Stella Lecarde

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“	Once more, our family shares the fate of the Morris family. We are Lecardes, after all.	„
	~ Stella to Jonathan Morris and Charlotte Aulin

Background

Stella Lecarde is a key antagonist in Castlevania: Portrait of Ruin. She is the twin sister of Loretta Lecarde and the daughter of Eric Lecarde, a protagonist from Castlevania: Bloodlines. Stella and her sister were captured by the vampire Brauner, who turned them into vampires and adopted them as his daughters.

Stella is encountered twice as a boss throughout the game. The first battle occurs when she fights alone, and the second battle sees her and Loretta join forces, with the outcome of this fight affecting the progression of the game.

In one of the game's alternate modes, both Stella and Loretta become playable characters. In this mode, the backstory of how they were ensnared by Brauner is further explored.

This dropdown contains the synopsis of Stella Lecarde’s story. Read at your own risk as you may be spoiled otherwise!

Stella Lecarde was one of Eric Lecarde's twin daughters, alongside her sister Loretta. Unlike Loretta, Stella inherited her father's physical strength. When Eric investigated the newly resurrected Dracula's Castle, he went missing, prompting Stella and Loretta to search for him. They eventually found him inside Brauner's room, where the vampire appeared behind them, turned both sisters into vampires, and cast a spell on them, making them believe he was their true father. In the main game, Stella first confronts Jonathan and Charlotte in the Sandy Grave, where she largely antagonizes the duo for disrespecting Brauner. Later, she threatens to kill the two hunters by herself, only to be overpowered, briefly regaining her humanity. Jonathan attempts to kill her, but Loretta intervenes and takes Stella away. Before leaving, Stella drops a locket containing a picture of herself with "Wind" and Loretta. Jonathan and Charlotte take it to the Entrance, where "Wind" reveals his true identity as Eric Lecarde and that Stella and Loretta are his daughters, not Brauner's. This revelation leads to the use of a purification spell to cure the sisters. As bosses in the Master's Keep dining room, if Jonathan and Charlotte defeat the Lecarde sisters without casting the Sanctuary spell, Brauner will spirit them away as the castle collapses, resulting in a game over screen. If the Sanctuary spell is used, the sisters are cured and regain their humanity. They express gratitude by offering to perform a ritual to unlock the full power of the Vampire Killer. If Jonathan accepts, he must defeat the Whip's Memory alone to unlock the Vampire Killer's enhanced strength. After Dracula's defeat, the sisters reunite with Eric's ghost. Stella is particularly affected by his passing, collapsing to her knees and sobbing, feeling a greater sense of responsibility as the "older" sister compared to Loretta. In Sisters Mode, Stella can damage enemies and objects by rubbing the stylus over them.

Personality

• Emotional and Aggressive Nature: As the older twin, Stella is more emotionally driven and tends to act impulsively. Unlike her sister Loretta, who may be more reserved, Stella is aggressive and prone to rash actions. She shows this in her interactions with Jonathan, where she actively bickers with him, particularly during their encounter in the Sandy Grave. Her aggression is also evident in her disobedience toward Brauner, attacking Jonathan and Charlotte without his permission, defying his orders and her supposed role under his supervision.

• Vampiric Superiority: After becoming a vampiress, Stella adopts a condescending view toward humans, considering them inferior to her. This sense of superiority is common among vampires in the Castlevania universe, and Stella's aggressive behavior and dismissal of human life reflect this attitude. As a vampire, she becomes far more ruthless and relentless, putting her vampiric nature above any remaining semblance of humanity.

Appearance

• Looks: Stella has heterochromia, with her right eye turning a striking red, contrasting with her left eye, which is green. Prior to her transformation into a vampiress and after being cursed, both of her eyes were green. This unique eye coloration is a notable feature she shares with her younger sister, Loretta, who also displays a similar change in her eye color. Stella’s overall appearance carries a regal yet intimidating aura, befitting her vampiric nature.

• Regular Clothes: Before becoming a vampiress, Stella's attire is not explicitly detailed, but she was seen alongside her twin sister Loretta, typically dressed in clothing fitting their human origins. Once cursed and transformed, her clothing likely changed to reflect her new identity, becoming more suited to her vampiric status. Her style, however, remains more focused on her aggressive, combat-ready demeanor rather than any ornamental fashion choices.

• Special Clothes: As a vampiress, Stella adopts a more domineering presence. Though her outfit specifics aren't always highlighted, her physical transformation is evident through her vampiric features—her crimson right eye being the most striking change. Her overall appearance exudes both elegance and menace, reflecting her new status as a creature that looks down upon humans.

General Information

Name: Stella Lecarde

Origin: Castlevania: Portrait of Ruin

First Appearance: Castlevania: Portrait of Ruin

Latest Appearance: Vampire Survivors

Company: Konami

Creator: Koji Igarashi

Actor

• Japanese Voice Actor: Mariko Suzuki
• English Voice Actor: Karen Strassman

Sex: Female

Sexuality: Heterosexual

Pronouns: She/Her

Age: 19 during Sister Mode (It is noted in the game manual that Eric died at 50 years old, where the events of this game take place in 1944 A. D., where he would be 52 if he was still alive, thus it's two years before this, in which Eric's death takes place during Sisters Mode), 21 during Portrait of Ruin (Listed as 21 years old in the game manual)

Birth Year: 1923 (As she is 21 during the events of Portrait of Ruin, which takes place in 1944)

Homeworld: Earth

Residence: Dracula's Castle (While a vampire)

Story Role: Corrupted Heroes, Supporting Antagonist, Supporting Protagonist

Classification: Turned Human, Member of the Lecarde Clan, Creature of the Night, Child of the Night

Species: Witch, Human, Vampire (Formerly, before Charlotte purified her and Loretta's vampirism])

State of Being: Regular

Physiology: Humanoid Physiology, Vampire Physiology (Formerly)

In-Universe Creator: God

Occupation: Vampire Hunter

Affiliations: Eric Lecarde (Her father), Loretta Lecarde (Her sister), Brauner (Formerly, while under his control), Jonathan Morris, Charlotte Aulin

Enemies: Brauner (After being purified), Jonathan Morris (Formerly), Charlotte Aulin (Formerly), Death, Dracula

Height: Unknown

Weight: Unknown

Status:

• During her Time: Alive
• Modern Time: Deceased (As she existed back in the 1900s, she is naturally dead from old age)

Date of Death: Unknown

Alignment: Chaotic Evil as a vampire (Bitten by Brauner, turning her into a child of the night, where the full transformation into a vampire has them gradually lose their humanity. This in turn made Stella far more sadistic, getting aggressive to anyone who doesn't show her "father" (Brauner) respect. Only holding herself back from attacking because her father was present), Neutral Good as a human (Regained their humanity and lost their vampirism feeling ashamed by all the things they've done apologizing for all they put Jonathan and Charlotte through)

Protection Level: Global Protector (It is the Lecarde family's destiny to aid the Morris Clan in unleashing their powers to stop against threats like Brauner who wish to destroy the world)

Threat Level: Global Threat as a vampire (While under Brauner's control, aided him in his goal to take the world from mankind as he sees humans bring death and ruin to everything of beauty)

Codex Statistics

Key: Sisters Mode | Portrait of Ruin

Key Information

• Sisters Mode: This key covers the sisters during sisters mode, where they're not turned into vampires.
• Portrait of Ruin: This key covers the main game of portrait of ruin where they are turned into vampires.

Grade: S

Tier: At least 7-C, Far Higher with Sheer Will | At least 7-C

Cardinality: Finite

Dimensionality: 3-D

Attack Potency: At least Town level (Potency) (Can fight and defeat 1900s Death, where Alucard notes that Death is a force to be reckoned with, where not one other of Dracula's henchman being able to compare, Dracula also serves as the absolute evil, the opposite to God, where for God to be perfectly good, there must be a being of perfect darkness, being the entity opposite to God, with such power making him far superior to Golem from Castlevania Judgment, as he died to a random unknown hunter after his return from the time rift. Golem with his ultimate can shoot out a mouth blast that vaporizes everything it touches as far as the eye can see getting these results. Can harm and fight against enemies stronger than characters who can take hits from neutron bomb, that have a yield range of 1-10 kilotons of TNT), Far Higher with Sheer Will (Simon claims that the Belmonts and Morrises did not defeat Dracula because of the Vampire Killer, with the reason behind heroes' capacity to fight against evil lying not in their physical strength but the noble desire to drive away evil and usher in all that is good, the desire to protect the world for all of humanity, with the courage to fight to protect others being the true essence of a hero and a Belmont's strength, with this even applying for other heroes such as Shanoa, Maria, Charlotte, and even Arikado. Alucard notes that having something to protect surpasses the limits of strength) | At least Town level (Potency) (Vampires are considered far larger threats than the standard creature of the night monsters, which would put her above creatures such as Golem, from Castlevania Judgement, as he died to a random unknown hunter after his return from the time rift. Golem with his ultimate can shoot out a mouth blast that vaporizes everything it touches as far as the eye can see getting these results. Can harm and fight against enemies stronger than characters who can take hits from neutron bomb, that have a yield range of 1-10 kilotons of TNT. Can harm Jonathan Morris & Charlotte Aulin)

Durability: At least Town level, Far Higher with Sheer Will | At least Town level

Striking Strength: At least Town Class (Potency), Far Higher with Sheer Will | At least Town Class (Potency)

Lifting Strength: At least Class 10 (Should be superior to Hector's Battle-Type innocent devils who can move entire tree logs that are blocking roads out of the way where logs can weigh around 15 to 5 tons and Hector's battle-type innocent devils can lift open large iron doors that "no man could force open"), Far Higher with Sheer Will | At least Class 10 (Vampires are considered far larger threats than the standard creature of the night monsters, which should make her superior to Hector's Battle-Type innocent devils who can move entire tree logs that are blocking roads out of the way where logs can weigh around 15 to 5 tons and Hector's battle-type innocent devils can lift open large iron doors that "no man could force open")

Travel Speed: Superhuman regularly (Comparable to Leon Belmont, who was able to escape Walter's Castle while running from the top floor to the entrance, before the entire structure collapsed). At most Faster Than Light through full Aura (Comparable to Juste Belmont where Juste travels so fast that a light projection of him is left behind, enveloping with a blue aura around him), Far Higher with Sheer Will | At least Superhuman regularly (Vampires can assume the shape of a wolf, a bat or fog). At most Faster Than Light at top speed (Vampires are loved by the night, beyond even the typical Creature of the Night, making her faster then enemies such as the Sky Fish who moves so fast that it appears as a beam of light and is only slowed down when time is stopped and the White Demon, who can move at the speed of light at short distances. Vampires can move so fast that the light itself cannot keep up with them, leaving an afterimage behind. Alucard in his suppressed Genya Arikado form can still move so fast that an afterimage made of light is behind him)

Attack Speed: At most Faster Than Light (Can tag 1900s Death, where Alucard notes that Death is a force to be reckoned with, where not one other of Dracula's henchman being able to compare, which should make him far superior to enemies like the Sky Fish, who moves so fast that it appears as a beam of light and is only slowed down when time is stopped and the White Demon, who can move at the speed of light at short distances), Far Higher with Sheer Will | At most Faster Than Light

Reaction Speed: At most Faster Than Light, Far Higher with Sheer Will | At most Faster Than Light

Stamina: Superhuman (Traveled across Dracula's Castle in search of her father, fighting various bosses and enemies along the way without showing any signs of tiring) | Limitless (Vampires are loved by the night, making them so powerful that vampires like Walter Bernhard never been defeated before Leon Belmont gained the vampire killer)

Range: Standard Melee, Several Meters with Slashing Attacks. At least Several Meters with Energy Atacks (Sends out energy attacks that go out this far)

Intelligence: Supergenius Intelligence (Stella is a skilled magic user, where magic requires one to have a deep understanding of Quantum Physics to utilize it to its fullest, requiring understandings of theories such as "Curse Amplification")

Knowledge: Grandmaster level

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Powers and Techniques

Is a Creature of the Night, which gives:

Superhuman Physical Characteristics (Even the smallest creatures of the night can destroy a bridge, one of Dracula's bats easily destroyed a stone ground block), Intimidation (Creatures of the nights appearances can cause one to have their body's cells cry out in terror), Immortality (Ageless; The biggest hindrance to humans when attempting to accomplish something is their limited lifespans, a limitation that cannot be overcome, however, dwellers of the darkness do not apply to the laws of the human world, ignoring such limitations. Immortal Metaphysical Aspect; Creatures of the Night can continue to exist even as a spirit and use their spirit form to form bodies out of inanimate material around them), Acausality (Causality Immunity; All immortal beings disrupt the flow of time according to Aeon. With their souls being completely free from time. The biggest hindrance to humans when attempting to accomplish something is their limited lifespans, a limitation that cannot be overcome, however, dwellers of the darkness do not apply to the laws of the human world, ignoring such limitations), Free Will (Creatures of the Night do not follow the hand of God and instead choose of their own free will), Empowerment (Creatures of the night are empowered by the night, becoming stronger when it's night time), Evolution (Creatures of chaos can inherit evil natures awakening into stronger enemies with new abilities and less weaknesses), Resurrection (Self-Resurrection; Creatures of chaos can be brought back to life from the power of hate. This has also been shown with slain heads reviving as an angry wraith), Regeneration (Mid-Godly overtime; Even the castle from Castlevania is a Creature of Chaos, where they are always rebirth from Chaos with each rebirth, the creatures takes a new form, with this state being referred to as a "regeneration cycle"), Invisibility (Creatures of Chaos possess a natural aura of darkness, which makes one unable to see those with an aura of darkness by the naked eye), Time Manipulation (Passive; All immortal beings disrupt the flow of time according to Aeon), Darkness Manipulation & Subjective Reality (Creatures of chaos very existence causes dark powers to flow beyond the control of the Elgos' grimoires, due to them collecting documented information on Dracula and his castle. Causing their power to materialize in the real world in the form of monsters. With the real world and world of grimoires being considered the same or "equal", compared to the like of Brauner's painting worlds that are quantum multi-layered spaces requiring understandings of theories such as "Curse Amplification"), Text Manipulation & Plot Manipulation (Passive; Creatures of the night's dark powers allowed them to rewrite the Grimoires to strengthen their dark powers greatly. It is noted by Lucy that the "vital soul" of a monster is the cause of the grimoire chaos. Their vital souls are causing the grimoires contents to be overwritten changing history to things such as Jonathan Morris is now at a disadvantage in battle, or Charlotte fading from existence due to them messing with the history of the Grimoires, Maria starting to fade because Richter's history is being rewritten, where if the contents of the book change the creatures magic will keep growing and eventually overflow into reality, causing the grimoire to fall into chaos and even more monsters materializing into the real world. The text alterations also make the monsters stronger. With the real world and world of grimoires being considered the same or "equal", compared to the like of Brauner's painting worlds that are quantum multi-layered spaces requiring understandings of theories such as "Curse Amplification"), Law Manipulation (Creatures of Chaos can alter grimoires, which do not adhere to the laws of reality), Power Modification (Creatures of the night alterations of the Grimoire can greatly limit the powers of those far stronger than them, such as Jonathan Morris' power being limited due to the alterations. The Chaos of the Grimoire destabilized the magic of the others).

Resistance to Ice Manipulation & Absolute Zero (All enemies in Castlevania III: Dracula's curse can eventually break out of being frozen from Sypha's ice magic. Along with this to protect against ice attacks in series, one normally wears rings that help them resist against absolute zero), Time Manipulation (All immortal beings disrupt the flow of time according to Aeon, with their souls being completely free from time. With time in Castlevania being so potent that not even eternity can withstand time, along with even artificial life being subject to the laws of time. Some creatures of chaos are immune to time stop, normally being boss-level creatures), Fate Manipulation (All immortal beings disrupt the flow of time according to Aeon, with their souls being completely free from time, with fate being a truth wound by time)

Is a Vampire, which gives:

Superhuman Physical Characteristics (Vampires are considered far larger threats than the standard creature of the night monsters), Stealth Mastery (Vampires are able to attack stealthily in search of human blood), Disguise Mastery (Vampires will sometimes disguise themselves as villages in order to get near one), Immortality (Ageless; Vampires defy God's decree that life should be limited, and exist for eternity, with Mathias noting he has eternal life. Aeon notes that vampires exist for eternity. Walter is noted to be a vampire that has eternal life. The biggest hindrance to humans when attempting to accomplish something is their limited lifespans, a limitation that cannot be overcome, however, dwellers of the darkness do not apply to the laws of the human world, ignoring such limitations. Immortal Metaphysical Aspect; Vampires will someday come back to life despite them being killed due to being immortal), Acausality (Causality Immunity; All immortal beings disrupt the flow of time according to Aeon. With their souls being completely free from time. The biggest hindrance to humans when attempting to accomplish something is their limited lifespans, a limitation that cannot be overcome, however, dwellers of the darkness do not apply to the laws of the human world, ignoring such limitations), Free Will (Vampires do not follow the hand of God and instead choose of their own free will, defying God's decree), Enhanced Senses (Vampires can smell that Reinhardt Schneider and Carrie Fernandez smell different from the usual adventurer), Surface Scaling (Vampires can stand on ceilings), Flight (Vampires can either naturally levitate grow wings to fly, turn into a bat, or into mist), Immersion (Vampires can infuse magic into paintings to increase their power), Empowerment (Vampires are loved by the night, making them so powerful that vampires like Walter Bernhard never been defeated before Leon Belmont gained the vampire killer. Noted by Leon that the night should help Joachim Armster as well due to him being a vampire, with the only reason it doesn't is due to Walter holding the ebony stone), Resurrection (Even if one somehow manages to kill a vampire, they will someday come back to life despite them being killed due to being immortal), Transformation (Shapeshifting; Vampires can assume the shape of a wolf, a bat or fog. Vampires can disguise themselves as huamns), Teleportation (Vampires possess the ability to teleport freely. Even non-threatening vampires such as Rosa, fade out from view), Power Suppression (Vampires can submerge their own vampiric powers if needed), Life-Force Absorption (Vampires can consume one's lifeforce, allowing them to heal themselves through biting into a victim), Vampirification (Vampires can turn others into vampires, Walter turned Rinaldo's daughter into a vampire), Invisibility (Vampires possess natural aura of darkness, which makes one unable to see those with an aura of darkness by the naked eye), Time Manipulation (Passive; All immortal beings disrupt the flow of time according to Aeon), Animal Manipulation (Bats serve under the control of vampires, being freely spawnned by any vampire), Cloth Manipulation (A vampire's blood can transform clothes, such as Hector combining a vampire's blood with a prince's clothes to get Dracula's clothes), Electricity Manipulation (Vampires can sometimes have electricity form around them as they transform), Soul Manipulation (The candles in Castlevania are people's souls that were taken by Death or by vampires), Text Manipulation & Plot Manipulation (Passive; Vampire's dark powers allowed them to rewrite the Grimoires to strengthen their dark powers greatly. It is noted by Lucy that the "vital soul" of a monster is the cause of the grimoire chaos. Their vital souls are causing the grimoires contents to be overwritten changing history to things such as Jonathan Morris is now at a disadvantage in battle, or Charlotte fading from existence due to them messing with the history of the Grimoires, Maria starting to fade because Richter's history is being rewritten, where if the contents of the book change the creatures magic will keep growing and eventually overflow into reality, causing the grimoire to fall into chaos and even more monsters materializing into the real world. The text alterations also make the monsters stronger. With the real world and world of grimoires being considered the same or "equal", compared to the like of Brauner's painting worlds that are quantum multi-layered spaces requiring understandings of theories such as "Curse Amplification"), Law Manipulation (Vampires can alter grimoires, which do not adhere to the laws of reality), Power Modification (Vampire's alterations of the Grimoire can greatly limit the powers of those far stronger than them, such as Jonathan Morris' power being limited due to the alterations. The Chaos of the Grimoire destabilized the magic of the others).

Resistance to Temperatures (Vampires bodies turn cold, with them feeling no heat), Biological Manipulation (Vampires biological functions are no longer required for them), Time Manipulation (All immortal beings disrupt the flow of time according to Aeon, with their souls being completely free from time. With time in Castlevania being so potent that not even eternity can withstand time, along with even artificial life being subject to the laws of time), Death Manipulation ("Death" loses all meaning for Vampires, as they defy God's decree that life should be limited, and exist for eternity. Where even if one "kills" a vampire they will simply just come back as they are not bound to death), Fate Manipulation (All immortal beings disrupt the flow of time according to Aeon, with their souls being completely free from time, with fate being a truth wound by time), Law Manipulation (Vampires defy God's decree that life should be limited, and exist for eternity)

Magic & Principle Manipulation (Through utilizing magic, one has to have a deep understanding of Quantum Physics to utilize it to its fullest, requiring understandings of theories such as "Curse Amplification". Magic comes from alchemy, a field that experiments with the principles of God's creation of the world, along with being said to be as great a task as recreating God's creation of the Earth), Non-Standard Interaction (Extra-Planar Interaction; Magic is able to interact with beings such as Camilla Fernandez, Physical attacks are difficult to land as Camilla lives in the Astral plane, and her earthly body is completely ethereal), Limited Immersion & Dimensional Travel (Magic users can align their magic with the magic of another to enter into painting worlds), Summoning (Magic can be used in order to summon weapons and items inscribed in grimoires)

Weapon Mastery (Sword Mastery; Stella is a skilled sword wielder. Noted to be a skilled swordsmaster), Sheer Will (Simon claims that the Belmonts and Morrises did not defeat Dracula because of the Vampire Killer, with the reason behind heroes' capacity to fight against evil lying not in their physical strength but the noble desire to drive away evil and usher in all that is good, the desire to protect the world for all of humanity, with the courage to fight to protect others being the true essence of a hero and a Belmont's strength, with this even applying for other heroes such as Shanoa, Maria, Charlotte, and even Arikado. Alucard notes that having something to protect surpasses the limits of strength), Afterimage Creation (Moves so fast that she creates afterimages), Accelerated Development (Battling & Leveling, Physical Stats and Abilities; As Loretta and Stella travel throughout the castle battling enemies and bosses they gain level ups, getting stronger, faster, more durable, and having better abilities and resistances), Flight (Stella and Loretta are able to naturally fly around, even while not vampires), Teleportation (Teleported to where Jonathan and Charlotte were), Extrasensory Perception (Stella and Loretta could sense their father's power), Penetration Damage (Metaphysical Penetration; Stella does a slashing attack made from pure magic), Non-Standard Interaction (Abstract Interaction; Charlotte can interact with and kill Death, where Death is death, being the absolute presence, the awe, the religion, and the dark god. He refers to death itself as him. Noting that he is completely death and human death is only a part of Chaos. Olrox when seeing Death fight serious notes that he senses the overwhelming existence of death and states that death really exists), Shockwave Generation (Stella sends out massive energy waves with her attacks), Energy Projection (Stella sends out an energy projectile from her sword), Energy Absorption (Stella can get jewels out of objects and enemies, with jewels being a means to charge energy and thus they are essentially hearts, where hearts are a measure of one's stored energy, thus one is absorbing energy when gaining hearts), Air Manipulation (Stella sets up a few random crescent-shaped wind projectiles in the air, after setting them up, the wind projectiles start firing), Memory Manipulation (The power of the Lecarde family, can perform a ritual unlocking the true power of the whip and have the power to incarnate the memory of the Belmonts engraved in the whip).

Resistance to Curse Manipulation (In Sisters Mode, Loretta and Stella are shown to possess immunity to curses), Death Manipulation & Fate Manipulation (Stella can take hits from Death and his scythes, who is noted to govern the fate of death, being noted to have the power to govern the end of all living things, and can use his scythes to kill abstractions such as distance and sound. Death decides who lives and who dies)

Resistance to Dracula's Castle (Loretta and Stella are able to enter Dracula's Castle without facing any adverse effects)

The Castle Abilities Include:

Reality Warping (The Castle does not work on standard logic, where changing rooms can have one view a completely different background, such as room with a blue sky that is reflecting up and downwards and having the cloud srotate at a fast speed), Transmutation (Beings that come near are subject to the castle's influence, such as a local barnyard owl which was mutated just from flying near it), Possession (The castle possesses objects with its magic, such as a ouija table), Sealing (Dracula's magic captured Aguni, a primitive god of fire. The Castle has doors sealed off without solving puzzles. This can extend to walls being sealed off where explosions will not affect it until the seal is gone), Mind Manipulation (Everything that enters the castle is under the control by the power of Dracula's castle, the ghost of Eric Lecarde needed to cast a magic barrier to bind himself so he could be free from the control of the castle. The Castle corrupts the minds of those who enter it, such as making Maxim Kischine feel strange ever since coming to it. It also corrupted the mind of Hugh turning him against Nathan with Nathan noting he's being controlled by Dracula. The castle increases one's dark desires, allowing Dracula to easily control them. The magic of Dracula's power that empowers the owl enemy also spurs it to violence), Madness Manipulation (The Castle warped Gergoth, a once-gentle beast and drove it mad), Size Manipulation (Magically enlarged a toad through the use of demonic baptism), Fear Manipulation (Even while far away, Curtis and Michelle felt malicious intent from the castle where their bodies seemed to squeal "run away". Michelle even being at the entrance to the castle had her body telling her to not go in and her leg muscles being petrified like stone), Curse Manipulation (The Curse status that spirits inflict comes from them absorbing the magic power around the castle. The Castle cursed a human to turn into a lizard man), Life Manipulation (The castle can bring inanimate statues to life to attack. Can cause the glass murals to come to life and attack), Soul Manipulation (Those that die in the castle become one of the floating spirits that wander the halls of the castle for eternity), Abstract Manipulation & Hell Manipulation (The castle can create a core of evil made from hatred, envy, anger and other dark emotions), Text Manipulation & Plot Manipulation (The vital souls are noted to be apart of the Castle's power, where is noted by Lucy that the "vital soul" of a monster is the cause of the grimoire chaos where creatures of the night's dark powers allowed them to rewrite the Grimoires to strengthen their dark powers greatly, along with their vital souls causing the grimoires contents to be overwritten changing history to things such as Jonathan Morris is now at a disadvantage in battle, or Charlotte fading from existence due to them messing with the history of the Grimoires, Maria starting to fade because Richter's history is being rewritten, where if the contents of the book change the creatures magic will keep growing and eventually overflow into reality, causing the grimoire to fall into chaos and even more monsters materializing into the real world. The text alterations also make the monsters stronger. With the real world and world of grimoires being considered the same or "equal", compared to the like of Brauner's painting worlds that are quantum multi-layered spaces requiring understandings of theories such as "Curse Amplification". Death was going to use Dracula's magic to rewrite Dracula's defeat to Trevor making it where Dracula defeats Trevor Belmont instead where Dracula would go on living in the rewritten grimoire with each grimoire being its own world and the grimoires influence extends into reality), Law Manipulation (The vital souls are noted to be apart of the Castle's power, which alter grimoires, which do not adhere to the laws of reality), Power Modification (The vital souls are noted to be apart of the Castle's power, which the vital souls cause alterations of the Grimoire that can greatly limit the powers of those far stronger than them, such as Jonathan Morris' power being limited due to the alterations. The Chaos of the Grimoire destabilized the magic of the others)

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Equipment

• Stella's Locket: A locket Stella holds that has a picture of her, Loretta Lecarde, and her father Eric Lecarde.

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Notable Techniques

Slash Attack

Stella conjures magic to create slashes without needing to use a sword.

	Cleaving Wave（裂波）
	Stella lands on the ground and swings her sword to create a shockwave in front of her.
	Whirlwind（疾風）
	Stella swings her sword and sends out sword energy in front of her depending on the player's position.
	Crescent Moon（弧月）
	Stella sets up a few random crescent-shaped wind projectiles in the air. After setting them up, the wind projectiles start firing.
	Sword attack
	Stella attacks with her sword. There are usually two types of attacks： Stella does a circular moon image slash. Stella swings her sword forward.
	Teleport
	Stella will also sometimes teleport to avoid the player's attacks.

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Other

Standard Tactics: Stella utilizes a variety of offensive techniques in battle. She can land and swing her sword to create a shockwave in front of her, a move known as Cleaving Wave. Depending on the player's position, she may use Whirlwind, where she sends out energy waves with her sword. Another attack, Crescent Moon, involves setting crescent-shaped wind projectiles in the air that begin firing after being positioned. Stella's sword attacks include performing a circular slash that leaves a moon-like image or swinging her sword forward in a straightforward manner. Additionally, she can teleport to evade attacks, making her harder to pin down during combat.

Weaknesses

• Creature of the Night Weaknesses: Creatures of the night become weaker when exposed to the morning sun. Garlic significantly weakens creatures of the night, and causes demons to die if its placed on the ground. If a vital soul is defeated, the grimoire will revert back to its original content.
• Standard Vampire Weaknesses: After a vampire is sufficiently weakened, the sunlight can kill them. Otherwise Vampires can stand out in the sunlight just fine. Though some weaker vampires can have the sun burn them overtime, killing them. Oak Stakes are able to break through the magic of a weakened vampire. Defeating a vampire will stop the effects of someone they have bitten, but only before they've turned. This is shown in Harmony of Dissonance where through Juste killing Dracula's Wraith, the bite marks on Lydie have vanished. Vampires reflections do not appear on mirrors, making them easier to identify. Vampires are noted to be weak during the dawn.

Note

• Contrary to popular belief, holy attacks and the whips in Castlevania can affect and harm people that aren't apart of the creatures of the night. Leon's doppelganger can use holy water and holy attacks against him in this fight along with the alchemy whip despite Leon being a pure and noble warrior. Simon's doppelganger can harm him with the vampire killer, despite Simon being a noble hero. Holy Water even works and harms enemies such as the "Holy Armor", a knight who has natural holy powers. Corrupted enemies such as Charlie Vincent, use holy water attacks on Carrie and Reinhardt. Characters like Jonathan Morris wear armor like the Holy Mail, an armor that reduces damage from holy attacks.
• While vampires have some weakness to sunlight and can burn overtime in them, higher tier vampires, can stand out in the sunlight just fine without being weakened. It should also be noted even with Dhamphir's like Alucard, in original lore, he was considered a full vampire yet could stand out in the sunlight perfectly fine.

Trivia

• Both Stella and Loretta were voiced by the same actress, Mariko Suzuki, in the Japanese version of Castlevania: Portrait of Ruin.
• As Eric is also a skilled fencer, it was he who most likely taught Stella swordsmanship.

Battle Records

17 - 3 - 0

• Dullahan - Fight
  • Conditions: None.
  • Location: City of Haze

• Behemoth - Fight
  • Conditions: None.
  • Location: Entrance

• Keremet - Fight
  • Conditions: None.
  • Location: Great Stairway

• Astarte - Fight
  • Conditions: None.
  • Location: Sandy Grave

• Legion - Fight
  • Conditions: None.
  • Location: Nation of Fools

• Dagon - Fight
  • Conditions: None.
  • Location: Forest of Doom

• Death - Fight
  • Conditions: None.
  • Location: Tower of Death

• The Creature - Fight
  • Conditions: None.
  • Location: Dark Academy

• Mummy Man - Fight
  • Conditions: None.
  • Location: Forgotten City

• Medusa - Fight
  • Conditions: None.
  • Location: Burnt Paradise

• Werewolf - Fight
  • Conditions: None.
  • Location: 13th Street

• Balore - Fight
  • Conditions: None.
  • Location: Nest of Evil

• Gergoth - Fight
  • Conditions: None.
  • Location: Nest of Evil

• Zephyr - Fight
  • Conditions: None.
  • Location: Nest of Evil

• Aguni - Fight
  • Conditions: None.
  • Location: Nest of Evil

• Abaddon - Fight
  • Conditions: None.
  • Location: Nest of Evil
• Fake Trevor, Fake Grant & Fake Sypha - Fight
  • Conditions: None.
  • Location: Nest of Evil

• Doppelganger - Fight
  • Conditions: None.
  • Location: Nest of Evil

• Brauner - Fight
  • Conditions: None.
  • Location: Master's Keep
  • Note: Brauner sneak attacked Stella and bit her with Loretta being in too much shock to move.

• Jonathan Morris & Charlotte Aulin - Fight
  • Conditions: None.
  • Location: Tower of Death

• Jonathan Morris & Charlotte Aulin - Fight
  • Conditions: Match was a rematch for Stella.
  • Location: Master's Keep
  • Note: Charlotte uses Sanctuary in order to cure them of their vampirism, however the bad ending shows Jonathan and Charlotte can defeat the sisters if needed.

None.