrier, creating Purge the King. Ulala and Space Michael starts a sing battle against the mecha, where Ulala does the "Chu" and "Hey" commands while Space Michael covers the singing parts. When the battle ends, Purge escapes and the Channel 5 Headquarters start to self destruct. Space Michael orders everybody to run to save their lives and later runs away too. Report 5: The Spies Get Revenge! Space Michael sneaks into Purge’s Mystery Zone along with Ulala. They are joined by Pudding, Hoorg, and Pine along the way when suddenly, the alarms go off in the space station. They run into a trap where they'll need to copy the robot's moves. Once they escape from it, they are surprised by another trap that drops them into a pit filled with Dark Rhythm Robots. Surrounded, everyone takes up a a direction with Space Michael covering the upper part of the room. After finally escaping the trap, the group encounters Shadow, who challenges them to a Battle of Bands, and Space Michael takes up the position as singer for their side. Report 6: Purge’s T.V. Special Space Michael and the group invade Purge's TV Show. While going down the stairs, the group faces Mass-produced Peace Carriers and Purge's bodyguards. However, when they reach Purge, Space Michael is stopped by an invisible wall and is left behind along with Pudding, Jaguar, Hoorg and Pine. During the second half of the report, Space Michael calls out to Ulala, encouraging her to continue dancing against Purge the Great. Space Michael also brings with him many of the characters from previous reports, to back Ulala up. When Ulala wakes up and starts fighting Purge again, Space Michael re-appears and assists her along with the rest of the heroes at defeating Purge and freeing Peace. Dance Dimension X finally shatters and Space Michael can be seen standing next to Jaguar. With Fuse back on the scene, a final blast of collective dance energy is aimed at Purge which results with him being trapped in a giant 'P', shot off into deep space. As Ulala wraps up her last report and everyone celebrates, Space Michael can be seen moonwalking to Ulala's right. The level ends with Space Michael, along with everyone else marching to the end of the galaxy.

Statistics

Key: Regular | Mecha Jackson

Tier: 9-B, Higher with Weapons | At least 9-B

Name: Michael Joseph Jackson, Space Michael, Space Michael Jackson

Origin: Michael Jackson videography

Sex: Male

Age: Varies (Michael Jackson can vary from being an adult to a teenager, constantly changing his shape, age, or form, the events of Space Channel 5 take place 500 years in the future)

Classification: King of Pop, Ghost, Force of Nature, Moonwalker

Species: Human, Zombie, Werewolf, Alien

Occupation: Musical Artist, Movie Star

Status: Alive, Undead as a Zombie

Alignment: Chaotic Good (Michael's morals vary greatly on the video, though he always appears heroic, such as when he turned a homeless man into a rich person, gave his popcorn box to someone else when leaving the movie theater, though he has some more non-heroic acts, such as being a con man, though even there he will do acts such as giving flowers to people. In other videos he is shown to be a smooth criminal, though his morality is moreso ambiguous here as he only attacks those attacking him. In Moonwalker, Michael is saving every child on Earth that was kidnapped. In Bad, Michael works with some hoodlums, but soon realizes this is not the right way and saves a old man that was going to be jumped by a group of thugs)

Dimensionality: 3-D

Attack Potency: Wall level (Crushed a cue ball to the point that it turned into dust. Casually broke a tree in half as a werewolf, all of the zombies casually broke through different parts of the house. Michael's attacks send enemies flying off screen), Higher with Weapons (A gun shot sent a man flying through a wall leaving a human shaped hole, which gets these results) | At least Wall level (Easily destroys and decimates enemies in this state)

Durability: Wall level | At least Wall level (Tanked a massive superlaser hitting him), Higher with Forcefield Creation (Created forcefields around his body to block bullet fire)

Striking Strength: Wall Class | At least Wall Class

Lifting Strength: Superhuman (Casually ripped an air vent off its hinges) | At least Superhuman

Travel Speed: Superhuman (Outran two mopeds which typical speeds reach around 28 to 30 miles per hour, these mopeds were also racing him on his motorcycle. Out ran two men on horses who can run from 20 to 30 miles per hour), Higher with Motorcycle (His motorcycle moved so fast, it casually outsped several cars on a highway), Far Higher as a car (Moved so fast he flew briefly) | Superhuman

Combat Speed: FTL | FTL

Reaction Speed: FTL (Can avoid lasers. Dodged an incoming train at the last second) | FTL (Casually blocked bullets)

Stamina: Superhuman (Went through various different levels checking for where the kidnapped children are while fighting off enemies and always dealing with a wave of enemies at the end of each level all while showing no signs of tiring)

Range: Standard Melee Range, Hundreds of Meters with Firearms & through size as Mecha Jackson, up to Planetary with Abilities (Caused a massive storm around the planet that rewinded time. Noted in his in-game profile in Space Channel 5 that he saved the planet from crisis using his dance energy to prevent something that would've led to the Earth's destruction)

Intelligence: Genius (Trained pilots in the flight academy. Shown to be a skilled con man. Escaped all of the Egyptian Guards in the palace)

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Powers and Abilities

Superhuman Physical Characteristics, Genius Intelligence, Human Achievements (Michael Jackson is an incredibly talented dancer, able to perform complex spins, being able to dance even as a zombie, and can use his dances to get out of the way of attacks. Beat a bunny costume brough to life mimicking his dance moves in a dance-off. Able to do impossible looking dance moves that go against gravity such as the anti gravity lean. Along with this he is also an incredibly talented singer), Martial Arts (Easily beat crooks in hand to hand combat. Casually overpowered several men, treating the fight at everything moving at a beat. Shown to fight against many high level boxers in Ready 2 Rumble), Stealth Mastery (The entirety of Billie Jean, Michael is avoiding a man trying to get a photo of him. Hid away from the Egyptian Soldiers that were trying to find him), Vehicular Mastery (Land Vehicles; Able to ride a motorcycle that moves so fast it casually outsped all the cars on a highway. Able to ride horses. Seaborne Vehicles; Able to ride in a small speeder boat. Air Vehicles; Fought Mr. Big through using a ship to shoot him down for good), Weapon Mastery (Firearm Mastery; Causally shot a man that tried to attack him from behind without looking. Used a tommy gun to shoot off all of his pursuers), Disguise Mastery (Can wear costumes for disguises and bring them to life), Social Influencing (Michael Jackson is very much beloved in many of his videos, to where even billboards of women fall for him, showing a large portion of the world loving him and women even fainting from seeing him. Shown in Speed Demon to have entire fans chasing after him. The Pharaoh's wife fell for Michael after seeing him dance, where prior no one else could even impress her. Came in and fully stopped a fight between two rival gangs, having them dance together), Surface Scaling (Could dance on the ceiling), Afterimage Creation (Able to perform afterimages while dancing around), Superhuman Precision (Able to casually flip a coin all the way into a jukebox that was across the room), Enhanced Senses (Noticed a man sneaking up behind him and trying to stab him without looking behind), Cartoon Physics (Mid Potency; Shown throughout most of Speed Demon to display cartoonish physics), Undead Physiology (Became a zombie during Thriller), Immortality (Ageless; Has shown to be alive even during ancient times, noted in Space Channel 5 that he saved the earth from certain demise by using his dance energy 500 years ago and that he transcends time and space. Immortal Metaphysical Aspect; In Billie Jean, Michael Jackson seems to be an incorporeal spirit that can get rid of his body whenever he wants to, seemingly interacting with the world even after his body is gone as the sidewalk starts lighting up, being completely invisible and disappearing in pictures, thus making it where any damage done to his body means nothing to him. Undead Immortality; Became a zombie during Thriller), Supernatural Resilience (Michael can casually turn himself into a skeleton and transform back without any real repercussions), Acausality (Causality Immunity; Noted in his in-game profile in Space Channel 5 that he transcended time and space), Water Walking (His motorcycle is able to ride even on water), Flight (True Flight; Shown to be flying up in the air. Use of Devices; Able to fly with his jetpack), Empowerment & Divine Protection (Michael is protected by a lucky star, that will grant him the ability to become stronger when he isn't strong enough to deal with his opponent, save him in situations that he needs to escape. Michael Jackson's Star Magic is a super power sent to him on a shooting star), Magic (Utilizes what's called "Star Magic"), Energy Projection (Can charge up and shoot out energy blast), Broadway Force (Caused all of the zombies to dance with him while he was a zombie, which still worked even when he turned back into a human. Made all the criminals in the bar start dancing the minute he started the jukebox. Even those he attacks will still be subject to dance with him. Came in and fully stopped a fight between two rival gangs, having them dance together. Can even make animals dance. Michael's dances usually either turn an enemy into his ally or kills the opponent), Summoning (Summoned a group of people and changed his form to fight against the thugs), Reality Warping (Made all of the zombies and destroyed house go away and made the girl think it was all a dream. Constantly warped around reality into illogical aspects in Leave Me Alone), Metaphysics Manipulation (Logic Manipulation; Casually created flowers, numbers, and warped around the reality, making an illogical world), Transformation (Partial Transformation; Changed his form into an older look. Shapeshifting; Turned into a construction worker to avoid being detected. Transformed into various different things while spinning. Freely transformed into sand and then back into an actual human. Can easily turn into sand through spinning. Transformed into a car. Transformative Arsenal; Transformed into Mecha Jackson when a man kept abusing a child. Can transform into a werewolf during a full moon, which he is shown to have those eyes at the end of the music video), Duplication (Has repeatedly made duplicates of himself), Teleportation (Teleported away from the guards chasing after him. Seemingly able to teleport around to different cultures), Transmutation (Through throwing a single coin into a homeless man's cup, his entire body and clothes turned into that of a rich man. Transformed his bike into a motorcycle, and later transformed the motorcycle into a stop sign), Fusionism (Can fuse with a shooting star to turn into Mecha Jackson. Through contact with Bubbles, he can turn into Mecha Jackson), Life Manipulation (Wearing the bunny costume and taking it off afterwards gave life to the costume), Light Manipulation (Lit up any of the objects he stepped on), Technology Manipulation (Passive; Him being near technology turned it back on. Hit a sign at a fast food restaurant to cause all of the food to be shot out from the window), Weather Manipulation & Time Manipulation (Caused a massive storm around the planet that rewinded time. Caused a massive storm when screaming), Death Manipulation (Causes enemies to die after they finish dancing, including undead zombies, who show they can easily detach parts of their body with no issues), Sound Manipulation (Through screaming he caused various objects to break), Fire Manipulation (Caused an a massive fire trail from behind as a car), Immersion (Spoke in various of the newspapers, pictures, and dollar bills during the beginning of Leave Me Alone). Resistance to Heats (Could dance around in a hot desert region just fine), Cold Temperatures (Can dance around in snowy weather wearing basic clothing just fine), Zombification (Even though he became a zombie during Thriller, he can turn himself back into a human), Gravity Manipulation (Michael can perform an anti gravity lean, completely ignoring gravity)

Large Size (Supersize), Transformation (Shapeshifting; Shapeshifted into a massive ship), Energy Projection (Can shoot out lasers. Can shoot out energy waves through his sound), Cyborgization (Full), Flight (Can turn into a ship and fly), Forcefield Creation (Created forcefields around his body to block bullet fire), Explosion Manipulation (Shot out explosive missiles from his body), Size Manipulation (Grew in size to turn into a ship), Sound Manipulation & Durability Negation (Can destroy people from the inside through screaming), Curtain Fire (Can shoot out dozens of bullets at once)

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Standard Equipment

• Standard Handgun: A standard handgun he had in smooth criminal, made far stronger as just shooting a guy sent him flying through a wall.

• Tommy Gun: A tommy gun he pulled out during Smooth Criminal.

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Notable Techniques

• Dancing: Michael's main ability is his dancing, which normally forces others to dance, the others that dance either become his allies or die after the dance finishes.

• Transformation: Michael Jackson has displayed various different forms of transformation, through minor transformation making him look older and changing his outfit, to changing his entire biological body into someone else, to changing into objects such as cars, and more.

• Mecha Jackson: Through the shooting star's protection, Michael can turn into Mecha Jackson when things get bad.

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Other

Standard Tactics: Michael will normally incorporate dancing into his combat, if the situation is extremely serious then he will transform into Mecha Jackson.

Weaknesses: Nothing notable.

Note: Michael Jackson's music videos do not have any direct canon, with Michael himself constantly showing to be able to transform into different beings and his world overall in most music videos being wacky, along with this, no matter the music video, he is always just Michael Jackson and never playing anyone else, due to this all music videos are compiled together as canon. Along with this, Michael Jackson Moonwalker on genesis is an adaptation of the movie Moonwalker which connects all of his music videos at that time period together, thus the game is canon, and due to the game being canon, other appearances such as his Space Channel 5 self is canon as it's a continuation from Moonwalker.

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