The Codex

Actrise

Castlevania/Actrise


"Mature Content"
This character or verse has mature themes and concepts, thus those of young age are ill-advised to look through these.


“ It's a simple matter... sacrifice the lives of 100 children. I slew my own child to attain the prize of eternal life! „
~ Actrise to Carrie Fernandez on how she became a vampire

Background

Actrise is a prominent antagonist in Castlevania (N64) and Castlevania: Legacy of Darkness. A powerful witch, she collaborates with others in their effort to bring about the resurrection of their master, Count Dracula.

This dropdown contains the synopsis of Actrise’s story. Read at your own risk as you may be spoiled otherwise!

Actrise is a woman driven by an insatiable desire for power and eternal beauty. To achieve immortality, she pledged her allegiance to Dracula, sacrificing 100 children—including her own child—in the process. This heinous act earned her a place as one of Dracula's top lieutenants alongside Death and Gilles de Rais. Together, the three worked tirelessly to orchestrate the resurrection of their Dark Lord.

At some point, Actrise and Gilles turned J.A. Oldrey into a vampire, forcing his family, Mary and Henry, to sever ties with him.

During Cornell's infiltration of Dracula's Castle, Actrise appeared briefly to taunt him after his victory over Gilles, hinting that Cornell's man-beast powers would provide a worthy challenge for Dracula. She reemerged after Cornell defeated Dracula, present in the throne room when Death sacrificed Cornell's wolf form to complete the Dark Lord's revival.

After Dracula was reborn as a child, the three lieutenants devised a plan to thwart the two vampire hunters investigating the castle's dark happenings. While Gilles impersonated Dracula, Death and Actrise worked to obstruct the hunters' progress. As a fellow magic wielder, Actrise pursued Carrie Fernandez, offering her a chance to join Dracula's cause—a proposition Carrie rejected. Seeking to crush the girl's spirit, Actrise forced her into battle with a vampirized warrior from the Fernandez clan.

Actrise confronted Carrie again atop the Tower of Sorcery. She shared her dark origin story, revealing her lack of remorse for her actions. Carrie, however, felt only pity for the "pathetic" sorceress, a reaction that enraged Actrise. Reminded of her lost child by Carrie's appearance, Actrise declared her love for no one but herself and vowed to kill Carrie, presenting her heart to Dracula.

In a final showdown, Actrise unleashed her dark magic, summoning deadly crystal shards to defeat Carrie. However, her arrogance and overconfidence in her abilities led to her downfall. Overpowered by a descendant of the Belnades Clan, Actrise was ultimately defeated. As she died, she was sealed within one of her own crystals, which shattered, taking her with it. In her last moments, Actrise expressed disbelief at her defeat and failed to realize she had been nothing more than a disposable pawn in Dracula's schemes.

Personality

  • Power-Hungry and Ruthless: Actrise is defined by her relentless ambition for power and eternal beauty, leading her to make heinous sacrifices to attain immortality. Her decision to pledge allegiance to Dracula came at the cost of sacrificing 100 children, including her own, illustrating her complete disregard for others in pursuit of her desires. This act solidified her position as one of Dracula's most trusted lieutenants, where she demonstrated an unwavering loyalty and a willingness to carry out any task to further her master’s dark agenda.
  • Manipulative and Cruel: Actrise exhibits a sadistic pleasure in tormenting others, particularly targeting individuals like Cornell and Carrie Fernandez. She uses manipulation and psychological taunts to break the resolve of her enemies, such as forcing Carrie to battle a vampirized warrior from her own clan. Her cruelty is further displayed when she mocks and taunts Cornell during his quest, showcasing her penchant for exploiting the emotional vulnerabilities of her adversaries.
  • Arrogance and Overconfidence: Actrise's belief in her magical prowess and superiority often blinds her to the limitations of her abilities. This overconfidence is most evident during her final confrontation with Carrie, where her hubris prevents her from anticipating her eventual defeat. Her inability to comprehend her role as a mere pawn in Dracula's schemes underscores her deluded sense of self-importance.
  • Lack of Remorse and Self-Centeredness: Actrise is unapologetic about her past actions, including the murder of her own child, which she views as a necessary step in achieving her goals. She openly declares her love only for herself, emphasizing her narcissistic and self-serving nature. Her disdain for others, including her allies and victims, highlights her inability to form genuine emotional connections.
  • Tragic and Resentful: While Actrise’s actions are undeniably villainous, glimpses of her past hint at a tragic undercurrent to her character. Her interactions with Carrie reveal a lingering bitterness and resentment tied to her lost child. This connection, however, only fuels her wrath, as she channels her pain into furthering her own ambitions rather than seeking redemption.

General Information

Name: Actrise[1]

Origin: Castlevania (N64)

First Appearance: Castlevania (N64)

Company: Konami

Creator: Ebisu Etsunobu

Gender: Female

Sexuality: Heterosexual

Pronouns: She/Her

Age: Unknown

Time Period: 1844 & 1852

Timeline: Main Timeline

Homeworld: Earth

Residence: Dracula's Castle

Story Role: Primary Villain, Monster

Legacy: Unknown Legacy

Influence: Personal Influence (Actrise caused Camilla Fernandez to turn into a vampire)

Language: English (As she's a resident of Europe)

Classification: Witch[2], Child of the Night[3]

Species: Human (Formerly), Vampire

State of Being: Regular

Physiology: Humanoid Physiology (Formerly), Vampire Physiology

In-Universe Creator: God[4]

Occupation: None

Affiliations: Dracula (Attempting to restore Count Dracula to life[5]), Death (Working together with Death to revive Dracula[6]), Gilles de Rais (Working together with Gilles de Rais to revive Dracula[7])

Enemies: Carrie Fernandez (Stated she would gouge out Carrie's heart as a gift for Dracula[8])

Height: Unknown

Weight: Unknown

Status: Deceased (Killed by Carrie Fernandez[9])

Date of Death: 1852[10]

Alignment: Neutral Evil (Sacrificed the lives of 100 children in order to obtain eternal life, including killing her own child loving no one in the world other then herself[11])

Threat Level: Global Threat (Attempting to restore Count Dracula to life[12], where Dracula intended to cause a global war during the events of Castlevania (N64)[13], planned to wrap the world in darkness and crush all to his will[14])

Codex Statistics

Grade: S

Tier: At least 7-C

Cardinality: Finite

Power Source: Chaos (All monsters and creatures are Creatures of Chaos[15], where they are empowered by Chaos, always rebirthing from Chaos with each rebirth, the creatures takes a new form[16])

Dimensionality: 3-D

Attack Potency: At least Town level (Potency) (Vampires are considered far larger threats than the standard creature of the night monsters[17], which would put her above creatures such as Golem, from Castlevania Judgement, as he died to a random unknown hunter after his return from the time rift[18]. Golem with his ultimate can shoot out a mouth blast that vaporizes everything it touches as far as the eye can see getting these results[19]. Can harm and fight against enemies stronger than characters who can take hits from neutron bomb[20], that have a yield range of 1-10 kilotons of TNT. Can fight and harm Carrie Fernandez[21], where Carrie notes herself that she has the power to subdue Dracula[22], with Actrise noting that Carrie has such power, it is almost terrifying despite her being only a child, she is a true Fernandez[23])

Durability: At least Town level, Higher with Crystals (Takes multiple hits for Carrie Fernandez to break them[24])

Striking Strength: At least Town Class (Potency)

Lifting Strength: At least Class 10 (Vampires are considered far larger threats than the standard creature of the night monsters[25], which should make her superior to Hector's Battle-Type innocent devils who can move entire tree logs that are blocking roads out of the way[26] where logs can weigh around 15 to 5 tons[27] and Hector's battle-type innocent devils can lift open large iron doors that "no man could force open"[28])

Travel Speed: At least Superhuman regularly (Vampires can assume the shape of a wolf, a bat or fog[29]). At most Faster Than Light at top speed (Vampires are loved by the night, beyond even the typical Creature of the Night, making her faster then enemies such as the Sky Fish who moves so fast that it appears as a beam of light and is only slowed down when time is stopped[30] and the White Demon, who can move at the speed of light at short distances[31]. Vampires can move so fast that the light itself cannot keep up with them, leaving an afterimage behind[32]. Alucard in his suppressed Genya Arikado form can still move so fast that an afterimage made of light is behind him[33])

Attack Speed: At most Faster Than Light

Reaction Speed: At most Faster Than Light

Stamina: Limitless (Vampires are loved by the night, making them so powerful that vampires like Walter Bernhard never been defeated before Leon Belmont gained the vampire killer[34])

Range: Standard Melee. At least Tens of Meters with Crystal Manipulation, Alchemy & Magic (Her crystals can spawn crystals underneath Carrie no matter where she is in the arena[35])

Intelligence: Supergenius Intelligence (Actrise is a master of magic[36], where magic requires one to have a deep understanding of Quantum Physics to utilize it to its fullest, requiring understandings of theories such as "Curse Amplification"[37])

Knowledge: Grandmaster level

Powers and Techniques

Is a Creature of the Night, which gives:



Is a Vampire, which gives:





Equipment

Nothing notable.

Notable Techniques

  • Blood Draining: Vampires can bite and drink the blood of their victims. Blood acts as a source of energy and life for vampires and creatures of the night, an example of this being Red Skeletons who endlessly[166] regenerate[167], from any kind[168] of damage due to it absorbing blood[169].
  • Transformation: Vampires are able to turn into bats, wolves, fog, and other sorts of creatures as they please.
  • Super Strength: Vampires are incredibly superhumanly strong, even for the average creature of the night, being noted to be stronger than even Werewolves.
  • Super Speed: Vampires can move incredibly fast, to where all of them leave behind light projections due to how fast they're moving, while they can control their speeds even to approach speeds such as sound. They are normally beyond even other creatures in the castle such as the White Demon who moves at the speed of light at top speed.

Other

Standard Tactics: Actrise starts by putting crystals around herself to protect herself from any attacks. While doing so she will spawn crystals underneath the target to attack them along with shooting out multiple energy projectiles that home in on the target. She will also shoot out a light that creates crystals around the area to shoot an energy projectile that will relflect off these crystals. She will also at times shoot out a tornado of minature crystals that completely halt a targets movements if it catches them, allowing her to easily attack them.

Weaknesses

Note

Explanation

Usage of games like Castlevania Legends & Castlevania: Circle of the Moon

Castlevania Legends

The game was originally meant to be a prequel to all the other games in the Castlevania series, this can be seen with Sonia's boss fight against Dracula serving as the first time Dracula ever encountered a Belmont along with the ending of the game saying "this story marks the beginning of the Belmont family legend that has been passed on through many ages". Along with this, Sonia shared a relationship with Alucard, heavily implying that her child is between her and Alucard. The existence of Lament of Innocence already greatly messes with this. The game manual even mentions that Sonia was the first of the Belmont family to leave her name to posterity as a vampire hunter[191]. Despite Leon Belmont being the one to start the legend of the Belmont Hunters being vampire hunters. Along with this, Trevor is canonically the first Belmont to defeat Dracula. Iga has gone out of his way to note too that Castlevania Legends was intentionally redacted from the timeline so that it doesn't conflict with the timing used in other titles.

Castlevania: Circle of the Moon

Although it was in the original 2006 timeline, it was removed by Iga from the timeline, along with Castlevania (N64), Legacy of Darkness, and Legends.

Why abilities from them are still usable for main timeline

These games were at one point officially a part of the original timeline before ultimately being removed, making them hypotheticals that could be done. This is further supported by an interview in the History of Castlevania - Crescent of the Moon book, where executive producer of Castlevania Netflix Adi Shankar noted that even the "non-canon" games are parallel timelines in the overall multiverse, sharing the same spirit and lore[192]. While one could argue his statement shouldn't be used, it comes from a book titled, "History of Castlevania - Crescent of the Moon", where it wouldn't make much sense if his statement was wrong and there was no correction over it. The book even has asterisks to give further context, yet they never claim him wrong. Along with this, it's consistent with the fact that most of the Castlevania games that are "non-canon" now were originally a part of the timeline. Thus this statement is usable. Thus abilities and the likes from these games can carry over to the main timeline games.

Trivia

  • Throughout both games, her name is translated as "Actrise" and "Actrice". Nevertheless, even though the former is more commonly used, "Actrice" is more appropriate because it is the French word for "actress".
  • Actrise's character art from Castlevania was drawn by Yasuomi Umetsu. However, her costume and coiffure are not historically accurate: the dress is an amalgamation of later fashions; she would have worn a bonnet instead of a hat.
  • Actrise's theme is the eponymous 18th track on Castlevania: The Original Game Soundtrack (released in Japan and Europe). The slightly dissonant music features a tinkling piano and bells; the sinister, disjointed nature of the composition is indicative of Actrise's simmering madness.
  • When defeated, her face will turn monstrous; presumably showing her true appearance, having surrendered her soul to Dracula.
  • Actrise's boss battle theme is the same one used by J. A. Oldrey, his female victim, Rosa, and Malus, or more specifically, his true form as Dracula.
  • Actrise is known to be able to turn people into vampires due to her actions to Oldrey and Camilla, and directly states that due to her sacrificing 100 children, Dracula granted her eternal life, heavily implying she herself is a vampire, she even has a similar face when defeated to vampire Carrie Fernandez and Reinhardt Schneider if they fail to cure their vamp status.
  • Given Actrise's use of crystals during her boss battle, as well as her status as a witch, it is possible that the Tower of Sorcery has some connection to her.

Misconceptions

"Gaiden" means "Non-Canon" or "Alternate Timeline"

This stems from the belief that when Iga or a producer calls a Castlevania game a "Gaiden" it is therefore non-canon or an alternate timeline and can be dismissed. This, however, is not the case.

The term "Gaiden" merely just means a side story, spin-off, or a separate tale. The term "Gaiden" does not determine the canonicity of a work, it just lets you know if the game is a spin-off/side-story or if it's a main story. Take, for instance, the Kingdom Hearts series. Kingdom Hearts: Chain of Memories would be considered a gaiden, as it's a side-story and spin-off title that isn't a mainline numbered title, however, it is in all manners canon and important to play to understand Kingdom Hearts II.

The same can be applied to Castlevania itself, Castlevania Symphony of the Night is a gaiden game. Yet it is very obviously canon and pretty important to play to understand more of Alucard's backstory. The idea of a Gaiden game for the Castlevania series itself would be any game not dealing with one of Dracula's main 100-year-resurrections, which in this case, even Castlevania 2: Simon's Quest is in a way a gaiden, despite being completely canon.

This is all to say that Gaiden does not at all mean "non-canon" or "alternate timeline" and should never be treated as such, the term itself has nothing to do with the canonicity of a product.

IGA Statements Quoted by a Fan

Any statements Iga has made about Judgment that don't come from this IGN interview or a sourced and reputable article are not usable. This is, of course, referring to the popular statements used when discussing Judgment's Canoncity about a fan asking IGA about the game's Canoncity on Facebook, here are some of them below:

Fan: You mentioned Legend of Cornell was an alternate continuity. However, Cornell appears in Castlevania Judgment, which I believe is not an alternate continuity. How does that work? is he from a different universe than the other characters? It is not really explained in the game itself so I was hoping you could give some clarification on the issue.
IGA: Judgment is a work that surpasses space and time and brings them together.
Fan: I get it. So, is the explanation I suggested in the previous reply possibly correct?
IGA: I don't think it's exactly correct. Judgment is a work born of thinking it would be fun to remove all the hedges and bring characters that appeared throughout the series together. I think that you need to view it as an event from another world which does not consider things like timelines or parallel dimensions at all.

Now these seem like pretty clear-cut statements until you start to try to find where these come from.

They come from both a timeline archive discussion on the Castlevania Wiki back on January 15th, 2012 and from a forum post from the same user as the wiki article.

There is no way to find anything sourced or verifiably proven that this person spoke to Iga. Trying to look up the person didn't get any real results either.

Some other issues fall under the inconsistencies within these Iga talks, the person claims that Iga confirmed that Order of Shadows and the Arcade are non-canon because they were intended from the very beginning to be such, however, an officially sourced interview has the lead game designer of Order of Shadows state that Iga was actively involved with ensuring the game was consistent with the current canon, this would be a weird thing to do if he intended it to be non-canon from the very beginning.

He also claims that Iga said Super Castlevania IV was an alternate continuity, when the wiki also notes Iga saying that the games are all legitimate and the same scenario of defeating Dracula, however this quote is also unsourced, they just claim Iga says this with no link or anything.

There is another one not related to the user who spoke to Iga, but a user on reddit who claimed that a magazine claimed that Castlevania: Circle of the Moon was stated to be in a "different time axis". Attempting to get it translated got no wording that said anything like that, with it not even mentioning anything about canon, timeline, time axis, or any other wording of the sort in a machine-translated attempt. Do note however that this is a machine translation so it could potentially be that it is there, but until a reputable and verifiable translator can confirm or deny this translation, the jury is out with it and it will not be used for the canoncity of Circle of the Moon.

Thus all of these quotes are merely hearsay until shown or proven otherwise.

Remakes/Remasters Being Non-Canon

This comes from an Iga quote that says:

"IGA: FC版とX６８０００版ですが、X６８０００版はFC版をベースにアレンジを加えたものになっています。ゲームのアレンジは、その時に応じて、色々と施されるものですので、正直どちらも正統であると思ってよいのではないかと思っています。結論として、ドラキュラと戦い勝つというシナリオで、中間部分の切り抜きが違うと考えてもよいのではないかと考えています。スーパーファミコン版も違いますし…。どうしてもと考えるのであれば、FC版を尊重すべきかと考えます。
Translation: Regarding the Famicom version and the X68000 version, the X68000 version is an arrangement based on the Famicom version. The arrangement of a game is the kind of thing where you add a lot of different things as needed, so honestly speaking, it think they both should be considered legitimate. In conclusion, I think they should be considered as the same scenario of fighting to defeat Dracula, just with a different middle part. The Super Famicom version is different as well... If you simply must have a clear answer, the Famicom version must be given deference."

Now the quote itself doesn't state remakes or remasters are non-canon despite what people believe. It's moreso a quote of Iga stating that all of them are the same scenario, just with differences. However, an interesting point is that Iga says the NES version should be given "deference", as in to defer to the NES version.

Of course, though, this has the same issue as the Judgment quotes, everyone claims Iga said this, but there is no source of him saying this. In fact, in Castlevania Chronicles, there's a reward interview you receive from Iga himself where he talks about the game, Iga pretty much explains how the game came to be and never says anything about the game not being canon or to defer to the original[193], if anything he treats this as just an updated version of the original. Interestingly to note too, the original he's talking about is not Castlevania on NES but instead, he's talking about the computer version of Castlevania[194], though it borrows a lot of elements from Castlevania NES.

Overall due to the quote itself having no source, it is unusable. The way we will treat remakes, remasters, or ports here however is that they are all equally canon unless stated otherwise. Most of these tell the same story with the only real differences being extra background information added, such as Haunted Castle having it be Dracula stole Simon's wife, though the same overall story still applies even here. Iga himself has already expressed that the original Castlevania's story is pretty simple[195] and Simon having a wife does not affect anything in the overall narrative. Super Castlevania IV notes that Simon is a vampire, though this was due to a novel writer making him a vampire in their novel. The novel was originally supposed to be an adaptation of Super Castlevania IV but was then dropped and made its own thing. Super Castlevania IV itself is still canon, but the subplot of Simon being a vampire is not. The most recent timeline even acknowledges it as canon[196].

Iga Only Allows Stuff He Works on To Be Canon

There is a weirdly believed idea in the fandom that Iga only considers works he worked on canon, however, an officially sourced interview has the lead game designer of Order of Shadows state that Iga was actively involved with ensuring the game was consistent with the current canon, along with this Iga did not work on a lot of Castlevania games considered canon, such as the NES trilogy and the Gameboy games. In fact, he has only made 12 Castlevania games, out of the 30 Castlevania games in total, and most of them from the older console eras are still a part of the canon. Thus Iga does not only allow stuff he works on to be canon.

Iga is a Producer of Castlevania: Circle of the Moon

A Nintendo Power magazine calls Iga the producer of Circle of the Moon, with Iga talking like he worked on the game in that interview. However Iga can be found nowhere in the credits of the game. Making this Nintendo Power issue questionable as to if they were talking to Iga or if the game was mixed up. Though we have direct in-game proof that Iga was not a producer of Circle of the Moon.

Elements and Statements can be used from Lords of Shadows for the main continuity

This argument comes from Adi Shankar saying that even "non-canon" games are parallel timelines in the overall multiverse, sharing the same spirit and lore[197]. However, the Lord of Shadow games are directly noted in an interview with the lead developer, that the game has nothing to do with the canon, sharing none of the lore or original stuff for the characters. This directly conflicts with Adi Shankar's statement and it was very likely he was not even thinking of Lords of Shadows when making this statement but moreso games like Castlevania Legends. On top of this, Adi Shankar has no actual position within Konami, and being an executive producer for the Castlevania anime, thus he does not have any true say in terms of how Castlevania canon works and can only be used at most as a supporting piece of evidence.

Codex Statistics Questions

Q: Shouldn't the characters be around Tier 2 for defeating the Time Reaper who would've destroyed the very fabric of time[198], attempted to destroy the specific era of time[199], cause all beings everywhere to disappear, forever[200] and that the age was on the verge of collapse[201]?

A: We actually never get a direct outright method of Time Reaper's plan for doing this, from what Aeon mentions to Golem, if the Time Rift is not erased, all beings everywhere will disappear, forever[202], implying that it's the Time Rift causing this, this is further backed up by the fact that in Time Reaper's boss fight, there is a vortex in the background consuming everything[203], meaning this is an overtime feat that scales to no one physically.

Q: Shouldn't they get tier 2 for Dracula's influence destabilizing the flow of time[204]?

A: This is a potent ability but has nothing to do with Attack Potency, there is no quantification for "destabilizing the flow of time", along with this, even if it was taken as physically, then it would be overtime as the effects are not noticeable throughout most of Curse of Darkness. Thus this is merely potent Time Manipulation.

Q: Shouldn't Dracula and by proxy anyone that scales to him get tier 2 for him being able to sustain his castle?

A: This goes under our Stabilization Feats standards, which treats sustaining feats are non-combat applicable Attack Potency normally, though in Dracula's case the Castle is speficially powered by the existence of a Dark Lord, and doesn't necessarily need their strength to rise. In the Castlevania novel, the castle rose without a Dark Lord as an example. Along with this, no one scales to the collapse of the castle, in Curse of Darkness Hector would've died to the collapse of the castle if[205] Julia didn't come save him, and Isaac died within the castle[206]. In other cases the Castle does not collapse[207], but instead slowly fades away[208]. At the end of Dawn of Sorrow Soma Cruz and Genya Arikado (aka Alucard) must escape the collapsing abyss.

Q: Shouldn't Castlevania characters that scale to Death have Infinite speed due to Death being able to kill distance itself with his attacks?

A: Killing distance to attack is not a speed feat, it's a method of Spatial Manipulation by circumventing and ignoring distance, while one can say the attack spawns on you instantly, this is not really something quantifiable. Along with this, it would only scale to characters comparable to Death during post-Dawn of Sorrow, as Soma notes Death is far faster than he remembered from his fight with him in Dawn of Sorrow[209].

Battle Records

0 - 1 - 0

None.

None.

References

  1. ↑ Castlevania: Legacy of Darkness Carrie Mode
  2. ↑ Castlevania: Legacy of Darkness Carrie Mode
  3. ↑ Castlevania Judgment Carmilla Story Mode
  4. ↑ Castlevania Lament of Innocence
  5. ↑ Castlevania: Legacy of Darkness Carrie Mode
  6. ↑ Castlevania: Legacy of Darkness Cornell Mode Intro
  7. ↑ Castlevania: Legacy of Darkness Cornell Mode Intro
  8. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  9. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  10. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  11. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  12. ↑ Castlevania: Legacy of Darkness Carrie Mode
  13. ↑ Castlevania (N64) Renon Boss
  14. ↑ Castlevania (N64) True Final Boss
  15. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  16. ↑ Castlevania: Symphony of the Night
  17. ↑ Castlevania: Grimoire of Souls Chapter 6 Accursed Cranium
  18. ↑ Castlevania Judgement: True Story Mode, Golem
  19. ↑ Castlevania Judgment Golem Ultimate Attack
  20. ↑ Castlevania: Symphony of the Night
  21. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  22. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  23. ↑ Castlevania: Legacy of Darkness Carrie Mode
  24. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  25. ↑ Castlevania: Grimoire of Souls Chapter 6 Accursed Cranium
  26. ↑ Castlevania: Curse of Darkness Manga Volume 2 Chapter 4 "Redemption"
  27. ↑ Estimating Weight of Logs and Standing Timber Page 2
  28. ↑ Castlevania: Curse of Darkness
  29. ↑ Castlevania: The Dracula X Chronicles Intro
  30. ↑ Castlevania Aria of Sorrows
  31. ↑ Castlevania Grimoire of Souls Enemy Compendium Showcase
  32. ↑ Castlevania: Symphony of the Night
  33. ↑ Castlevania: Grimoire of Souls Prologue level
  34. ↑ Castlevania: Lament of Innocence
  35. ↑ Castlevania: Legacy of Darkness Actrise Boss Fight
  36. ↑ Castlevania: Legacy of Darkness Actrise Boss Fight
  37. ↑ Castlevania: Portrait of Ruin
  38. ↑ Super Castlevania IV Stage B-1
  39. ↑ Castlevania: Circle of the Moon
  40. ↑ Akumajou Dracula: Kabuchi no Tsuisoukyoku "I had come to destroy evil.
    A spectacled vampire hunter confirmed this as his duty.
    In front of him is a [grotesque creature] whose dreadful power can be felt. The creature appears human but the instant he looked at it, all of his body’s cells cried out in terror.
    “The timing is bad, church person.”
    Whilst listening to the words said by the [grotesque creature], the young hunter kept on reminding himself.
    -----I am …… I ought to be a vampire hunter."
  41. ↑ Castlevania: Grimoire of Souls Chapter 9 Vessel for the Lord
  42. ↑ Haunted Castle Revisited Dominus Collection
  43. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Alucard
  44. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Golem
  45. ↑ Castlevania Judgment True Story Mode, Alucard: Aeon vs. Alucard Lose Cutscene
  46. ↑ Castlevania: Grimoire of Souls Chapter 9 Vessel for the Lord
  47. ↑ Castlevania: Curse of Darkness Manga Volume 1
  48. ↑ Castlevania II: Simon's Quest Night Transition
  49. ↑ Castlevania II: Simon's Quest Online Game Manual Page 4
  50. ↑ Castlevania: Lament of Innocence Bestiary No. 058
  51. ↑ Castlevania: Lament of Innocence Bestiary No. 059
  52. ↑ Castlevania: Curse of Darkness Bestiary No. 009
  53. ↑ Castlevania: Curse of Darkness Bestiary No. 005
  54. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  55. ↑ Castlevania: Symphony of the Night
  56. ↑ Akumajo Dracula: Kabuchi no Tsuisoukyoku "Ever since the Middle Ages, every 100 years, this legendary castle would rise together with its master Count Dracula ----- And whenever it happens, it is said that a clan of vampire hunters will seal it. Several hundred years have passed with battles with the [dark lord] Dracula.
    When suddenly, an end to it all has been foretold. 1999----- Thanks to the power of a clan in Japan, Dracula’s castle was sealed inside a [solar eclipse] to disappear forever.
    However, in this world, there is no such thing as forever. [They] had understood that Dracula’s regeneration cycle ought to have ended. Indeed, people have prepared for this but will it still exist? The castle is the symbol of the chaos within humans and as long as people exist, it will not be completely sealed.
  57. ↑ Castlevania: Lament of Innocence Bestiary No. 064
  58. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Alucard
  59. ↑ Castlevania: Grimoire of Souls Prologue
  60. ↑ Castlevania: Grimoire of Souls Chapter 7 Death's Reign
  61. ↑ Castlevania: Portrait of Ruin
  62. ↑ Castlevania: Grimoire of Souls Prologue Stage 4
  63. ↑ Castlevania: Grimoire of Souls Chapter 1 Dracula's Castle
  64. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  65. ↑ Castlevania: Grimoire of Soul Chapter 2 A City of Fog
  66. ↑ Castlevania: Grimoire of Souls Chapter 3 Ash Banquet
  67. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  68. ↑ Castlevania: Grimoire of Souls Chapter 3 Ash Banquet
  69. ↑ Castlevania: Grimoire of Souls Chapter 7 Death's Reign
  70. ↑ Castlevania: Portrait of Ruin
  71. ↑ Castlevania: Grimoire of Souls Chapter 6 Accursed Cranium
  72. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  73. ↑ Castlevania: Grimoire of Souls Chapter 3 Ash Banquet
  74. ↑ Castlevania III: Dracula's Quest
  75. ↑ Castlevania: Curse of Darkness Absolute Zero Ring Description
  76. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Alucard
  77. ↑ Castlevania Judgment True Story Mode, Alucard: Aeon vs. Alucard Lose Cutscene
  78. ↑ Castlevania Judgment Aeon's Hyper Attack on Carmilla
  79. ↑ Castlevania Judgment Aeon's Hyper Attack on Golem
  80. ↑ Castlevania: The Dracula X Chronicles Game Manual Pages 12-13
  81. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Alucard
  82. ↑ Castlevania Judgment True Story Mode, Alucard: Aeon vs. Alucard Lose Cutscene
  83. ↑ Castlevania Judgment Aeon Hyper Attack on Death
  84. ↑ Castlevania: Grimoire of Souls Chapter 6 Accursed Cranium
  85. ↑ Castlevania: Legacy of Darkness Game Manual Page 35
  86. ↑ Castlevania: Legacy of Darkness Game Manual Page 35
  87. ↑ Castlevania (N64)
  88. ↑ Castlevania: Lament of Innocence
  89. ↑ Castlevania: Lament of Innocence
  90. ↑ Castlevania Judgment Aeon Hyper Attack on Alucard
  91. ↑ Lament of Innocent Perfect Guidebook
  92. ↑ Castlevania: Grimoire of Souls Chapter 9 Vessel for the Lord
  93. ↑ Castlevania: Lament of Innocence
  94. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Alucard
  95. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Golem
  96. ↑ Castlevania Judgment True Story Mode, Alucard: Aeon vs. Alucard Lose Cutscene
  97. ↑ Castlevania: Grimoire of Souls Chapter 9 Vessel for the Lord
  98. ↑ Castlevania: Curse of Darkness Manga Volume 1
  99. ↑ Castlevania: Lament of Innocence
  100. ↑ Castlevania (N64)
  101. ↑ Castlevania (N64)
  102. ↑ Castlevania (N64) Vampire Boss
  103. ↑ Castlevania: The Dracula X Chronicles Intro
  104. ↑ Castlevania (N64) Vampire Boss
  105. ↑ Castlevania: Portrait of Ruin
  106. ↑ Castlevania: Lament of Innocence
  107. ↑ Castlevania: Lament of Innocence
  108. ↑ Castlevania: Lament of Innocence
  109. ↑ Castlevania: The Dracula X Chronicles Intro
  110. ↑ Castlevania (N64)
  111. ↑ Castlevania: Portrait of Ruin
  112. ↑ Castlevania (N64) Flower Garden Cutscene
  113. ↑ Castlevania: Symphony of the Night
  114. ↑ Castlevania: Order of Shadows
  115. ↑ Castlevania (N64)
  116. ↑ Castlevania: Lament of Innocence Bestiary No. 078
  117. ↑ Castlevania: Lament of Innocence
  118. ↑ Castlevania: Lament of Innocence Bestiary No. 064
  119. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Alucard
  120. ↑ Castlevania: Lament of Innocence Bestiary No. 002
  121. ↑ Castlevania (N64) Vampire Boss
  122. ↑ Castlevania: Curse of Darkness
  123. ↑ Castlevania: Legacy of Darkness Master Oldrey Cutscene
  124. ↑ WN: Last question. Why does Dracula keep putting meat inside the walls of his castle?

    KI: You should ask, why do they eat it! I've thought about this stuff.
    I've actually thought about the candles. The candles are people's souls that were taken by Death or by the vampires. In Japan there are candles that represent life. So, when you release the souls from the candles by whipping them, they give you a "thank you" present. Thank-you hearts, or thank-you holy water.
    The meat, I have no idea.
  125. ↑ Castlevania: Grimoire of Souls Prologue Stage 4
  126. ↑ Castlevania: Grimoire of Souls Chapter 1 Dracula's Castle
  127. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  128. ↑ Castlevania: Grimoire of Soul Chapter 2 A City of Fog
  129. ↑ Castlevania: Grimoire of Souls Chapter 3 Ash Banquet
  130. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  131. ↑ Castlevania: Grimoire of Souls Chapter 3 Ash Banquet
  132. ↑ Castlevania: Grimoire of Souls Chapter 7 Death's Reign
  133. ↑ Castlevania: Portrait of Ruin
  134. ↑ Castlevania: Grimoire of Souls Chapter 6 Accursed Cranium
  135. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  136. ↑ Castlevania: Grimoire of Souls Chapter 3 Ash Banquet
  137. ↑ Castlevania: Lament of Innocence
  138. ↑ Castlevania: Lament of Innocence
  139. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Alucard
  140. ↑ Castlevania Judgment True Story Mode, Alucard: Aeon vs. Alucard Lose Cutscene
  141. ↑ Castlevania Judgment Aeon's Hyper Attack on Carmilla
  142. ↑ Castlevania Judgment Aeon's Hyper Attack on Golem
  143. ↑ Castlevania: The Dracula X Chronicles Stage 1
  144. ↑ Castlevania: Lament of Innocence
  145. ↑ Castlevania: Lament of Innocence
  146. ↑ Castlevania Judgment True Story Mode, Aeon: Aeon vs. Alucard
  147. ↑ Castlevania Judgment True Story Mode, Alucard: Aeon vs. Alucard Lose Cutscene
  148. ↑ Castlevania Judgment Aeon Hyper Attack on Death
  149. ↑ Castlevania: Lament of Innocence
  150. ↑ Castlevania: Portrait of Ruin
  151. ↑ Castlevania: Lament of Innocent
  152. ↑ Castlevania: Curse of Darkness Manga Volume 1 Chapter 1
  153. ↑ Castlevania: Legacy of Darkness Camilla Fernandez Boss Fight
  154. ↑ Konami of Europe's Camilla Fernandez profile
  155. ↑ Castlevania: Portrait of Ruin
  156. ↑ Castlevania: Grimoire of Souls Prologue Stage 1
  157. ↑ Castlevania: Dawn of Sorrow Yoko's Shop
  158. ↑ Castlevania: Legacy of Darkness Actrise Boss Fight
  159. ↑ Castlevania: Legacy of Darkness Carrie Mode Camilla Fernandez Boss
  160. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  161. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  162. ↑ Castlevania: Legacy of Darkness Carrie Mode Actrise Boss
  163. ↑ Castlevania: Legacy of Darkness Actrise Boss Fight
  164. ↑ Castlevania: Legacy of Darkness Actrise Boss Fight
  165. ↑ Castlevania: Legacy of Darkness Actrise Boss Fight
  166. ↑ Castlevania: Symphony of the Night Bestiary No. 2
  167. ↑ Castlevania: Lament of Innocence Bestiary No. 017
  168. ↑ Castlevania: Curse of Darkness Bestiary No. 8
  169. ↑ Castlevania: Portrait of Ruin Bestiary No. 29
  170. ↑ Castlevania II: Simon's Quest Day Transition
  171. ↑ Castlevania II: Simon's Quest Day Game Manual Page 11
  172. ↑ Castlevania II: Simon's Quest
  173. ↑ Castlevania: Grimoire of Souls Chapter 2 A City of Fog
  174. ↑ Super Castlevania IV Stage B-4
  175. ↑ Castlevania III: Dracula's Curse Alucard Ending
  176. ↑ Castlevania (N64) Rose Encounter
  177. ↑ Castlevania II: Simon's Quest
  178. ↑ Castlevania: Lament of Innocence
  179. ↑ Castlevania: Harmony of Dissonance
  180. ↑ Castlevania (N64)
  181. ↑ Castlevania: Nocturne of Recollection Chapter 3: Hunter
  182. ↑ Castlevania: Lament of Innocence Dark Palace Of Waterfalls
  183. ↑ Castlevania: Circle of the Moon
  184. ↑ Castlevania: Grimoire of Souls Enemy Compendium Holy Knight
  185. ↑ Castlevania (N64) Charlie Vincent Boss
  186. ↑ Castlevania: Portrait of Ruin Holy Mail Description
  187. ↑ Castlevania Aria of Sorrows
  188. ↑ Castlevania (N64) Rose Encounter
  189. ↑ Castlevania (N64) Carrie Bad Ending
  190. ↑ Castlevania III: Dracula's Curse Alucard Ending
  191. ↑ Castlevania Legends Game Manual Pages 2 & 12
  192. ↑ History of Castlevania - Crescent of the Moon Pages 34 - 37
  193. ↑ Castlevania Chronicles
  194. ↑ Castlevania Chronicles
  195. ↑ Castlevania Chronicles
  196. ↑ Castlevania Anniversary Collection Bonus Book Pages 29-30
  197. ↑ History of Castlevania - Crescent of the Moon Pages 34 - 37
  198. ↑ Castlevania Judgment Aeon True Story Mode Intro
  199. ↑ Castlevania Judgment Sypha Belnades True Story Mode
  200. ↑ Castlevania Judgment Golem True Story Mode
  201. ↑ Castlevania Judgment Death True Story Mode
  202. ↑ Castlevania Judgment Golem True Story Mode
  203. ↑ Castlevania Judgment Aeon True Story Mode Intro
  204. ↑ Castlevania: Curse of Darkness Ending
  205. ↑ Castlevania: Curse of Darkness Ending
  206. ↑ Castlevania: Curse of Darkness Ending
  207. ↑ Castlevania: Symphony of the Night Ending
  208. ↑ Castlevania: The Adventure Rebirth Ending
  209. ↑ Akumajo Dracula: Kabuchi no Tsuisoukyoku "This ominous vortex of magic was similar to what he felt in the [demon castle]. Among all the magic Soma knows, this particular type of sophisticated [power] belonged to-----
    “……I know I am being rude……”
    Faster than he can remember, that husky voice rang in front of Soma-----
    From the shadow of the forest, a large shadow emerged.
    “……tch!”
  210. ↑ Castlevania: Legacy of Darkness Actrise Boss Fight
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